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BenBliss

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  • Tenor

About Ben

Hailed as a “truly exceptional tenor” by the National Review, Ben Bliss has established himself as one of the most exciting performers on today’s operatic stage, both in his native America and internationally. Ben has been cited as “an exemplar of the Mozartean tenor” for his “purity of tone, vocal control and artistic sensitivity” (Opera Warhorses).

In 25/26, Ben makes his anticipated role debut as the Duke in Rigoletto with the Canadian Opera Company, as well as another role debut as the title role in Idomeneo with Washington Concert Opera. He also returns to the Metropolitan Opera as Don Ottavio in Don Giovanni conducted by Yannick Nézet Séguin, performs in Houston Grand Opera's staged Messiah, and sings Tamino in Die Zauberflöte with the St. Louis Symphony. Other concert highlights include a return with the Chicago Symphony for a Mozart Requiem, a solo recital at LA Opera, as well as a Messiah concert tour with the Handel and Haydn Society.

Last season's highlights include two roles at the Metropolitan Opera - a debut as Eric in Jeanine Tesori's new opera Grounded, and Tamino in Die Zauberflöte. Ben also returned to the Opéra national de Paris as Tom Rakewell in The Rake's Progress and performed the role of Jupiter in Semele for his house debuts at both the Royal Opera House and the Théâtre des Champs Elysées. Concert engagements included performances with the Metropolitan Opera and Yannick Nézet-Séguin at Carnegie Hall, as well as with the Chamber Music Society Lincoln Center.

Ben is based in New York

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Contact

For availability and general enquiries:

Mathieu Levan

Mathieu Levan

Assistant Artist Manager

Representation

Worldwide general management with Askonas Holt

Season Highlights

Sep 2025
The Metropolitan Opera
Mozart: Don Giovanni (Don Ottavio)
Jan 2026
Canadian Opera Company
Verdi: Rigoletto (Duke)
Apr 2026
Houston Grand Opera
Handel: Messiah (Soloist)
May 2026
Washington Concert Opera
Mozart: Idomeneo (title role)

Photos

Selected Repertoire

Ades

The Tempest (Caliban)

Berlioz

Beatrice et Benedict (Benedict)

Britten

Billy Budd (Captain Vere)   •   The Turn of the Screw (Peter Quint)   •   Death in Venice (Aschenbach)   •   Rape of Lucretia (Male Chorus)

Debussy

Pelleas et Melisande (Pelleas)

Donizetti

L’Elisir D’Amore (Nemorino)

Gluck

Iphigenie en Tauride (Pylade)

Gounod

Romeo et Juliette (Romeo)

Handel

Solomon (Zadok)   •   Alcina (Oronte)   •   Semele (Jupiter)

Janacek

Jenufa (Steva)

Mozart

Don Giovanni (Don Ottavio)   •   Cosi fan tutte (Ferrando)   •   Die Zauberflote (Tamino)   •   La Clemenza di Tito (Tito)   •   Die Entführung aus dem Serail (Belmonte)

Poulenc

Les Dialogues des Carmelites (Chevalier de la Force)

Puts

Silent Night (Nikolaus Sprink)

Smetana

The Bartered Bride (Vasek)

Stravinsky

The Rake’s Progress (Tom Rakewell)

Tchaikowsky

Eugene Onegin (Lensky)

Tesori

Grounded (Eric)

Verdi

La Traviata (Alfredo)   •   Rigoletto (Duca)   •   Falstaff (Fenton)

Wagner

Die Meistersinger (David)

News

Press

  • Don Giovanni (Don Ottavio)

    Opera National de Paris
    Sep 2023
    • Le Don Ottavio du ténor Ben Bliss, faisant ses débuts à l’Opéra national de Paris, est tout particulièrement réactif sur scène. Il s’agît d’un rôle parfois ingrat en raison de ses pages sublimes mais au sort fastidieux, voire carrément sot… contre toute attente, le ténor paraît prendre énormément de plaisir à interpréter ses airs avec beaucoup de souplesse vocale et une grande musicalité. [TRANSLATED] Tenor Ben Bliss's Don Ottavio, making his Paris Opera debut, is particularly responsive on stage. It's a role that's sometimes thankless because of its sublime pages, but tedious, even downright silly... against all expectations, the tenor seems to take great pleasure in performing his arias with great vocal flexibility and musicality.

