BekhzodDavronov

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  • Tenor
Bekhzod Davronov
Bekhzod Davronov

About Bekhzod

Bekhzod Davronov was the Second Prize winner at Operalia 2021.

This 2024/25 season will see Bekhzod make a series of house and role debuts including Alfredo Germont La traviata and Rodolfo La bohème at Dallas Opera, Sir Edgardo di Ravenswood Lucia di Lammermoor and Rodolfo La bohème at Dresden Semperoper and Duke of Mantua Rigoletto at Irish National Opera, before spending the Summer making his festival and role debuts at Salzburger Festspiele as Roberto, Count of Leicester Maria Stuarda.

Future seasons will see him continue to make exciting debuts at Royal Opera House Covent Garden, Opernhaus Zurich and make returns to The Metropolitan Opera, Bayerische Staatsoper and Wiener Staatsoper.

Recent highlights include Cassio Otello at Wiener Staatsoper, Don Ottavio Don Giovanni at Teatro di San Carlo, Prunier La rondine at The Metropolitan Opera, Alfredo Germont La traviata at Santa Fe Opera, Rodolfo La bohème at Prague State Opera, Rodolfo La bohème on the Glyndebourne Festival Opera Tour, Anatol Kuragin in a new Dmitri Tcherniakov production of War and Peace conducted by Vladimir Jurowski at Bayersiche Staatsoper and Aljeja The House of the Dead at Ruhrtriennale Festival.

Bekhzod was previously a member of the ensemble at The Bolshoi Theatre where highlights include La traviata, Beatrice et Benedict, Boris Godunov, The Tsar’s Bride, The tale of Tsar Salton and The Demon.

Bekhzod is based in Dresden

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Contact

Grace Hewett

Grace Hewett

Assistant Artist Manager

Representation

Worldwide general management with Askonas Holt

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Season Highlights

Oct 2024
Dresden Semperoper
Puccini La boheme (Rodolfo) Antonello Allemandi (conductor)
Oct 2024
Dallas Opera
Verdi La traviata (Alfredo Germont) Iván López Reynoso (conductor)
Dec 2024
Irish National Opera
Verdi Rigoletto (Duke of Mantua) Fergus Sheil (conductor)
Jan 2025
Dresden Semperoper
Verdi La traviata (Alfredo Germont) Gaetano d’Espinosa (conductor)
Feb 2025 - Mar 2025
Dallas Opera
Puccini La boheme (Rodolfo) Emmanuel Villaume (conductor)
Apr 2025 - May 2025
Dresden Semperoper
Lucia di Lammermoor (Sir Edgardo di Ravenswood) Roberto Rizzi Brignoli (conductor)
Aug 2025 - Aug 2025
Salzburg Festival
Donizetti Maria Stuarda (Roberto) Antonello Manacorda (conductor)

Video

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Bekhzod Davronov
Bekhzod Davronov
Bekhzod Davronov
Bekhzod Davronov
Bekhzod Davronov

Selected Repertoire

Arrigo Boito

Mefistofele (Wagner)

Banevich

Kai and Gerda (Kai)

Bellini

Norma (Pollione)

Donizetti

Lucia di Lammermoor (Sir Edgardo di Ravenswood)   •   Maria Stuarda (Roberto)   •   L'elisir d'amore (Nemorino)

Gounod

Roméo et Juliette (Romeo)

Janáček

Z mrtvého domu (Aljeja)

Mozart

Don Giovanni (Don Ottavio)

Mussorgsky

Boris Godunov (Yuródivïy)

Prokofiev

War and Peace (Anatol Kuragin)

Puccini

La bohème (Rodolfo)   •   La rondine (Prunier)   •   Manon Lescaut (Un lampionaio)

Rachmaninov

Aleko (Young Gypsy)   •   The Miserly Knight (Albert)   •   Francesca di Rimini (Dante Alighieri)

Rimsky-Korsakov

Sadko (A Hindi Merchant)   •   The Tale of Tsar Saltan (Tsarevich Gvidon)   •   The Tsar's Bride (Ivan Sergeyevich Lykov)

