BenBliss
- Tenor


About Ben
Hailed as a “truly exceptional tenor” by the National Review, Ben Bliss has established himself as one of the most exciting performers on today’s operatic stage, both in his native America and internationally. Ben has been cited as “an exemplar of the Mozartean tenor” for his “purity of tone, vocal control and artistic sensitivity” (Opera Warhorses).
In 25/26, Ben makes his anticipated role debut as the Duke in Rigoletto with the Canadian Opera Company, as well as another role debut as the title role in Idomeneo with Washington Concert Opera. He also returns to the Metropolitan Opera as Don Ottavio in Don Giovanni conducted by Yannick Nézet Séguin, performs in Houston Grand Opera's staged Messiah, and sings Tamino in Die Zauberflöte with the St. Louis Symphony. Other concert highlights include a return with the Chicago Symphony for a Mozart Requiem, a solo recital at LA Opera, as well as a Messiah concert tour with the Handel and Haydn Society.
Last season's highlights include two roles at the Metropolitan Opera - a debut as Eric in Jeanine Tesori's new opera Grounded, and Tamino in Die Zauberflöte. Ben also returned to the Opéra national de Paris as Tom Rakewell in The Rake's Progress and performed the role of Jupiter in Semele for his house debuts at both the Royal Opera House and the Théâtre des Champs Elysées. Concert engagements included performances with the Metropolitan Opera and Yannick Nézet-Séguin at Carnegie Hall, as well as with the Chamber Music Society Lincoln Center.
Contact
For availability and general enquiries:

Joel Thomas

Mathieu Levan
Representation
Season Highlights
Video
- Playing
Sú la sponda del pigro Lete
Ben Bliss Sú la sponda del pigro Lete from Tamerlano by G.F. Handel Russian State Chamber Orchestra Cond. by Christopher Moulds September 9, 2021 Tchaikovsky Hall Moscow, Russia Credit: Ben Bliss
Ciel e terra armi di sdegno
Ben Bliss 'Ciel e terra armi di sdegno' from G.F. Handel's Tamerlano State Chamber Orchestra of Russia Cond. by Christopher Moulds September 9, 2021 Tchaikovsky Hall Moscow, Russia Credit: Ben Bliss
Ben Bliss, Tenor - 'Maria' from West Side Story
Credit: Ben Bliss
Ben Bliss, Tenor - 'O Wie Ängstlich' by W.A. Mozart
Credit: Ben Bliss
Photos
Selected Repertoire
Ades
The Tempest (Caliban)
Berlioz
Beatrice et Benedict (Benedict)
Britten
Billy Budd (Captain Vere) • The Turn of the Screw (Peter Quint) • Death in Venice (Aschenbach) • Rape of Lucretia (Male Chorus)
Debussy
Pelleas et Melisande (Pelleas)
Donizetti
L’Elisir D’Amore (Nemorino)
Gluck
Iphigenie en Tauride (Pylade)
Gounod
Romeo et Juliette (Romeo)
Handel
Solomon (Zadok) • Alcina (Oronte) • Semele (Jupiter)
Janacek
Jenufa (Steva)
Mozart
Don Giovanni (Don Ottavio) • Cosi fan tutte (Ferrando) • Die Zauberflote (Tamino) • La Clemenza di Tito (Tito) • Die Entführung aus dem Serail (Belmonte)
Poulenc
Les Dialogues des Carmelites (Chevalier de la Force)
Puts
Silent Night (Nikolaus Sprink)
Smetana
The Bartered Bride (Vasek)
Stravinsky
The Rake’s Progress (Tom Rakewell)
Tchaikowsky
Eugene Onegin (Lensky)
Tesori
Grounded (Eric)
Verdi
La Traviata (Alfredo) • Rigoletto (Duca) • Falstaff (Fenton)
Wagner
Die Meistersinger (David)
News
Press
Don Giovanni (Don Ottavio)
Opera National de ParisSep 2023Le Don Ottavio du ténor Ben Bliss, faisant ses débuts à l’Opéra national de Paris, est tout particulièrement réactif sur scène. Il s’agît d’un rôle parfois ingrat en raison de ses pages sublimes mais au sort fastidieux, voire carrément sot… contre toute attente, le ténor paraît prendre énormément de plaisir à interpréter ses airs avec beaucoup de souplesse vocale et une grande musicalité. [TRANSLATED] Tenor Ben Bliss's Don Ottavio, making his Paris Opera debut, is particularly responsive on stage. It's a role that's sometimes thankless because of its sublime pages, but tedious, even downright silly... against all expectations, the tenor seems to take great pleasure in performing his arias with great vocal flexibility and musicality.
- Classique News
- 26 September 2023
Capable lui-aussi de douceur, le ténor nord-américain Ben Bliss livre un Ottavio plus droit, également plus lyrique, dont la ligne est magnifiquement maîtrisée. Les deux Anna s’opposent dans leur caractère plus que dans les moyens vocaux. [TRANSLATED] Also capable of gentleness, the North American tenor Ben Bliss delivers a straighter Ottavio, also more lyrical, whose line is magnificently mastered.
- Anaclase
- 29 September 2023
The Rake's Progress (Tom Rakewell)
Teatro ColónJul 2023En el protagónico el tenor Ben Bliss mostró su bello color vocal, la amplitud de su registro y su eficacia interpretativa. [TRANSLATED] In the title role, tenor Ben Bliss showed his beautiful vocal colour, the breadth of his register and his interpretative effectiveness.
- Mundo Classico
- 25 July 2023
Nel ruolo del titolo, il tenore Ben Bliss ha mostrato il suo bel colore vocale, l'ampiezza dell'emissione e la sua efficacia interpretativa. [TRANSLATED] Nel ruolo del titolo, il tenore Ben Bliss ha mostrato il suo bel colore vocale, l'ampiezza dell'emissione e la sua efficacia interpretativa
- L'ape musicale
- 22 July 2023
Don Giovanni (Don Ottavio)
The Metropolitan Opera, New YorkMay 2023Don Ottavio is often portrayed as a rather conflicted and reluctant avenger in this opera. Ben Bliss portrayed him in a much more assertive and edgy way. In doing so he made the relationship with Donna Anna seem much more credible. He sang ‘Dalla sua pace’ with exquisite lyricism and sustained the extended lines beautifully. Bliss added a number of very tasteful embellishments to ‘Il mio tesoro’ and gave a supremely elegant performance.
- Seen and Heard International
- 25 May 2023
Ben Bliss possède une voix claire et bien projetée de ténor lyrique, un souffle inépuisable comme en témoigne la longue vocalise centrale de « Il mio tesoro » et une ligne de chant élégamment nuancée. Les reprises de ses airs sont ornementées avec goût. [TRANSLATED] Ben Bliss has a clear, well-projected lyric tenor voice, an inexhaustible breath, as evidenced by the long central vocalise in "Il mio tesoro", and an elegantly nuanced vocal line. The repeats of his arias are tastefully ornamented.
- Forum Opera
- 22 May 2023
Ben Bliss offre à Don Ottavio la qualité de son timbre et la longueur de son souffle, lui permettant de dérouler et longuement déployer une ligne majestueuse, acclamée dans son air "Il mio tesoro intanto". Il propose en outre des variations dans chaque reprise de ses airs avec créativité. [TRANSLATED] Ben Bliss offers Don Ottavio the quality of his tone and the length of his breath, allowing him to unfold and at length deploy a majestic line, acclaimed in his aria " Il mio tesoro intanto ". He also offers variations in each cover of his tunes with creativity.
- Olyrix
- 21 May 2023
Avery Amereau and Ben Bliss debut with The Cleveland Orchestra

