JoshuaGuerrero
- Tenor


About Joshua
Mexican American tenor Joshua Guerrero enters the 2025/26 season with a series of major role and house debuts. He will make his role and house debut as Hoffmann in Les Contes d'Hoffmann at Opéra National de Lyon, perform Des Grieux Manon Lescaut for his house debut at the Gran Teatre del Liceu, and return to Dutch National Opera as Cavaradossi Tosca and Gabriele Adorno Simon Boccanegra. He also returns to the Opéra national de Paris as Rodolfo La bohème, and to the Wiener Staatsoper for Simon Boccanegra. On the concert stage, he will make his debut with The Cleveland Orchestra, performing Verdi’s Requiem under the baton of Franz Welser-Möst.
In the 2024/25 season, Guerrero returned to Wiener Staatsoper for the title role in Don Carlo and Pinkerton Madama Butterfly, and to Opéra national de Paris as Luigi Il Tabarro. He sang Macduff Macbeth at the Salzburg Festival and made his role debut as Don José Carmen at Teatro dell’Opera di Roma in a new production by Fabio Ceresa. Concert appearances included a series of holiday performances with the Netherlands Philharmonic Orchestra under Lorenzo Viotti, and a solo recital at LA Opera.
On the concert stage, he has toured Europe with Gustavo Dudamel and the Simón Bolívar Symphony Orchestra performing Beethoven’s Symphony No. 9, and joined Dudamel and the Los Angeles Philharmonic for Haydn’s Creation and Beethoven’s Symphony No. 9. He made his debut with the Baltimore Symphony Orchestra under Marin Alsop in Symphony No. 9, and has appeared as a featured soloist at the Richard Tucker Music Foundation Gala at Carnegie Hall. He performed a nationally broadcast concert of opera arias and duets with soprano Joyce El-Khoury and the NDR Radiophilharmonie in Germany, sang Verdi’s Requiem with the Santa Fe Symphony, and appeared with soprano Ailyn Pérez in "One Amazing Night" presented by San Diego Opera. He also toured the U.S. with the Bel Canto Trio, including its 70th anniversary celebration.
Contact

