Since making her professional debut at The Metropolitan Opera in 2016 as the Madrigal Singer in Puccini’s Manon Lescaut, Avery Amereau has sung at numerous internationally-acclaimed opera houses, including the Bayerische Staatsoper, Santa Fe Opera, Seattle Opera, Opéra de Lyon, Grand Théâtre de Geneve and English National Opera, along with the Glyndebourne and Salzburg Festivals.
The 23/24 season sees Avery join the guest ensemble at the Bayerische Staatsoper, where her roles will include Cherubino (Le nozze di Figaro), Dorabella (Cosí fan tutte), Third Lady (Die Zauberflöte) and a role debut as Amanda (Le Grand Macabre) conducted by Kent Nagano. Elsewhere, Avery makes a professional role debut as the title role in Carmen with the Jacksonville Symphony Orchestra, and returns to English National Opera to reprise the role of Serena Joy (The Handmaid’s Tale). Further ahead, Avery makes a house debut with the Royal Opera House Covent Garden.
In high demand on the concert platform, the 22/23 season saw Avery give a number of professional orchestral debuts, including her role debut as Marguerite (La Damnation de Faust) with the Boston Youth Symphony Orchestra conducted by Federico Cortese, the Mozart Requiem with The Cleveland Orchestra conducted by Franz Welser-Möst and for Barcelona Symphony conducted by Trevor Pinnock, Christmas Oratorio with Montréal Symphony Orchestra conducted by Leonardo García Alarcón, Das Paradies und die Peri with the Czech Philharmonic Orchestra conducted by Daniel Harding and her Tanglewood Festival debut singing Berlioz's Les nuits d’été with the Boston Symphony Orchestra conducted by Dmitri Slobodeniouk. In seasons ahead Avery sings Bach’s Christmas Oratorio with the Orchestra of St Luke’s conducted by Bernard Labadie at Carnegie Hall, joins Collegium 1704 for a European tour of Handel’s Messiah conducted by Václav Luks and makes her debut with the Accademia Nazionale di Santa Cecilia with Daniel Harding.