Tonight sees Avery Amereau and Ben Bliss debut with The Cleveland Orchestra and conductor Franz Welser-Möst in the first of four performances of Mozart’s Requiem.
For contralto Avery Amereau, the Cleveland appearance is one of a handful of debuts this season; next month she sings Das Paradies und die Peri with the Czech Philharmonic Orchestra and Daniel Harding, and July brings her debut with the Orquestra Simfònica de Barcelona i Nacional de Catalunya singing the Mozart Requiem conducted by Trevor Pinnock. In North America, she has given multiple concert performances this season. Last month she joined forces with Les Violons du Roy and Music Director Jonathan Cohen for Handel’s Alcina alongside Askonas Holt soloists Lucy Crowe and Kayleigh Decker. This was Avery’s second appearance with the French-Canadian chamber orchestra this season, having joined them for a concert of Bach cantatas under the baton of Bernard Labadie in December. The year’s end also saw performances of Bach’s Christmas Oratorio with Orchestre symphonique de Montréal, and Handel’s Messiah with both the St Paul Chamber Orchestra and the Handel and Haydn Society alongside tenor Ben Bliss.
Ben returns to Boston at the end of the month for Bach’s Easter Oratorio - again with the Handel and Haydn Society - but before that he heads to Pennsylvania to join the Pittsburgh Symphony Orchestra for another performance of the Requiem. The North American concerts follow his appearance last month with the Deutsches Symphonie-Orchester Berlin and Robin Ticciati, as well as his portrayal of Tamino in The Metropolitan Opera’s December production of The Magic Flute with conductor Duncan Ward. Ben returns to the Met in the spring as Don Ottavio in a new production of Don Giovanni conducted by Nathalie Stutzmann, with a cast that includes AH artists Andrea Carroll, Dmitry Belosselskiy and Alexander Tsymbalyuk.
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