EmaNikolovska
- Mezzo-Soprano


About Ema
This season, Ema returns to the Deutsche Staatsoper Berlin for Cherubino/Le Nozze di Figaro and to the Canadian Opera Company for her role debut as Komponist/Ariadne auf Naxos. She sings Phèdre in Rameau’s Hippolyte et Aricie with Marc Minkowski and les Musiciens du Louvre in Paris and Purcell’s Dido with les Violons du Roy and Bernard Labadie in Quebec City and Montrèal. In its 300th anniversary year, Ema tours Bach’s St Matthew Passion in Asia with the Leipzig Gewandhaus orchestra and Andreas Reize.
An internationally celebrated recitalist, Ema partners Andras Schiff and Jonathan Biss for two recitals at London’s Wigmore Hall and tours in the U.S. and Canada with guitarist, Sean Shibe, in their celebrated Orlando programme.
Representation
Season Highlights
Video
- Playing
Ema Nikolovska performs Copland Dear March, come in!
Credit: With Kunal Lahiry at the Tippet Rise Art Center
Ema Nikolovska performs Schubert Der Unglückliche and Nacht und Träume
Credit: With Kunal Lahiry at Tippet Rise Art Center
Ema Nikolovska performs Janáček's The Cunning Little Vixen
Credit: Canadian Opera Company
Ema Nikolovska performs Weh ihnen, dass sie von mir weichen
Credit: Munich Radio Orchestra
Ema Nikolovska performs Schubert Abends unter der Linde
Credit: Pierre Boulez Saal
Ema Nikolovska performs Schubert Der Sänger am Felsen and An den Mond
Credit: Pierre Boulez Saal
Ema Nikolovska performs Schubert An die Laute
Credit: Pierre Boulez Saal
Audio
- Scriabin: Symphony No. 1 in E Major, Op. 26: VIa. Andante. Hymn to the ArtsCredit: Deutsche Grammophon GmbH Recorded: 23 October 2025
Selected Repertoire
Benjamin
Picture a Day Like This (Woman)
Berlioz
La damnation de Faust (Marguerite)*
Debussy
Pelléas et Mélisande (Mélisande)*
Gounod
Faust (Siebel)* • Roméo et Juliette (Stefano)*
Handel
Semele (Juno)* • Alcina (Ruggiero/Bradamante)* • Ariodante*
Henze
Cubana (Lucile)
Humperdinck
Hänsel und Gretel (Hänsel)
Janáček
The Cunning Little Vixen (Fox)
Massenet
Werther (Charlotte)*
Mozart
Così fan tutte (Dorabella)* • Idomeneo (Idamante)* • Le Nozze di Figaro (Cherubino)* • La Clemenza di Tito (Sesto)*
Purcell
Dido and Aeneas (Dido)*
Rameau
Hippolyte et Aricie (Hippolyte)
Ravel
Le Heure Espagnolle (Concepción)*
Strauss
Der Rosenkavalier (Octavian) • Ariadne auf Naxos (Komponist)*
Tchaikovsky
Pique Dame (Polina)*
Verdi
Rigoletto (Giovanna)
Vivaldi
Orlando*
Weber
Oberon (Fatima)*
News
Press
Neuwirth - Orlando (Title Role)
Komische Oper BerlinMay 2026The title role, however, is a challenge that Ema Nikolovska carried with admirable intensity... Nikolovska mastered all of this with technical mastery and remarkable stage presence.
- Zenaida des Aubris, Operawire
- 28 May 2026
Ema Nikolovska’s Orlando made a positive impression thanks to her warm mezzo, finely controlled vibrato and a chameleonic sense of different music styles. Her stage presence, veered towards the youthful and idealistic of a typical mezzo role, was also convincing.
- Elena Luporini, bachtrack
- 18 May 2026
Mozart - Le Nozze di Figaro (Cherubino)
Opernhaus ZürichJan 2026It began almost by chance that Ema Nikolovska stood that evening in a long undershirt and trousers on a small wooden table. Right in the middle of the stage of the Zurich Opera House, in Mozart's opera "Le Nozze di Figaro". And with a bright and supple voice, she sang the part of the adolescent boy Cherubino: "You women, who know what love is, see what is happening in my heart." Yet when Ema Nikolovska sings, one really feels as if looking into the heart of this young man. You see all the love and the pain, feel the restlessness and all the bliss. In Mozart's opera, the role of Cherubino, traditionally sung by a woman, is a minor role. Yet on this evening in Zurich, it becomes the secret lead. This is due to the Macedonian-Canadian singer Ema Nikolovska, her bright and crystal clear voice. But not only that. It is as if an uncompromising quality emanates from the 32-year-old. As if something truthful is revealed in her singing and acting, something that goes beyond the three.
