BenjaminBeilman
- Violin
About Benjamin
Benjamin Beilman is one of the leading violinists of his generation. He has won international praise for his passionate performances and deep rich tone which The New York Times described as “muscular with a glint of violence”, and the Strad described as “pure poetry.“ Le Monde has described him as “a prodigious artist, who combines the gift of utmost sound perfection and a deep, delicate, intense, simmering sensitivity”.
Benjamin’s 2024/25 season includes his debut with the Berlin Philharmonic and Kirill Petrenko on tour in the US, as well as returns to the Chicago Symphony, Cincinnati Symphony, and Antwerp Symphony. He also makes his debut with the Belgian National Orchestra performing Stravinsky’s concerto, and with the Tokyo Metropolitain Symphony performing Korngold. In the US, he also embarks on a recital tour with pianist Steven Osborne.
Last season included Benjamin's subscription debut with the Chicago Symphony with Semyon Bychkov, and six weeks of performances in Europe, including concerts with the SWR Symphonieorchester Stuttgart alongside Elim Chan, a return to the Kölner Philharmonie with the Deutsche Radio Philharmonie Saarbrücken, and appearances at the Grafenegg Festival, Festpielhaus St. Pölten, and the Musikverein in Vienna with the Tonkünstler Orchester and Tabita Berglund. He also returned to play-direct the London Chamber Orchestra, and re-united with Ryan Bancroft for his debut with BBC National Orchestra of Wales. Meanwhile, performances in the US included his debut with the St Louis Symphony under Cristian Macelaru, as well as returns to the Minnesota Orchestra with Elim Chan.
In past seasons, Benjamin has performed with many major orchestras worldwide including the Chicago Symphony, Philadelphia Orchestra, San Francisco Symphony, Rotterdam Philharmonic, London Philharmonic, Trondheim Symphony, Oslo Philharmonic, Taipei Symphony, Frankfurt Radio Symphony, Zurich Tonhalle, Sydney Symphony, and Houston Symphony. He has also extensively toured Australia in recital under Musica Aviva, and in 2022, became one of the youngest artists to be appointed to the faculty of the Curtis Institute of Music.
In recent seasons Beilman’s commitment to and passion for contemporary music has led to new works written for him by Frederic Rzewski (commissioned by Music Accord), and Gabriella Smith (commissioned by the Schubert Club in St. Paul, and the San Francisco Conservatory of Music). He has also given multiple performances of Jennifer Higdon’s violin concerto, and recorded Thomas Larcher’s concerto with Hannu Lintu and the Tonkünstler Orchester, as well as premiered Chris Rogerson’s Violin Concerto (“The Little Prince”) with the Kansas City Symphony and Gemma New.
Conductors with whom he works include Yannick Nézet-Séguin, Cristian Măcelaru, Lahav Shani, Krzysztof Urbański, Ryan Bancroft, Matthias Pintscher, Gemma New, Karina Canellakis, Jonathon Heyward, Juraj Valčuha, Han-Na Chang, Elim Chan, Roderick Cox, Rafael Payare, Osmo Vänskä, and Giancarlo Guerrero.
Beilman studied at the Curtis Institute of Music with Ida Kavafian and Pamela Frank, and with Christian Tetzlaff at the Kronberg Academy, and has received many prestigious accolades including a Borletti-Buitoni Trust Fellowship, an Avery Fisher Career Grant and a London Music Masters Award. He has also recorded works by Stravinsky, Janáček and Schubert for Warner Classics. He perfoms with the ex-Balaković F. X. Tourte bow (c. 1820), and plays the “Ysaÿe” Guarneri del Gesù from 1740, generously on loan from the Nippon Music Foundation.
