Anita Monserrat
- Mezzo-Soprano


About Anita
British mezzo-soprano Anita Monserrat recently won 1st prize at the 2024 SWR Junge Opernstars competition, 2nd prize at Neue Stimmen 2024 and was a semi-finalist at the 30th edition of Plácido Domingo’s Operalia Competition. In the UK, she reached the final of both the 2023 Kathleen Ferrier Awards and the 2022 Handel Singing Competition. She was a member of the Young Singer’s Project at the 2023 Salzburger Festspiele and also took part in the 2024 International Meistersinger Akademie (IMA).
Anita studied at Cambridge University, The Royal Academy of Music and the University of Music and Performing Arts Vienna. Whilst at the MdW, her roles included ‘Hänsel’ in Humperdinck’s Hänsel und Gretel, and the principal role in Poulenc’s La Voix Humaine. In concert, Anita has appeared as a soloist at the 2023 Christmas in Vienna at the Wiener Konzerthaus and in Beethoven’s Symphony No. 9 with the Singapore Symphony Orchestra, under the direction of Hans Graf. Other concert highlights include Bach’s St John Passion at London’s Barbican Centre with Britten Sinfonia, Handel’s Messiah with Laurence Cummings and the London Handel Festival, Vivaldi’s Gloria with the Academy of Ancient Music and Bach’s St John Passion with Philippe Herreweghe.
Anita joins the Wiener Staatsoper Opernstudio for the 2024/25 and 2025/26 seasons as the Hildegard Zadek Scholarship holder.
Representation
Worldwide general management with Askonas Holt
Video
- Playing
Anita Monserrat sings ‘Sussurrate, onde vezzose’, Amadigi (G. F. Handel)
Credit: SWR Junge Opernstars 2024 competition
Anita Monserrat sings 'Sta nell'ircana' from Handel's Alcina
Credit: Neue Stimmen
Anita Monserrat sings 'Nacqui all'affanno... Non più mesta' from Rossini's La Cenerentola
Credit: Neue Stimmen
Anita Monserrat sings 'Nobles Seigneurs', Les Huguenots (G. Meyerbeer)
Credit: Operalia 2023 Competition
Anita Monserrat sings ‘Tes yeux sont doux' from Shéhérazade (Ravel)
Credit: Neue Stimmen
Selected Repertoire
Bizet
Carmen (Mercédès)
Handel
Semele (Ino) • Giulio Cesare (Sesto)
Humperdinck
Hänsel und Gretel (Hänsel)
Mascagni
Cavalleria Rusticana (Lola)
Monteverdi
Il ritorno d’Ulisse in patria (Fortuna)
Mozart
Don Giovanni (Zerlina)
Mozart
Die Zauberflöte (Zweite Dame)
Mozart
Le Nozze di Figaro (Cherubino) - in preparation
Offenbach
Les Contes d’Hoffmann (Nicklausse)
Poulenc
La Voix Humaine (Elle)
Puccini
Madama Butterfly (Kate Pinkerton)
Purcell
Dido and Aeneas (Dido) - in preparation
Rossini
La Cenerentola (Angelina) - in preparation
Tchaikovsky
Iolanta (Laura)
News
Askonas Holt welcomes mezzo-soprano Anita Monserrat

Askonas Holt is pleased to welcome Anita Monserrat to the roster for worldwide general management.
The 2024/25 season sees the British mezzo-soprano join the Wiener Staatsoper Opernstudio, singing the role of Kate Pinkerton alongside Askonas Holt tenor Joshua Guerrero in Madama Butterfly directed by Anthony Minghella.
In concert, Anita has performed at the Wiener Konzerthaus as a soloist at last year’s Christmas in Vienna concert, and with the Singapore Symphony Orchestra as soloist in Beethoven’s Symphony No.9 conducted by Hans Graf. Other concert highlights include Bach’s St John Passion at London’s Barbican Centre with the Britten Sinfonia, Handel’s Messiah with Laurence Cummings and the London Handel Festival, Vivaldi’s Gloria with the Academy of Ancient Music and Bach’s St John Passion with Philippe Herreweghe.
Anita won First Prize at the 2024 SWR Junge Opernstars Competition, as well as a semi-finalist at the 2023 Operalia Competition, and a finalist at both the 2023 Kathleen Ferrier Awards and the 2022 Handel Singing Competition. She was a member of the Young Singer’s Project at last year’s Salzburger Festspiele and also took part in the 2024 International Meistersinger Akademie.
She is a graduate of the University of Music and Performing Arts Vienna, the Royal Academy of Music and the University of Cambridge.
Anita will be managed at Askonas Holt by Fabiana Dalpiaz and Kate Robson.
WATCH: Anita sings ‘Sussurrate, onde vezzose’ from Handel's Amadigi with the Deutsche Radio Philharmonie.
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