CameronCarpenter

/
  • Organ

About Cameron

Cameron Carpenter made history as the first organist ever nominated for a GRAMMY Award for a solo album. His ground-breaking career has been recognized with prestigious honors, including the 2012 Leonard Bernstein Award, along with multiple accolades such as the ECHO Klassik and Opus Klassik Awards.

A graduate of The Juilliard School, Carpenter has performed around the globe at renowned venues such as the Royal Albert Hall, Sydney Opera House, and Berliner Philharmonie. His diverse collaborations include commissions from the Shanghai Symphony Orchestra and KölnMusik GmbH, as well as performances at prestigious events like TED and the Aspen Ideas Festival. Carpenter’s work has brought him to the stage with world-class orchestras, including the Los Angeles Philharmonic, Chicago Symphony, Boston Symphony, Atlanta Symphony, Minnesota Orchestra, Pittsburgh and Dallas Symphonies, Deutsches Symphonie-Orchester Berlin, Orchestre National du Capitol de Toulouse, Orchestre Philharmonique de Luxembourg, the ORF Radio-Symphonieorchester and more. He has worked with acclaimed conductors including Alexander Shelley, Manfred Honneck, Tughan Sokhiev, Cornelius Meister, Christoph Eschenbach and Kirill Karabits.

Recent and upcoming recital highlights include performances at the Lucerne Festival, Philharmonie Cologne, Festspielhaus Baden-Baden, and his debut at Cité de La Musique in Paris, alongside a residency at Konzerthaus Berlin. Whether performing on the grandest stages or intimate settings, Cameron Carpenter continues to captivate audiences and redefine the possibilities of the organ.

In 2014, Carpenter unveiled the International Touring Organ (ITO), a revolutionary digital organ of his own design. While the project faced setbacks due to the pandemic, Carpenter continues to redefine the organ’s place in contemporary music. His 2021 album, recorded at Berlin's Konzerthaus, showcases his interpretation of Bach’s Goldberg Variations alongside Hanson’s Symphony No. 2, demonstrating his signature blend of classical mastery and innovation. His previous album, All You Need is Bach, debuted at #1 on the traditional classical charts.

Cameron is based in Berlin, Germany

Contact

For availability and enquiries in Europe, Japan and Australasia

For contracts, logistics and press

Tia Ling

Tia Ling

Assistant Artist Manager

For availability and enquiries in Germany, Austria and France

For contracts, logistics and press

Doris Franze

Doris Franze

Associate Manager: Artists & Attractions; Manager: Financial Operations

Representation

Management in Europe, Australasia and Japan with Askonas Holt

Partner managers:

CAMI Music: North America & Asia (excl. Japan)

Follow Cameron

Season Highlights

Apr 2025
Philharmonie Luxembourg
Solo recital presented by the Philharmonie Luxembourg.
May 2025
Meistersingerhalle, Nuremberg
Württembergisches Kammerorchester Heilbronn
May 2025
Walt Disney Concert Hall, Los Angeles
Solo recital presented by the Los Angeles Philharmonic
May 2025
Performing Arts Main Stage, Washington
Solo recital presented by Washington Center for the Performing Arts.
Jun 2025
Kennedy Center Concert Hall, Washington
National Symphony Orchestra Washington

Photos

News

Press

  • Davies Symphony Hall debut in the San Francisco Symphony's organ series

    San Francisco
    May 2010
    • No other musician of Carpenter’s generation has more adeptly fused shrewd showmanship, dazzling technique and profound thinking about his instrument and his place in the musical cosmos…

  • Recital at Alice Tully Hall

    New York
    Oct 2012
    • Extravagantly talented… the audience response was raucous… everything he touches turns fantastical and memorable.

  • Recital at First Congregational Church of Los Angeles

    Los Angeles
    Apr 2010
    • A questing, game-changing artist… Carpenter is one of the rare musicians who changes the game of his instrument. He is technically the most accomplished organist I have ever witnessed.. and, most important of all, the most musical.

    • On Monday Carpenter played in the Philharmonie and what he did there was so disconcerting that it could probably only be compared to what Liszt must have evoked 170 years ago.

      • Berliner Zeitung
    • The most strident and provocative phenomena on the classical music scene...

      • Süddeutsche Zeitung
    • A fallen angel who gives the organ back its sin… the decathlete of manuals, pedals, and stop knobs.

      • Die Zeit
    • He is a true pioneering musician, and a classic by-the-book virtuoso.

      • Neue Zürcher Zeitung
  • Kennedy Center

    Washington, D.C.
    Feb 2015
    • We talk so much, in the classical music field, about the need to reach new audiences and do things differently. Carpenter — with a great deal of love and reverence for the classical music canon — is doing exactly that. When you get a concert hall laughing in delight and shouting at Bach or Mozart… you’re doing something right.