Rossini

Il viaggio a Reims (Il Cavaliere Belfiore)

Rubinstein

The Demon (Knyaz Sinodal)

Tchaikovsky

Iolanta (Alméric)   •   The Queen of Spades (Chaplitsky)

Verdi

La traviata (Alfredo Germont)   •   Otello (Cassio)   •   Don Carlo (Un Araldo reale)   •   Rigoletto (Il Duca di Mantua)

News

Press

  • Verdi | Rigoletto - Duke of Mantua

    Irish Natinal Opera
    Dec 2024

    • Proving that all good things come in threes, tenor Bekhzod Davronov made for an excellent Duke of Mantua. Vocally, he possesses a clear, bright voice with a laser hot vibrato. Verdi sets the tessitura for the Duke punishingly high at times but Davronov gave the impression that he could always give more. He was touching in his love duets with Gilda, showing a suave lyricism when needed. The way he insolently stared at the audience for his famous “La donna è mobile” was very waggish.

    • Tenor Bekhzod Davronov who played the Duke of Mautua hails from Samarkand in Uzbekistan. He has a sweet tenor voice that is easy in the high notes and possesses a smooth, warm, and sincere sound. With an assured stage presence, his rendition of the well-known “La donna è mobile” in act three was a joy to witness.

  • Puccini | La Rondine - Prunier

    Metropolitan Opera
    Mar 2024 - Apr 2024

    • Davronov and Tetelman both made fine Puccini tenors, …. his smooth, rounded tone was warm, and his phrasing elegant,

    • soprano Emily Pogorelc and tenor Bekhzod Davronov both filled the stage with a breath of fresh air. … brought a gorgeous ardent tenor, especially as he sang the first lines of “Chi bel sogno di Doretta.”

    • we were treated to a buttery, sincere sound, well worth a second listen.

    • Davronov as Magda’s poet friend Prunier was charming and pleasant, with a well-focused tenor.

    • the light, sweet tenor of Bekhzod Davronov, who made a fine impression as Prunier from his first appearance in Act I

    • there was the Uzbek tenor Bekhzod Davronov as Prunier, who showed a voice on the tip, easy in the high notes and with a very good stage presence.

  • Verdi | Otello - Cassio

    Wiener Staatsoper
    Oct 2023 - Nov 2023

    • Der aus Usbekistan stammende Sänger Bekhzod Davronov gibt ein starkes Hausdebüt in der Rolle des Cassio. In dieser Rolle hat vor rund 20 Jahren auch Jonas Kaufmann seine ersten Auftritte in Verdis Otelo absolviert. Mal sehen, was aus diesen nicht allzu großen, aber wunderbar eleganten und in den höheren Registern stimmsicheren, ausdrucksstarken Tenor werden wird. Davronov hat jedenfalls das Zeug dazu, Karriere zu machen. [Translated] Uzbekistan-born singer Bekhzod Davronov makes a strong house debut in the role of Cassio. It was in this role that Jonas Kaufmann made his first appearances in Verdi's Otelo about 20 years ago. Let's see what will become of this not too big, but wonderfully elegant and expressive tenor in the higher registers. In any case, Davronov has what it takes to make a career.

    • Smaller roles were well cast and sung, the standouts being Szilvia Vörös' Emilia, Bekhzod Davronov’s Cassio and Leonardo Neiva’s Montano.

  • Puccini | La bohème - Rodolfo

    Glyndebourne
    Oct 2022

    • Bekhzod Davronov looks and sounds sweet as Rodolfo – a light tenor with a real ring to the top notes.

    • Davronov, an outstanding Rodolfo, is boyishly ardent, caught off balance by the depth of his own feelings throughout, and utterly heartbreaking at the end. This is a fantastic voice, too, not massive, but wonderfully elegant, and easy in its upper registers.

    • As Rodolfo, the Uzbekistan tenor Bekhzod Davronov impressed from his very first utterance… His tenor is sweet, relaxed, and has a lovely Italianate ping. It soars effortlessly. He acted here with consummate awareness and presence.