ConradTao

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  • Piano

About Conrad

Conrad Tao is a pianist and composer celebrated for his boundary-defying artistry as well as his powerful performances of traditional repertoire. Described by New York Magazine as “the kind of musician who is shaping the future of classical music,” and praised by The New York Times for his “probing intellect and open-hearted vision,” Conrad appears regularly as a soloist with leading orchestras and at major venues across the world.

In the 2025/26 season, Conrad returns to the Chicago Symphony Orchestra as both soloist and recitalist, performing Bartók’s Piano Concerto No. 3 with Karina Canellakis and later presenting a recital program featuring Gershwin song arrangements alongside works by Schoenberg, Strayhorn, Schumann, and others. Recital highlights include debuts at Berlin’s Philharmonie and Hamburg’s Elbphilharmonie, as well as returns to Klavierfestival Ruhr, and to the Celebrity Series of Boston, and the Seattle Symphony with Poetry and Fairy Tales, a program blending works by David Fulmer, Rebecca Saunders, Todd Moellenberg, Brahms, and Ravel.

Conrad reunites with Robert Spano for performances of John Adams’ Century Rolls (San Diego Symphony) and Bernstein’s The Age of Anxiety (Atlanta Symphony). He also joins Matthias Pintscher and the Konzerthausorchester Berlin for Pintscher’s NUR, and travels to Tokyo to perform Mozart’s Piano Concerto No. 17 with the NHK Symphony and Jaap van Zweden. He makes his harpsichord debut at Princeton University in Patricia Kopatchinskaja’s Dies Irae.

Recent highlights include his return to Carnegie Hall with Debussy’s 12 Études and his original composition Keyed In, as well as appearances with the San Francisco Symphony and Nicholas Collon, Philadelphia Orchestra and Marin Alsop, Boston Symphony and Dima Slobodeniouk, New York Philharmonic and Jaap van Zweden, and Cleveland Orchestra and Jahja Ling. In 2024, he also toured Europe with the Kansas City Symphony and Matthias Pintscher to mark the 100th anniversary of Rhapsody in Blue, with sold-out performances at the Elbphilharmonie, Berlin Philharmonie, and Concertgebouw.

Conrad continues performing his own works, including Flung Out, an homage to Gershwin, which he played recently at the Aspen Festival, and The Hand, a companion to Beethoven’s Piano Concerto No. 1, which was commissioned and performed by the Kansas City Symphony. His orchestral work Everything Must Go premiered with the New York Philharmonic and later in Europe with the Antwerp Symphony. He also tours Counterpoint, his collaboration with dancer Caleb Teicher, and performs regularly with the Junction Trio alongside Stefan Jackiw and Jay Campbell. Additional recent collaborators include vocalist Charmaine Lee, artist Avram Finkelstein, choreographer Miguel Gutierrez, and brass quartet The Westerlies.

Conrad’s acclaimed recordings include VoyagesPictures, and American Rage (all on Warner), as well as the loser by David Lang, and Bricolage with The Westerlies.

He is a recipient of the Avery Fisher Career Grant, the Gilmore Young Artist Award, and a New York Dance and Performance “Bessie” Award for his collaboration with Caleb Teicher on More Forever.

Conrad is based in New York City

Contact

Adelaide Docx

Adelaide Docx

Associate Director
Miriam Goldmann

Miriam Goldmann

Associate Artist Manager

Representation

European management with Askonas Holt

Partner Managers:
Opus 3 Artists (general management)

Season Highlights

Sep 2025
Konzerthaus Berlin
Matthias Pintscher: NUR for piano and ensemble Matthias Pintscher, conductor Konzerthausorchester Berlin
Mar 2026
Celebrity Series of Boston
Johannes Brahms: Klavierstücke, Op. 118, no. 1 David Fulmer: I have loved a stream and a shadow, part I Johannes Brahms: Klavierstücke, Op. 118, nos. 2, 3, 4 Rebecca Saunders: Mirror, mirror on the wall Johannes Brahms: Klavierstücke, Op. 118, no. 5 Todd Moellenberg: Leg of Lamb (after Bernadette Mayer) David Fulmer: I have loved a stream and a shadow, parts 2 and 3 Maurice Ravel: Gaspard de la nuit Johannes Brahms: Klavierstücke, Op. 118, no. 6
Mar 2026
Princeton University Concerts
Patricia Kopatchinskaja: Dies Irae Patricia Kopatchinskaja, violin and artistic direction Conrad Tao, piano and harpsichord Zachary Cohen, bass Princeton University Chapel Choir Richardson Chamber Players
Apr 2026
Philharmonie Berlin & Elbphilharmonie Hamburg
Art Tatum: Cherokee George Gershwin: Girl Crazy: I Got Rhythm (arr. for solo piano) Sergei Rachmaninoff: Symphonic Dances, op. 45 (arr. for solo piano) as well as works by George Gershwin, Robert Schumann, Maurice Ravel and other composers
Apr 2026 - May 2026
Symphony Center, Chicago
Béla Bartók: Piano Concerto No. 3 in E major, Sz. 119 Karina Canellakis, conductor Chicago Symphony Orchestra
Jun 2026
Symphony Center, Chicago
Art Tatum: Cherokee George Gershwin: Girl Crazy: I Got Rhythm (arr. for solo piano) Sergei Rachmaninoff: Symphonic Dances, op. 45 (arr. for solo piano) as well as works by George Gershwin, Robert Schumann, Maurice Ravel and other composers
Jun 2026
NHK Hall, Tokyo
Wolfgang Amadeus Mozart: Piano Concerto No. 17 in G major, K. 453 Jaap van Zweden, conductor NHK Symphony Orchestra
Jul 2026
Hollywood Bowl, Los Angeles
George Gershwin: Rhapsody in Blue Marin Alsop, conductor Los Angeles Philharmonic