- Anna Kardos, Neue Zürcher Zeitung
- 24 May 2026
BBC Proms
The Glasshouse, GatesheadJul 2025Ema Nikolovska navigated the complexities of the vocal part with remarkable skill and artistry.
- Chris Caspell, Classical Source
- 28 July 2025
Nikolovska’s mesmerising vocal contributions
Ema Nikolovska... displayed a range of expression and colour in four of the nine movements, music that bursts forward tantalising the taste buds, rhythmically intricate, and lyrical if strangely beautiful, engagingly performed over forty minutes
- Colin Anderson, Collin's Column
- 27 July 2025
Aldeburgh Festival
Aldeburgh Festival, AldeburghJun 2025Nikolovska’s rich-toned mezzo blended ideally with the ensemble’s middle registers, and shaped Char’s bizarre poetry with the requisite detachment, the close of ‘l artisanat furieux’, just one example of perfection where Nikolovska and Adam Walker’s flute were flawlessly together.
- David Truslove, Opera Today
- 22 June 2025
Boulez Centenary Year Concerts with Sean Shibe
Wigmore Hall, LondonMay 2025'Time slows down to allow for an engagement with detail, for a submersion in the sound, and for meditative stillness.’ That is very much what we experienced, time slowing, even near-repeating, as if a record were stuck; and yet, it moved. There was something dream-like, even epiphanic to Nikolovska and the instrumentalists’ revelation.
- Mark Berry, Seen and Heard International
- 30 May 2025
Ema Nikolovska has a commanding presence and an intriguing and touching vocal instrument.
- James Ellis, My Scena
- 30 May 2025
Ema Nikolovska in recital with Sir Andras Schiff
Wigmore HallJun 2024An artistic event of top quality to cherish ... Nikolovska performed all songs from memory, all in original language. She clearly fully understood and thus presented all emotions within the text/music with dramatic flair but, at the same time, with disciplined style of the period. There were some appropriate operatic gestures while dynamics as well as tone colours were plentiful and delivered with care ... Nikolovska is a great communicator within the performance but also off-performance. She talked to the audience from the stage with ease, flair, and plenty of humour.
- Seen and Heard
- 15 June 2024
Orlando: The Adventurer - Song and Guitar
Bath FestivalMay 2024this was all part of a remarkable concert by the mezzo Ema Nikolovska and the guitarist Sean Shibe at the Bath Festival — and if I say that the experience felt like being awake in a vivid dream, I do so as a compliment.
- Rebecca Franks, The Times
- 24 May 2024
Vancouver Recital
Vancouver PlayhouseMar 2024Nikolovska’s voice is focused, rich, and velvety. Though she is at the beginning of her career, her sound is mature and her instinct for interpretation highly developed.
- David Gordon Duke, Classical Voice America
- 20 March 2024
Janáček - The Cunnning Little Vixen (The Fox)
Canadian Opera CompanyJan 2024 - Feb 2024When she falls for Fox, her spirited soprano combines with Nikolovska’s spacious mezzo to spin a cocoon of love that’s in a totally different world from that of the brutish humans.
- Liam Donovan, Next
- 31 January 2024
Soprano Ema Nikolovska was a bright voiced, endearing Fox.
- Joseph So, Ludwig-van Toronto
- 29 January 2024
Ema Nikolovska, who rounds out the main company, is particularly wonderful as the Fox with whom Sharp Ears falls in love. Their perfectly delivered second-act love duet is among the highlights of the evening.
- Joshua Chong, Toronto Star
- 28 January 2024
Ema Nikolovska is another standout as the Fox, with whom the Vixen falls madly in love. In what is technically a trouser role (a funny thought when foxes are concerned), Nikolovska shines with a clear, powerful mezzo that soars high with ease. This is a COC debut for her, and a total treat to hear.
- Jenna Simeonov, The Globe and Mail
- 29 January 2024
Fox, a trousers-role sung with vitality and emotion by Ema Nikolovska. Nikolovska’s bright mezzo-soprano blends well with Archibald’s high soprano…. Archibald and Nikolovska display their fine acting skills
- Christopher Hoile, Stage Door
- 28 January 2024
Benjamin - Picture a Day Like This (Woman)
Linbury TheatreSep 2023As the Woman, mezzo-soprano Ema Nikolovska is both vulnerable and stoical, responding to this rollercoaster day with a voice of many colours.
