AdrianaBignagni Lesca
Contact
Rowan Bidmead
Mark Hildrew
Grace Hewett
Representation
Worldwide general management with Askonas Holt
About Adriana
Born in Libreville, Gabon, Adriana Bignagni Lesca studied at the Conservatoire de Bordeaux with Maryse Castets.
This 2024/25 season, Adriana will make her house and role debut at Hamburgische Staatsoper for Fernace Mitridate, re di ponto and makes returns to Opéra national de Paris for La Princesse de Grenade Les Brigands and Opéra national du Capitole for L’Opinion publique Orphée aux Enfers. On the concert platform, Adriana will sing Berio’s Folk songs with Symfonieorkest Vlannderen conducted by Duncan Ward in a short tour of Belgium.
Highlights from the previous season include her debut at Gran Teatre del Liceu for the European premiere of John Adam’s Antony and Cleopatra, a return to Staatsoper Berlin for the revival of Mozart’s Mitridate, re di Ponto (Arbate), Ježibaba Rusalka at Auditorio de Tenerife and Souffrance in Albéric Magnard’s Guercœur at Opera du Rhin. On the concert platform, Adriana sung Juno Orphée aux enfers with NDR Elbphilharmonie Orchester and Marc Minkowski and a New Year’s concert with Philharmonie Zuidnederland conducted by Duncan Ward, including Montsalvatge’s Cinco Canciones Negras.
Previous engagements include Arbate Mitridate, re di Ponto at Staatsoper Berlin, Dorotea Frescopane Viva la mamma at Opernhaus Zurich, Zefka The Diary of the One Who Disappeared at Opera du Rhin, Junon Platée at the Opéra National de Paris, Brambilla in Offenbach’s La Périchole with Les Musiciens du Louvre and Marc Minkowski at Salzburg Easter Festival and on tour to Montpellier, Bordeaux, Grenoble, and Versailles; Fatouma in Marouf, Savetier du Caire by Henri Rabaud at the Opéra National de Bordeaux and the Opéra-Comique de Paris, Rossweisse Die Walküre in Bordeaux and numerous performances and recital at Aix-en-Provence and Montpellier Festivals.
Representation
Worldwide general management with Askonas Holt
Season Highlights
Video
Adriana Bignagni Lesca: Cinco Canciones Negras (Xavier Montsalvatge)
The New Year's Concert PhilZuid conducted by Duncan Ward with the PhilZuid Orchestra Credit: OMROEP BRABANT
Playing“L’odio nel cor frenate” from Mozart's Mitridate, rè di Ponto (Arbate)
Credit: Warner Classics
PlayingOffenbach: ‘Ô mon cher Amant, je te jure’ – La Périchole
Credit: Auditorium de Bordeaux
Playing‘Ah’ que j’aime les militaires’ from Offenbach’s La Grande Duchesse de Gérolstein
Credit: Auditiorio de Bordeaux
Playing
Selected Repertoire
Adams | Antony and Cleopatra (Charmian) |
---|---|
Bizet | Carmen (title role) |
Britten | The Turn of the Screw (Mrs Grose) |
Debussy | Pelléas et Mélisande (Geneviève) |
Donizetti | Viva la mamma (Dorotea) • La fille du régiment (Marquise de Berkenfield) |
Dvořák | Rusalka (Ježibaba) |
Gershwin | Porgy and Bess (Maria, Annie, Lily) |
Janáček | The Diary of One Who Disappeared (Zefka) |
Korngold | Die tote Stadt (Brigitta) |
Magnard | Guercœur (Souffrance) |
Mozart | Mitridate, re di Ponto (Arbate, Fernace) |
Offenbach | La Perichole (title role) • Orphée aux enfers (Juno) |
Rameau | Platée (Junon) |
Rossini | I’Italiana in Alghier (Isabella) |
Saint-Saëns | Samson and Delilah (Delilah) |
Stravinksy | Rake's Progess (Baba the Turk, Mother Goose) |
Verdi | Falstaff (Mistress Quickly) • Il trovatore (Azucena) • Un ballo in maschera (Ulrica) |
Wagner | Das Rheingold (Erda) • Götterdämmerung (Second Norn) |
News
Press
Magnard - Guercœur (Souffrance)
Opéra national du RhinApr 2024et il y a aujourd’hui Adriana Bignani Lesca (photo), irréprochable à chacune de ses interventions, où elle impose son timbre rare et une diction impeccable, l’actrice étant elle aussi à la hauteur (ah, ce sourire quand elle apprend que Guercœur renvoyé sur Terre va enfin souffrir !). and today there is Adriana Bignani Lesca (photo), flawless in every performance, imposing her rare timbre and impeccable diction, and the actress is also up to the task (ah, that smile when she learns that Guercœur, sent back to Earth, is finally going to suffer!).
- Laurent Bury, Concert Classic
- 29 April 2024
Adriana Bignagni Lesca confère à sa Souffrance une ligne solide mais subtile, et des graves profonds et nourris. Adriana Bignagni Lesca gives her Souffrance a solid but subtle line, and deep, nourished bass.
- Damien Dutilleul, Olyrix
- 30 April 2024
Adriana Bignagni Lesca trouve dans Souffrance un rôle à la mesure de ses moyens : son timbre profond de contralto, servi par une projection assurée, captive immédiatement. In Souffrance, Adriana Bignagni Lesca finds a role worthy of her abilities: her deep contralto timbre, supported by confident projection, is immediately captivating.
- Clément Mariage, Forum Opera
- 29 April 2024
tandis que les seconds rôles se montrent idéalement distribués. Ces derniers sont dominés par la superlative Souffrance d’Adriana Bignagni Lesca while the supporting roles are ideally cast. The latter are dominated by the superlative Souffrance by Adriana Bignagni Lesca
- Florent Coudeyrat, Premiere Loge
- 29 April 2024