AilynPérez

/
Soprano
Scroll for more

Contact

Mathieu Levan

Mathieu Levan

Assistant Artist Manager

Representation

Worldwide general management with Askonas Holt

About Ailyn

Hailed by The New York Times as “a beautiful woman who commands the stage” and “a major soprano,” Ailyn Pérez is in demand at the world’s leading opera houses and cultural capitals. As Opera News observes, “The phrase ‘an embarrassment of riches’ might have been invented to describe the combination of talents that belong to Ailyn Pérez … who truly seems to have it all.” Internationally celebrated for her signature artistry, as the winner of the 2012 Richard Tucker Award she became the first Hispanic recipient in the award’s history.

Ailyn’s current season is highlighted by her eagerly awaited debut as Leonora in a new production of Verdi’s Il Trovatore at Houston Grand Opera. She returns to The Metropolitan Opera to reprise her signature role of Mimì in Puccini’s La Bohème, a performance she will also offer in a new production by Melanie Bacaling at the Lyric Opera of Chicago later in the spring. Additional operatic engagements include Cio-Cio-San in Puccini’s Madama Butterfly at the Gran Teatre del Liceu, the title role in Puccini’s Tosca at Staatsoper Berlin, and Nedda in Leoncavallo’s Pagliacci at the Bayerische Staatsoper. On the concert stage, she performs Mahler’s Symphony No. 2, “Resurrection” with the Jacksonville Symphony and Bizet’s Carmen in concert with the Detroit Symphony Orchestra under the baton of Jader Bignamini, celebrating the opera’s 150th anniversary.

 

Career highlights include Violetta (La traviata) at Opernhaus Zürich, the Hamburgische Staatsoper, Staatsoper Berlin, Bayerische Staatsoper, San Francisco Opera, Teatro alla Scala, and the Royal Opera House – Covent Garden, where she was hailed as “an ideal Violetta” (Observer, UK). Pérez then went on to appear at Covent Garden in the same season, as the title role in Massenet’s Manon, and for her role debut as Liù (Turandot). Other highlights include Thaïs, Mimì and Musetta (La bohème), and Juliette (Roméo et Juliette) at The Metropolitan Opera; Adina (L’elisird’amore) for the Bayerische Staatsoper, Deutsche Oper Berlin, Wiener Staatsoper, and Washington National Opera; Contessa Almaviva (Le nozze di Figaro) for Houston Grand Opera (having made her house debut there as Desdemona in Otello); Violetta and title role of Manon on a tour of Japan with the Royal Opera House; Tatyana Bakst in the world premiere of Jake Heggie’s Great Scott (featured on an acclaimed Erato recording release) and Manon for The Dallas Opera; house debuts at the Bolshoi Theatre as Mimì (La bohème) and at Glyndebourne as Alice Ford; Contessa Almaviva (Le nozze di Figaro) and Marguerite (Faust) for Hamburgische Staatsoper; Marguerite (Faust) in Santa Fe and Amelia Grimaldi Simon Boccanegra at Teatro alla Scala and Staatsoper Berlin, and also opposite Leo Nucci at Opernhaus Zürich.

Ailyn Pérez is a graduate of Philadelphia’s Academy of Vocal Arts and Indiana University. She serves as an Artistic Advisor and on the faculty for the Vincerò Academy and is an Opera for Peace Ambassador. Her many accolades include the Metropolitan Opera’s Beverly Sills Artist Award (2016), George London Foundation’s Leonie Rysanek Award (2006), Shoshana Foundation Career Grant (2007), 2nd place in the 2006 Operalia Competition, and honors from the Loren L. Zachary Foundation, Opera Index, and the Licia Albanese-Puccini Foundation.

Download programme biography   

Representation

Worldwide general management with Askonas Holt

Season Highlights

Oct 2024
Houston Grand Opera
Verdi: Il Trovatore (Leonora)
Nov 2024
The Metropolitan Opera
Puccini: La bohème (Mimì)
Dec 2024
Gran Teatre del Liceu
Puccini: Madama Butterfly (Title role)

News

Press

  • Bizet - Carmen (Micaëla)

    Metropolitan Opera
    Apr 2024 - May 2024
    • Micaëla was Ailyn Pérez’s debut role at the Met in 2015 and it remains a perfect fit for her. The middle of Pérez’s soprano is rich and molten, which colored every phrase with passion and emotion. Micaëla’s touching aria which she sings as she searches for Don José, was as plaintive as it was lovely.