AdrianNoble

/
  • Director
Promotional photograph of Adrian Noble
Promotional photograph of Adrian Noble

About Adrian

Adrian Noble was the Artistic Director and Chief Executive of the Royal Shakespeare Company from 1990 to 2003. In addition to his theatre and film work, Adrian has also directed several successful London West End musicals including Chitty Chitty Bang Bang and The Secret Garden.

In the 2022/23 season Adrian directed a new production of Verdi’s Falstaff for Gran Teatro La Fenice.

His most recent work in opera includes new productions of Bellini’s I Capuleti e i Montecchi for Teatro alla Scala; Verdi’s Otello, Handel’s Alcina and Humperdinck’s Hänsel und Gretel for the Wiener Staatsoper; Mozart’s Così fan tutte, Le nozze di Figaro and Don Giovanni for the Opéra de Lyon; Verdi’s Macbeth at The Metropolitan Opera, New York; Bizet’s Carmen for the Opéra Comique, Paris; Handel’s Serse for the Theater an der Wien, Verdi’s Simon Boccanegra for the Opera di Roma; Mozart’s Die Zauberflöte for the Glyndebourne Festival and Verdi’s Don Carlos for the Bolshoi Theatre of Russia.

Contact

Keiron Cooke

Keiron Cooke

Associate Director
Will Pate

Will Pate

Associate Artist Manager

Representation

Worldwidmanagement for Opera with Askonas Holt

Follow Adrian

News

Press

  • Verdi Otello

    Wiener Staatsoper
    Jun 2019
  • Verdi Macbeth

    Metropolitan Opera, New York
    Sep 2016
    • A revival of Adrian Noble’s grimly powerful modern-dress 2007 production ... Mr. Noble’s production is even better than I remember.

    • Adrian Noble's effective 2007 production, a post-World War II dystopian environment of gloom, with designer Mark Thompson's black pillars and Jean Kalman's stark lighting, framed Ms. Netrebko well. Baritone Željko Lučić was a soft-edged Macbeth, in thrall to the ferocity of his Lady. Bass René Pape was a bit of luxury casting for Banquo, who is killed off regrettably early in the action; Joseph Calleja was a generic Macduff. One of Mr. Noble's most entertaining production elements is the witches, a coven of Monty Python-esque housewives with white ankle socks, squashed hats, and pocketbooks that, when opened, threw light on their faces; the Met chorus brought a gleeful mania to their scenes.

  • Verdi Simon Boccanegra

    Opera di Roma
    Jan 2016
  • Verdi Don Carlo

    Bolshoi Theatre, Moscow
    Jan 2016
    • The Bolshoi's vast Main Stage absolutely cries out for stylish traditional productions of large-scale 19th-century operas. And that is precisely what British director Adrian Noble and his production team have come up with. Noble moves principals and chorus about in classic fashion, no doubt partly a reflection of his experience as a long-time head of Britain's Royal Shakespeare Company.