    • Capable lui-aussi de douceur, le ténor nord-américain Ben Bliss livre un Ottavio plus droit, également plus lyrique, dont la ligne est magnifiquement maîtrisée. Les deux Anna s’opposent dans leur caractère plus que dans les moyens vocaux. [TRANSLATED] Also capable of gentleness, the North American tenor Ben Bliss delivers a straighter Ottavio, also more lyrical, whose line is magnificently mastered.

      • Anaclase
      • 29 September 2023
  • The Rake's Progress (Tom Rakewell)

    Teatro Colón
    Jul 2023
    • En el protagónico el tenor Ben Bliss mostró su bello color vocal, la amplitud de su registro y su eficacia interpretativa. [TRANSLATED] In the title role, tenor Ben Bliss showed his beautiful vocal colour, the breadth of his register and his interpretative effectiveness.

    • Nel ruolo del titolo, il tenore Ben Bliss ha mostrato il suo bel colore vocale, l'ampiezza dell'emissione e la sua efficacia interpretativa. [TRANSLATED] Nel ruolo del titolo, il tenore Ben Bliss ha mostrato il suo bel colore vocale, l'ampiezza dell'emissione e la sua efficacia interpretativa

  • Don Giovanni (Don Ottavio)

    The Metropolitan Opera, New York
    May 2023
    • Don Ottavio is often portrayed as a rather conflicted and reluctant avenger in this opera. Ben Bliss portrayed him in a much more assertive and edgy way. In doing so he made the relationship with Donna Anna seem much more credible. He sang ‘Dalla sua pace’ with exquisite lyricism and sustained the extended lines beautifully. Bliss added a number of very tasteful embellishments to ‘Il mio tesoro’ and gave a supremely elegant performance.

    • Ben Bliss possède une voix claire et bien projetée de ténor lyrique, un souffle inépuisable comme en témoigne la longue vocalise centrale de « Il mio tesoro » et une ligne de chant élégamment nuancée. Les reprises de ses airs sont ornementées avec goût. [TRANSLATED] Ben Bliss has a clear, well-projected lyric tenor voice, an inexhaustible breath, as evidenced by the long central vocalise in "Il mio tesoro", and an elegantly nuanced vocal line. The repeats of his arias are tastefully ornamented.

    • Ben Bliss offre à Don Ottavio la qualité de son timbre et la longueur de son souffle, lui permettant de dérouler et longuement déployer une ligne majestueuse, acclamée dans son air "Il mio tesoro intanto". Il propose en outre des variations dans chaque reprise de ses airs avec créativité. [TRANSLATED] Ben Bliss offers Don Ottavio the quality of his tone and the length of his breath, allowing him to unfold and at length deploy a majestic line, acclaimed in his aria " Il mio tesoro intanto ". He also offers variations in each cover of his tunes with creativity.

Avery Amereau and Ben Bliss debut with The Cleveland Orchestra

/09 March 2023

Tonight sees Avery Amereau and Ben Bliss debut with The Cleveland Orchestra and conductor Franz Welser-Möst in the first of four performances of Mozart’s Requiem.

For contralto Avery Amereau, the Cleveland appearance is one of a handful of debuts this season; next month she sings Das Paradies und die Peri with the Czech Philharmonic Orchestra and Daniel Harding, and July brings her debut with the Orquestra Simfònica de Barcelona i Nacional de Catalunya singing the Mozart Requiem conducted by Trevor Pinnock. In North America, she has given multiple concert performances this season. Last month she joined forces with Les Violons du Roy and Music Director Jonathan Cohen for Handel’s Alcina alongside Askonas Holt soloists Lucy Crowe and Kayleigh Decker. This was Avery’s second appearance with the French-Canadian chamber orchestra this season, having joined them for a concert of Bach cantatas under the baton of Bernard Labadie in December. The year’s end also saw performances of Bach’s Christmas Oratorio with Orchestre symphonique de Montréal, and Handel’s Messiah with both the St Paul Chamber Orchestra and the Handel and Haydn Society alongside tenor Ben Bliss.

Ben returns to Boston at the end of the month for Bach’s Easter Oratorio - again with the Handel and Haydn Society - but before that he heads to Pennsylvania to join the Pittsburgh Symphony Orchestra for another performance of the Requiem. The North American concerts follow his appearance last month with the Deutsches Symphonie-Orchester Berlin and Robin Ticciati, as well as his portrayal of Tamino in The Metropolitan Opera’s December production of The Magic Flute with conductor Duncan Ward. Ben returns to the Met in the spring as Don Ottavio in a new production of Don Giovanni conducted by Nathalie Stutzmann, with a cast that includes AH artists Andrea Carroll, Dmitry Belosselskiy and Alexander Tsymbalyuk.

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