- Claudia Pritchard, CultureWhsiper
- 23 September 2023
Ema Nikolovska gave an outstanding performance as Woman, caressing Benjamin’s sinuous writing with an unbearable tenderness.
- Stephen Pritchard, Bachtrack
- 23 September 2023
Ema Nikolovska sings with poise and impact throughout. Simply dressed in a frock and trench-coat, she is urgent but never over-emotional, only rising to fury in a central aria in which she expresses her disillusionment that her quest is futile and condemned to fail. Instead, she uses nuanced vocal colours and beautiful phrasing to delineate her changing moods.
- Claire Seymour, Opera Today
- 25 September 2023
Strauss - Der Rosenkavalier (Octavian)
Berlin StaatsoperApr 2023Stichwrot Octavian: Wie ein furchtloser Ritter beherrscht Ema Nikolovska jugendlicher Graf den Abend fast schon im Alleingang. Mit seinen siebzehn Jaren ist er her rim Haus, und die Sangerin Herrscherin der Buhne. Keyword Octavian: Like a fearless knight, Ema Nikolovska, the youthful count, almost single-handedly dominates the evening. At seventeen he is the master of the house, and the singer ruler of the stage.
- Johannes Karl Fischer, Klassik begeistert Online
- 29 April 2023
Y que bien estuvo Ema Nikolovska como el joven adolescente lleno de si mismo y lleno de vigor sexual. La voz corrio clara y audible por el escenario del Staatsoper Unter den Linden, sabiendo como indicar cambios de humor y en lod duetos con Sophie supo como manejar el registro agudo sin problemas. And how well was Ema Nikolovska as the young adolescent full of himself and full of sexual vigour. The voice ran clear and audible across the stage of the Staatsoper Unter den Linden, knowing how to indicate mood swings and in duets with Sophie he knew how to handle the high register with ease.
- Eduardo Benarroch, Pro Opera (Mexico)
- 04 May 2023
Rameau - Hippolyte et Aricie
Philharmonie de ParisNov 2021Ema Nikolovska une Diane au riche médium qui détaille superbement la noble complexité de son personnage. Ema Nikolovska a Diana with a rich medium who superbly details the noble complexity of her character.
- Philippe Ramin, bachtrack
- 11 November 2021
La Diane de Ema Nikolovska a toute l’assurance et l’aisance d’une déesse, ainsi que la surface vocale. Ema Nikolovska’s Diana has all the confidence and ease of a goddess, as well as the vocal surface.
- Tancrède Lahary, Forum Opera
- 06 September 2021
Ema Nikolovska prête sa voix intense et vibrante au personnage de Diane. Personnage réconfortant, elle déclame le texte au plus près des intentions théâtrales et ses vocalises agiles s’envolent joyeusement pour annoncer la bonne nouvelle qu’Hippolyte n’est pas mort. Ema Nikolovska lends her intense and vibrant voice to the character of Diane. A comforting character, she declaims the text as closely as possible to the theatrical intentions and her agile vocalisations joyfully take flight to announce the good news that Hippolyte is not dead.
- Frédérique Epin, Olyrix
- 11 November 2021
ma Nikolovska déploie dans le rôle de Diane son soprano lumineux et homogène. Elle est également une des seules ce soir à faire preuve d’une prononciation à l’intelligibilité appréciable. Ema Nikolovska displays her luminous and homogeneous soprano in the role of Diana. She is also one of the few tonight to demonstrate an appreciably intelligible pronunciation.
- Romaric Hubert, Premiere Loge
- 11 November 2021
Ema Nikolovska & Malcolm Martineau BBC Proms
Cadogan HallSep 2021Nikolovska is the possessor of a beautiful, versatile and technically assured instrument with gorgeous colours to it ... She has a winning and communicative persona ... Nikolovska gave a contained yet dramatic reading that made one eager to see her on the dramatic stage.
- Alexander Campbell, Classical Source
- 06 September 2021
Leeds Lieder Gala
Wigmore HallJun 2019...her exceptional communication and dramatic skill...was a tour de force of quite terrifying skill.
- Melanie Eskenazi, Music OMH
- 19 June 2019