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Contact

Adelaide Docx

Katharina Sommer
Representation
European management with Askonas Holt
Partner Managers:
Opus 3 Artists (general management)
Season Highlights
Photos
Selected Repertoire
Barber
Violin Concerto, Op.14
Beethoven
Violin Concerto in D major, Op.61
Berg
Violin Concerto
Brahms
Violin Concerto, Op.77 • Double Concerto for Violin and Cello, Op.102
Britten
Violin Concerto, Op.15
Bruch
Violin Concerto No.1 in G minor, Op.26
Dvořák
Violin Concerto, Op.53
Haydn
Violin Concerto in C Major, Hob.VIIa:1
Higdon
Violin Concerto
Korngold
Violin Concerto, Op.35
Larcher
Concerto for Violin and Orchestra
Martin
Polyptyque
Mendelssohn
Double Concerto for Violin, Piano, and Strings • Violin Concerto, Op.64
Mozart
Violin Concerto No.3 in G major, K.216 • Violin Concerto No.5 in A minor, K.219 • Sinfonia Concertante in E-flat major, K.364
Ogonek
In Silence
Prokofiev
Violin Concerto No.1, Op.19
Rogerson
The Little Prince
Saint-Saëns
Violin Concerto No.3, Op.61
Sibelius
Violin Concerto, Op.47
Stravinsky
Violin Concerto K075
Szymanowski
Violin Concerto No.1, Op.35
Tchaikovsky
Violin Concerto, Op.35
Sample Programmes
Exploring the influence of instrument on performer (played on the "Ysaye" Guarneri del Gesu)
Ysaye: Solo Sonata No.3 "Ballade" Tartini arr. Kreisler: Devil's Trill Sonata Paganini: Cantabile Schubert: Rondo Brilliante Intermission Franck: Sonata
Clara Schumann: 3 Romances Brahms: G major Sonata Op.78 Intermission Lili Boulanger: 2 Pieces for Violin and Piano Saint Saëns: Violin Sonata No.1 in D minor (or Franck or Faure No.1)
News
Press
Chicago Symphony, Saint-Saëns Violin Concerto No. 3, Op. 61 conducted by Semyon Bychkov
Chicago Symphony HallDec 2023Charm is not a quality in vast supply these days culturally, socially or otherwise. The Chicago Symphony Orchestra’s penultimate program of the year, led by Semyon Bychkov, had an abundant supply of it, courtesy of Benjamin Beilman.
- Chicago Classical Review
- 15 December 2023
Tonkunstler Orchester, Dvorak Violin Concerto, conducted by Marc Albrecht
Brucknerhaus Linz, Grosser SaalNov 2023Benjamin Beilman has truly earned the title "Poet among the star violinists". He narrates with a captivating, beguiling tone and stupendous technique, passionately and wholeheartedly
Deutsche Radio Philharmonie, Saint Saens Violin COncerto No. 3 conducted by Michael Schonwandt
Congresshalle SaarbruckenNov 2023The young Benjamin Beilman with his Guarneri violin was exactly the right interpreter for Saint-Saëns' third violin concerto. The much-played concerto, written for Sarasate, not only gives the soloist the opportunity to emphasise the themes with a powerful, rich tone, but also to combine vocalism, virtuoso bowing and fingering technique with intense passion. Beilman impressed with his clear and beautiful interpretation.
- Saarbruecker Zeitung
- 13 November 2023
l’Orchestre national de Montpellier, Jennifer Higdon conducted by Roderick Cox
Opéra BerliozDec 2023A first-rate performer. His perfect intonation always knows how to be "in the bull's-eye" of the note. He seized the first movement with his luminous sonority… The middle Chaconni was bursting with lyricism, which Beilman served up with effusive, modest poetry. The final movement could go round in vain circles, were it not for the intelligence of a virtuoso and a conductor who, in perfect complicity, metamorphosed its frantic race into a pure - and irresistible! - élan vital.
- concertclassic.com
- 08 December 2023
St. Louis Symphony, Mozart Violin Concerto No. 5 conducted by Cristian Măcelaru
Oct 2023The flourishes of dynamic interplay aside, for long stretches of the concerto, it’s a dance song. You could grab your partner and dance to it. Beilman, though not stagey about it, danced throughout the entire performance. I was thinking Beilman danced with his violin more like a village fiddler than a concert violinist. Then, for his encore, he called Macelaru – now toting a fiddle of his own! – back onstage to play two Bella Bartok fiddle duets with him. It was a brilliantly generous and loving idea.
- St. Louis American
- 14 October 2023