BekhzodDavronov
Contact
Dominic Domingo
Rowan Bidmead
Grace Hewett
Representation
Worldwide general management with Askonas Holt
About Bekhzod
Bekhzod Davronov was the Second Prize winner at Operalia 2021.
This 2024/25 season will see Bekhzod make a series of house and role debuts including Alfredo Germont La traviata and Rodolfo La bohème at Dallas Opera, Sir Edgardo di Ravenswood Lucia di Lammermoor and Rodolfo La bohème at Dresden Semperoper and Duke of Mantua Rigoletto at Irish National Opera, before spending the Summer making his festival and role debuts at Salzburger Festspiele as Roberto, Count of Leicester Maria Stuarda.
Future seasons will see him continue to make exciting debuts at Royal Opera House Covent Garden, Opernhaus Zurich and make returns to The Metropolitan Opera, Bayerische Staatsoper and Wiener Staatsoper.
Recent highlights include Cassio Otello at Wiener Staatsoper, Don Ottavio Don Giovanni at Teatro di San Carlo, Prunier La rondine at The Metropolitan Opera, Alfredo Germont La traviata at Santa Fe Opera, Rodolfo La bohème at Prague State Opera, Rodolfo La bohème on the Glyndebourne Festival Opera Tour, Anatol Kuragin in a new Dmitri Tcherniakov production of War and Peace conducted by Vladimir Jurowski at Bayersiche Staatsoper and Aljeja The House of the Dead at Ruhrtriennale Festival.
Bekhzod was previously a member of the ensemble at The Bolshoi Theatre where highlights include La traviata, Beatrice et Benedict, Boris Godunov, The Tsar’s Bride, The tale of Tsar Salton and The Demon.
Representation
Worldwide general management with Askonas Holt
Season Highlights
Selected Repertoire
Arrigo Boito | Mefistofele (Wagner) |
---|---|
Banevich | Kai and Gerda (Kai) |
Bellini | Norma (Pollione) |
Donizetti | Lucia di Lammermoor (Sir Edgardo di Ravenswood) • Maria Stuarda (Roberto) • L'elisir d'amore (Nemorino) |
Gounod | Roméo et Juliette (Romeo) |
Janáček | Z mrtvého domu (Aljeja) |
Mozart | Don Giovanni (Don Ottavio) |
Mussorgsky | Boris Godunov (Yuródivïy) |
Prokofiev | War and Peace (Anatol Kuragin) |
Puccini | La bohème (Rodolfo) • La rondine (Prunier) • Manon Lescaut (Un lampionaio) |
Rachmaninov | Aleko (Young Gypsy) • The Miserly Knight (Albert) • Francesca di Rimini (Dante Alighieri) |
Rimsky-Korsakov | Sadko (A Hindi Merchant) • The Tale of Tsar Saltan (Tsarevich Gvidon) • The Tsar's Bride (Ivan Sergeyevich Lykov) |
Rossini | Il viaggio a Reims (Il Cavaliere Belfiore) |
Rubinstein | The Demon (Knyaz Sinodal) |
Tchaikovsky | Iolanta (Alméric) • The Queen of Spades (Chaplitsky) |
Verdi | La traviata (Alfredo Germont) • Otello (Cassio) • Don Carlo (Un Araldo reale) • Rigoletto (Il Duca di Mantua) |
News
Press
Verdi | Rigoletto - Duke of Mantua
Irish Natinal OperaDec 2024Proving that all good things come in threes, tenor Bekhzod Davronov made for an excellent Duke of Mantua. Vocally, he possesses a clear, bright voice with a laser hot vibrato. Verdi sets the tessitura for the Duke punishingly high at times but Davronov gave the impression that he could always give more. He was touching in his love duets with Gilda, showing a suave lyricism when needed. The way he insolently stared at the audience for his famous “La donna è mobile” was very waggish.
- Andrew Larkin, Bachtrack
- 01 December 2024
Tenor Bekhzod Davronov who played the Duke of Mautua hails from Samarkand in Uzbekistan. He has a sweet tenor voice that is easy in the high notes and possesses a smooth, warm, and sincere sound. With an assured stage presence, his rendition of the well-known “La donna è mobile” in act three was a joy to witness.
- Gearoid O’Byrne, No More Workhorse
- 03 December 2024