Dominic Domingo

Rowan Bidmead

Mathieu Levan
Representation
Management with Askonas Holt for Europe, South America, and Mexico
General Management with Opus 3 Artists
Season Highlights
Video
- Playing
Joshua Guerrero, Ah! La Paterna Mano
Joshua Guerrero Credit: Joshua Guerrero
Joshua Guerrero, Donna non vidi mai
Joshua Guerrero Credit: Joshua Guerrero
Joshua Guerrero, Addio, fiorito asil
Joshua Guerrero Credit: Joshua Guerrero
Joshua Guerrero, Recondita Armonia
Joshua Guerrero Credit: Joshua Guerrero
Selected Repertoire
Boito
Mefistofele (Faust)
Catan
Florencia en el Amazon (Arcadio)
Donizetti
L'elisir d'amore (Nemorino)
Haydn
The Creation (Uriel)
Heggie
Moby-Dick (Greenhorn)
Previn
A Streetcar Named Desire (Steve Hubbell)
Puccini
Gianni Schicchi (Rinuccio) • Il Tabarro (Luigi) • La Boheme (Rodolfo) • Madame Butterfly (B.F. Pinkerton) • Manon Lescaut (Il Cavaliere Renato des Grieux) • Tosca (Mario Cavaradossi)
Verdi
Don Carlos (Don Carlos) • La Traviata (Alfredo Germont) • Macbeth (Macduff) • Rigoletto (Il Duca di Mantova)
News
Press
Puccini | Madama Butterfly | Pinkerton
Royal Opera HouseMar 2024 - Apr 2024Mexican-American tenor Joshua Guerrero was exceptionally good as Pinkerton. He was in fine voice and is a skilled actor. His Pinkerton is despicable, unworthy and a clear coward. … Pinkerton’s villainy was so well expressed that when Guerrero bowed to the public there were a few good-humoured and appreciative boos – not because he wasn’t excellent but because his unpleasant Pinkerton was so convincing.
- Margarida Mota-Bull, Seen and Heard International
- 16 March 2024
One of the most hated characters in opera and yet Joshua Guerrero’s voice almost made me like him at times, his high notes are bright and full and his voice has charm and character.
- Andrew Lohmann, London Unattached
- 15 March 2024
Joshua Guerrero certainly looked the part of Pinkerton, the handsome, dashing naval officer par excellence. He matched Grigorian for warmth and pleasantness of phrasing and timbre
- David Karlin, BachTrack
- 15 March 2024
Boito | Mefistofele | Faust
Teatro dell'opera di RomaNov 2023 - Dec 2023The lyrical voice of Joshua Guerrero 's Faust is splendid , holding its tone from start to finish without giving up a moment.
- Matteo Oscar Poccioni, Il Trillo Parlante
- 28 November 2023
American tenor Joshua Guerrero was an ideal choice for the role of Faust. His voice is powerful, and his high notes brilliant. More importantly, his voice has squillo, essential for expressiveness in this role.
- Ossana el Naggar, Concerto Net
- 27 November 2023
Puccini | Il Trittico | Luigi
Wiener StaatsoperOct 2023 - Oct 2023Assisted by Joshua Guerrero 's tenorally robust and powerful Luigi,
- Dominik Troger, Oper in Wien
- 06 October 2023
Joshua Guerrero’s tenor was resonant, precise and focused
- Chanda VanderHart, BachTrack
- 18 October 2023
Puccini | La bohème | Rodolfo
Opera National de ParisMay 2023 - Jun 2023Guerrero has the ideal vocal colors that go well with Puccini's music. His voice, characterized by an expressive and beautiful use in the vocal passages, also has a pleasant drama and masculinity that is very pleasing.
- Peter Michael Peters, Ioco
- 16 May 2023
At his side, Joshua Guerrero 's Rodolfo stands out , with a tone full of sunshine and intentions, with superlative ease across the entire range
- Florent Coudeyrat, Classique News
- 09 May 2023
Verdi | Macbeth | Macduff
Lyric Opera of ChicagoSep 2023A similarly enduring memory is Joshua Guerrero’s soaring treatment of Macduff’s ‘Ah, la paterna mano’. He built on the aria’s structure with subtle rubato, and his supple tone held the audience’s attention. The bel canto elements had full voice with Guerrero in this elegant reading.
- James Zychowicz, Seen and Heard international
- 24 September 2021
Askonas Holt welcomes tenor Joshua Guererro

Askonas Holt is delighted to welcome Mexican-American tenor Joshua Guererro to the roster for management in Europe, South America and Mexico.
This week sees Joshua make his Opéra national de Paris debut as Rodolfo in La bohème. The performance follows debuts earlier this season at the Wiener Staatsoper in Macbeth, and at the Bayerische Staatsoper in Manon Lescaut.
This season, Joshua also makes returns to the Royal Opera House for Madama Butterfly, the Lyric Opera of Chicago in Don Carlos, Oper Frankfurt in Manon Lescaut, and The Santa Fe Opera for Tosca. The 2023/24 season includes debuts with Teatro dell’Opera di Roma, and returns to Dutch National Opera, Wiener Staatsoper, and the Royal Opera House.
Recent highlights for Joshua include debuts with Teatro Real, Dutch National Opera and Salzburger Festspiele, as well as a return to San Diego Opera for a cinematic adaptation of Catan’s La hija de Rappaccini.
A graduate of the Los Angeles Opera Young Artist Program (where he received the Eva and Marc Stern Artist Award), Joshua is recipient of a Richard Tucker Foundation Career Grant, and won Second Prize in the Operalia Competition. He also sang on the Los Angeles Opera’s recording of Ghosts of Versailles on Pentatone, which won two GRAMMY awards.
He will be managed at Askonas Holt by Dominic Domingo and Hamish James.
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