Close

MatthiasPintscher

/
  • Conductor

About Matthias

Music Director : Kansas City Symphony Creative Partner: Cincinnati Symphony Orchestra

Matthias Pintscher is the newly appointed Music Director of the Kansas City Symphony Orchestra effective from the 2024/25 season and since 2020/21, is Creative Partner at the Cincinnati Symphony Orchestra. He recently concluded a successful decade-long tenure as the Music Director of the Ensemble Intercontemporain, the iconic Parisian contemporary ensemble, founded by Pierre Boulez, and winner of the 2022 Polar Prize. During his stewardship, Pintscher led this most adventurous institution in the creation of dozens of world premieres by cutting edge composers from all over the world and took the ensemble on tours to Asia, North America and throughout Europe to all the major festivals and concert halls.

Matthias kicked off his 2024-25 season with a tour of Europe with Kansans City Symphony and will continue with returns to the New York Philharmonic Orchestra, Concertgebouworkest, Chamber Orchestra of Europe, Radiosinfonie Berlin, Gurzenich Orchester Cologne, Barcelona and BBC Scottish symphonies and debuts with the Oslo Philharmonic and Spanish National orchestras.Recent highlights include RAI Milano Musica, Orchestre de Chambre de Paris, NDR Hamburg, Indianapolis Symphony, Milwaukee Symphony, Lahti Symphony, Deutsche Kammerphilharmonie Bremen and Filarmonica della Scala.

On the operatic stage, Matthias has conducted several productions for the Berliner Staatsoper (Wagner’s Lohengrin and The Flying Dutchman and Beat Furrer’s Violetter Schnee ), Wiener Staatsoper (Olga Neuwirth’s Orlando), Théatre du Châtelet in Paris and Staatsoper Unter den Linden.

Known equally as one of today’s foremost composers, Matthias’ works appear frequently on the programs of major symphony orchestras throughout the world. Matthias was composer in residence at Junge Deutsche Philharmonie for the 2023-24 season and in August 2021, he was the focus of the Suntory Hall Summer Festival – a weeklong celebration of his works with the Tokyo Symphony Orchestra as well as a residency by the EIC with symphonic and chamber music performances.

Matthias is professor at The Julliard School since 2014 and is published by Boosey & Hawkes.

Matthias is based in New York, Berlin, Paris

Download programme biography   

Contact

For availability and general enquiries:

Edward Pascall

Edward Pascall

Associate Director

For contracts, logistics and press:

Joy Pidsley

Joy Pidsley

Assistant Artist Manager

Representation

General management in Europe with Askonas Holt

Partner manager:
US: Opus 3 Artists, Jonathan Brill

Follow Matthias

Season Highlights

Nov 2024
Het Concertgebouw, Amsterdam
DUTILLEUX: Timbres, espace, mouvement LIM: A Sutured World PINTSCHER: Cello Concerto No.2 'Un despertar' LIGETI: San Francisco Polyphony Concertgebouworkest Alisa Weilerstein, Cello Nicolas Alstaedt, Cello
Nov 2024
Oslo Konserthus
PINTSCHER : Neharot SAINT-SAËNS : Piano Concerto No. 5 in F major Op.103 DEBUSSY : Images pour orchestre L.122 Oslo Philharmonic Javier Perianes, Piano
Jan 2025
Auditori de Barcelona
PINTSCHER : Neharot MOZART : Flute Concerto No. 1 in G major K. 313 BARTOK : The Miraculous Mandarin Orquesta Sinfonica de Barcelona i Nacional de Catalunya Francisco Lorenzo Lopez, Flute
Feb 2025
Festival Presences
Concert 1 NEUWIRTH: Hommage à Boulez NEUWIRTH: Keyframes for a Hippogriff LÉVINAS: Nouvelle oeuvre pour orgue NEUWIRTH : Trurliade – Zone Zero Orchestre National de France Andrew Watts, Counter Tenor / Adelaide Ferriere, Percussion / Lucille Dollat, Organ Concert 2 ROMITELLI: Spazio-Articolazione MURAIL: Le Livre des merveilles MONTALBETTI: Concertino pour piano et orchestre MALANETCHI: Nouvelle Oeuvre NEUWIRTH: ...miramondo multiplo... Orchestre Philharmonique de Radio France Beatrice Rana, Piano
Mar 2025
City Halls, Glasgow
FERRO: Apsinthos (World Premiere) PINTSCHER: Neharot RACHMANINOV: Piano Concerto No.4 in G minor SCHOENBERG: Pelleas and Melisande BBC Scottish Symphony
Mar 2025
Pierre Boulez Saal, Berlin
PINTSCHER: Beyond II (Bridge Over Troubled Water) DEBUSSY: Sonata for flute, harp and viola BOULEZ: Incises Boulez Ensemble
Mar 2025
Auditorio Nacional de Musica, Madrid
PINTSCHER: Neharot MENDELSSOHN: Violin Concerto in E minor Op.64 RACHMANINOV: Symphonic Dances Op.45 Orquesta y Coro Nacionales de Espana Augustin Hadelich, Violin
Jun 2025
Konzerthaus Berlin
PINTSCHER: Neharot BARTOK: Piano Concerto No. 3, (1945) Sz. 119, BB 127 TAKEMITSU : Twill by Twilight included in artist repertoire RAVEL: La Valse Rundfunk-Sinfonieorchester Berlin Cedric Tiberghien, Piano

Photos

Matthias Pintscher named Music Director of Kansas City Symphony

/09 May 2023

The Kansas City Symphony (KCS) today announced the appointment of conductor-composer Matthias Pintscher as its fifth Music Director. He takes over from Michael Stern at the beginning of the 2024-25 season for an initial term of five years.

Matthias was offered the role just days after his debut with the orchestra this past March. The performance was met with standing ovations and a five-star review from Bachtrack, who praised the conductor’s “keen musical intelligence, palpable verve and energy, as well as an impeccable command of timing.”

Danny Beckley, President and CEO of the Kansas City Symphony, said, “The Kansas City Symphony first saw Matthias Pintscher on the podium on a Wednesday. The following Monday, I called to ask him to be our next Music Director! That’s how electric their rapport was from the first. We are committed to making orchestral music more appealing to a far wider audience, and I think Matthias can really help make that happen.”

Matthias is currently in his tenth and final season as Music Director of Ensemble Intercontemporain. Of the new appointment he said, “Right from the start, the Kansas City Symphony and I shared an extraordinary level of trust and joy in music-making. Their playing was inspired, which I found immensely inspiring in turn. I felt truly welcome: welcome as the musician I am.”

As Music Director, Matthias will lead the KCS for ten weeks each season. Among the projects he is currently considering are small-format concerts in non-traditional venues, programs that contextualise music with storytelling, museum-based collaborations with Kansas City’s thriving visual arts’ community, period-instrument performances of core repertoire, and a semi-staged production of Bach’s St Matthew Passion.

 

 

Latest News

  • 06 June 2025

    Nils Wanderer makes US debut at Atlanta Opera

    Read full article
  • 06 June 2025

    Yuja Wang embarks on South American tour with Mahler Chamber Orchestra

    Read full article
  • 06 June 2025

    Hankyeol Yoon debuts with the LA Phil

    Read full article
  • 05 June 2025

    Time For Three joins Askonas Holt

    Read full article
  • 03 June 2025

    Askonas Holt welcomes baritone Taehan Kim

    Read full article

This website uses cookies to enhance your experience. By using this website you agree to our Cookie Policy