JoshuaGuerrero
- Tenor


About Joshua
Mexican American tenor Joshua Guerrero enters the 2025/26 season with a series of major role and house debuts. He will make his role and house debut as Hoffmann in Les Contes d'Hoffmann at Opéra National de Lyon, perform Des Grieux Manon Lescaut for his house debut at the Gran Teatre del Liceu, and return to Dutch National Opera as Cavaradossi Tosca and Gabriele Adorno Simon Boccanegra. He also returns to the Opéra national de Paris as Rodolfo La bohème, and to the Wiener Staatsoper for Simon Boccanegra. On the concert stage, he will make his debut with The Cleveland Orchestra, performing Verdi’s Requiem under the baton of Franz Welser-Möst.
In the 2024/25 season, Guerrero returned to Wiener Staatsoper for the title role in Don Carlo and Pinkerton Madama Butterfly, and to Opéra national de Paris as Luigi Il Tabarro. He sang Macduff Macbeth at the Salzburg Festival and made his role debut as Don José Carmen at Teatro dell’Opera di Roma in a new production by Fabio Ceresa. Concert appearances included a series of holiday performances with the Netherlands Philharmonic Orchestra under Lorenzo Viotti, and a solo recital at LA Opera.
On the concert stage, he has toured Europe with Gustavo Dudamel and the Simón Bolívar Symphony Orchestra performing Beethoven’s Symphony No. 9, and joined Dudamel and the Los Angeles Philharmonic for Haydn’s Creation and Beethoven’s Symphony No. 9. He made his debut with the Baltimore Symphony Orchestra under Marin Alsop in Symphony No. 9, and has appeared as a featured soloist at the Richard Tucker Music Foundation Gala at Carnegie Hall. He performed a nationally broadcast concert of opera arias and duets with soprano Joyce El-Khoury and the NDR Radiophilharmonie in Germany, sang Verdi’s Requiem with the Santa Fe Symphony, and appeared with soprano Ailyn Pérez in "One Amazing Night" presented by San Diego Opera. He also toured the U.S. with the Bel Canto Trio, including its 70th anniversary celebration.
Contact