Photos

Selected Repertoire

Adams

Century Rolls

Bartok

Piano Concerto No.3

Beethoven

Piano Concerto No.1, Op.15   •   Piano Concerto No.4, Op.58   •   Piano Concerto No.5, Op.73

Bernstein

Age of Anxiety

Brahms

Piano Concerto No.1, Op.15

Chopin

Piano Concerto No.1, Op.11

Gershwin

Piano Concerto in F major   •   Rhapsody in Blue

Liszt

Piano Concerto No.1 in E-flat major

Mendelssohn

Piano Concerto No.1, Op.25

Mozart

Piano Concerto No.9 in E-flat major, K.271   •   Piano Concerto No.12 in A major, K.414   •   Piano Concerto No.17 in G major, K.453   •   Piano Concerto No.19 in F major, K.459   •   Piano Concerto No.20 in D minor, K.466   •   Piano Concerto No.21 in C major, K.467   •   Piano Concerto No.22 in E-flat major, K.482   •   Piano Concerto No.23 in A major, K.488   •   Piano Concerto No.24 in C minor, K.491   •   Piano Concerto No.25 in C major, K.503

Norman

Suspend

Prokofiev

Piano Concerto No.1, Op10   •   Piano Concerto No. 2, Op.16   •   Piano Concerto No. 3, Op.26

Rachmaninoff

Étude-tableau in A Minor, No. 2, Op.39   •   Piano Concerto No. 2, Op.18   •   Piano Concerto No. 3, Op.30   •   Piano Concerto No. 4, Op 40   •   Rhapsody on a Theme of Paganini, Op.43

Ravel

Piano Concerto in G major, M.83

Schumann

Piano Concerto, Op.54

Shostakovich

Concerto in C minor for Piano, Trumpet and Strings, Op.35

Tao

An Adjustment   •   Companion piece to Beethoven Piano Concerto No.1, Op.15   •   Flung Out (companion piece to Gershwin Rhapsody in Blue)   •   The Oneiroi in New York   •   Spoonfuls

Tchaikovsky

Piano Concerto No.1, Op.23

Sample Programmes

  • Brahms: Klavierstücke, Op. 118 I. Intermezzo David Fulmer: I have loved a stream and a shadow (With glitter of sun-rays, Nor with stars stretched, nor looking back from heaven) I. Brahms: Klavierstücke, Op. 118 II. Intermezzo III. Ballade IV. Intermezzo Rebecca Saunders: Mirror, mirror on the wall Brahms: Klavierstücke, Op. 118 V. Romanze — intermission — Todd Moellenberg: Leg of Lamb (after Bernadette Mayer) David Fulmer: I have loved a stream and a shadow II. — III. Ravel: Gaspard de la nuit Ondine Le gibet Scarbo Brahms: Klavierstücke, Op. 118 VI. Intermezzo

  • Debussy: Etudes Book I Tao: Improvisation for Lumatone Arlen/Tatum: Over the Rainbow (trans. Conrad Tao) Tao: Keyed In Schumann: Auf einer Burg (arr. Conrad Tao for Lumatone) Debussy: Etudes Book II

News

Press

  • Cleveland Orchestra presents Conrad Tao in recital

    Severance Music Center, Cleveland
    May 2024
    • The extraordinary Conrad Tao expertly curated and stunningly played a program of solo piano music by Sergei Rachmanioff and composers who Tao said were influenced by the great Russian pianist’s music.

  • Chicago Symphony, Gershwin Concerto in F Major conducted by James Gaffigan

    Chicago Symphony Hall
    Oct 2023 - Oct 2023
    • For a new vista on fun, run, don’t walk, to this weekend’s Chicago Symphony concerts, conducted by James Gaffigan. They’re exhilarating, life-affirming, ecstatic and erudite. Thank Conrad Tao for that… From Tao’s very first entrance, it was clear listeners were in the presence of a creative supernova… face-melting virtuosity, profundity and invention.

  • La Jolla Music Society SummerFest

    The Conrad, La Jolla
    Aug 2023
    • Conrad Tao is a magical pianist, with a scholar’s mind wrapped in an almost impossible technique. Alternatively ecstatic, logical, monstrous, his playing conveyed all the complexity and terror of the work, set into relief through an unflinching attention to every disturbing detail and an unflagging musical stamina.

  • Cleveland Orchestra, John Adams' Century Rolls conducted by David Robertson

    Blossom Music Center
    Aug 2023
    • A sublime noteworthy performance... (Tao) doesn’t just play every rhythmic motif from jagged punches to sublime bits of melody, but truly embodies them.

  • Profile of Conrad Tao in The New York Times

    Nov 2019