Dominic Domingo

Rowan Bidmead

Mathieu Levan
Representation
Management with Askonas Holt for Europe, South America, and Mexico
General Management with Opus 3 Artists
Season Highlights
Video
- Playing
Joshua Guerrero, Ah! La Paterna Mano
Joshua Guerrero Credit: Joshua Guerrero
Joshua Guerrero, Donna non vidi mai
Joshua Guerrero Credit: Joshua Guerrero
Joshua Guerrero, Addio, fiorito asil
Joshua Guerrero Credit: Joshua Guerrero
Joshua Guerrero, Recondita Armonia
Joshua Guerrero Credit: Joshua Guerrero
Selected Repertoire
Bizet
Carmen (Don José)
Boito
Mefistofele (Faust)
Catan
Florencia en el Amazon (Arcadio)
Cilea
Adriana Lecouvreur (Maurizio)
Haydn
The Creation (Uriel)
Heggie
Moby-Dick (Greenhorn)
Offenbach
The Tales of Hoffmann (Hoffmann)
Previn
A Streetcar Named Desire (Steve Hubbell)
Puccini
Gianni Schicchi (Rinuccio) • Il Tabarro (Luigi) • La bohème (Rodolfo) • Madama Butterfly (Pinkerton) • Manon Lescaut (Il Cavaliere Renato des Grieux) • Tosca (Cavaradossi) • La fanciulla del West (Johnson)
Verdi
Don Carlo (Don Carlo) • La Traviata (Alfredo Germont) • Macbeth (Macduff) • Rigoletto (Il Duca di Mantova) • Simon Boccanegra (Gabriele Adorno)
News
Press
Puccini | Madama Butterfly | Pinkerton
Royal Opera HouseMar 2024 - Apr 2024Mexican-American tenor Joshua Guerrero was exceptionally good as Pinkerton. He was in fine voice and is a skilled actor. His Pinkerton is despicable, unworthy and a clear coward. … Pinkerton’s villainy was so well expressed that when Guerrero bowed to the public there were a few good-humoured and appreciative boos – not because he wasn’t excellent but because his unpleasant Pinkerton was so convincing.
- Margarida Mota-Bull, Seen and Heard International
- 16 March 2024
One of the most hated characters in opera and yet Joshua Guerrero’s voice almost made me like him at times, his high notes are bright and full and his voice has charm and character.
- Andrew Lohmann, London Unattached
- 15 March 2024
Joshua Guerrero certainly looked the part of Pinkerton, the handsome, dashing naval officer par excellence. He matched Grigorian for warmth and pleasantness of phrasing and timbre
- David Karlin, BachTrack
- 15 March 2024
Boito | Mefistofele | Faust
Teatro dell'opera di RomaNov 2023 - Dec 2023The lyrical voice of Joshua Guerrero 's Faust is splendid , holding its tone from start to finish without giving up a moment.
- Matteo Oscar Poccioni, Il Trillo Parlante
- 28 November 2023
American tenor Joshua Guerrero was an ideal choice for the role of Faust. His voice is powerful, and his high notes brilliant. More importantly, his voice has squillo, essential for expressiveness in this role.
- Ossana el Naggar, Concerto Net
- 27 November 2023
Puccini | Il Trittico | Luigi
Wiener StaatsoperOct 2023 - Oct 2023Assisted by Joshua Guerrero 's tenorally robust and powerful Luigi,
- Dominik Troger, Oper in Wien
- 06 October 2023
Joshua Guerrero’s tenor was resonant, precise and focused
- Chanda VanderHart, BachTrack
- 18 October 2023
Puccini | La bohème | Rodolfo
Opera National de ParisMay 2023 - Jun 2023Guerrero has the ideal vocal colors that go well with Puccini's music. His voice, characterized by an expressive and beautiful use in the vocal passages, also has a pleasant drama and masculinity that is very pleasing.
- Peter Michael Peters, Ioco
- 16 May 2023
At his side, Joshua Guerrero 's Rodolfo stands out , with a tone full of sunshine and intentions, with superlative ease across the entire range
- Florent Coudeyrat, Classique News
- 09 May 2023
Verdi | Macbeth | Macduff
Lyric Opera of ChicagoSep 2023A similarly enduring memory is Joshua Guerrero’s soaring treatment of Macduff’s ‘Ah, la paterna mano’. He built on the aria’s structure with subtle rubato, and his supple tone held the audience’s attention. The bel canto elements had full voice with Guerrero in this elegant reading.
- James Zychowicz, Seen and Heard international
- 24 September 2021
14 Askonas Holt artists feature in Wiener Staatsoper’s 2024/25 season

The Wiener Staatsoper announced the programme for their 2024/25 season yesterday, which includes performances from 14 Askonas Holt artists.
Making debuts at the opera house next season are recent signing Nadine Sierra and conductor Emmanuel Villaume. Nadine sings Adina in L'elisir d'amore opposite Xabier Anduaga, who is in Vienna performing the same role this week. Nadine also sings the lead in Romeo et Juliette. For his house debut, Emmanuel Villaume conducts Manon Lescaut with Kristina Mkhitaryan in the title role. Also taking the podium are Domingo Hindoyan, who returns to the opera house for the first time in five years to conduct La traviata, and Marc Leroy Calatayud who conducts three performances of Romeo et Juliette.
Soprano Nicole Car features in four different productions next season; She sings Donna Anna in Don Giovanni and Elisabetta in Don Carlo opposite Étienne Dupuis in the title role and as Posa respectively. She also makes appearances as Fiordiligi in Così fan tutte and Antonia in Les contes d'Hoffmann. Following her debut last year in Manon, Elsa Dreisig returns to sing Micaëla in Carmen.
Following their critically-acclaimed performances together this season at the Royal Opera House, Asmik Grigorian and Joshua Guerrero again join forces, this time for Don Carlo, with Asmik as Elisabetta and Joshua in the title role. Joshua returns later in the season to sing Pinkerton in Madama Butterfly.
Dmytro Popov returns to Vienna as Vaudemont in Iolanta, and Stephanie Maitland - having previously been part of the Young Artist Programme there - returns in a variety of roles, including Penelope in Il ritorno d'Ulisse in patria, Third lady in Die Zauberflöte and Gouvernante in Pique Dame.
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