EvanRogister
- Conductor


About Evan
Principal Conductor: Washington National Opera Principal Conductor: Kennedy Center Opera House Orchestra
Evan Rogister is the Principal Conductor of the Washington National Opera and the Kennedy Center Opera House Orchestra. With artistic endeavours ranging from Mozart with the Orchestra of the Age of Enlightenment to Wagner’s complete cycle, Der Ring des Nibelungen, and Terence Blanchard’s contemporary masterpiece, Fire Shut Up in My Bones, Evan Rogister—a dual citizen of the United States and Germany—is one of the most eclectic and versatile conductors on the international scene.
Evan returns to The Metropolitan Opera in the 2024/25 season to conduct Simon McBurney’s production of Mozart’s Die Zauberflöte. Additional highlights include a new production of Verdi’s Macbeth for Washington National Opera and concerts with the Opernhaus Zürich Orchestra. In the summer of 2024 Rogister debuts at the Festival d’Aix-en-Provence, conducting the 40th Anniversary concerts of the Mediterranean Youth Orchestra—both in Aix and on tour. During the summer of 2023, Evan made a critically acclaimed debut at the Glyndebourne Festival, leading the Orchestra of the Age of Enlightenment in Mozart’s Don Giovanni.
Equally at home on the concert stage as in the pit, recent symphonic projects include collaborations with the Swedish Radio Symphony, Bergen Philharmonic, l’Orchestre National du Capitole de Toulouse, Badische Staatskapelle, Royal Stockholm Philharmonic, Gothenburg Symphony, l’Orchestre Philharmonique du Luxembourg, Essen Philharmoniker, Mälmo Symphony, Milwaukee Symphony, Spoleto Festival Orchestra, North Carolina Symphony, and the Atlanta Symphony.
Contact
For availability and general enquiries:

Edward Pascall

Dominic Domingo
For contracts, logistics and press:

Ignatius Sokal
Representation
Worldwide general management with Askonas Holt
Season Highlights
Photos
Selected Repertoire
Alban Berg
Wozzeck • Lulu
Antonín Dvořák
Rusalka
Arnold Schoenberg
Erwartung
Béla Bartók
Bluebeard's Castle
Benjamin Britten
Peter Grimes • Billy Budd
Charles Gounod
Faust
Claude Debussy
Pelléas et Mélisande
Dmitri Shostakovich
Lady Macbeth of Mtsensk
Engelbert Humperdinck
Hänsel und Gretel
George Gershwin
Porgy and Bess
Georges Bizet
Carmen
Giacomo Puccini
Manon Lescaut • La Bohème
Giuseppe Verdi
Aïda • Otello • Simon Boccanegra • Un Ballo in Maschera • Ernani • Macbeth • Rigoletto
Johann Strauss Jr.
Die Fledermaus
John Corigliano
The Ghost of Versailles
Karol Szymanowski
King Roger
Leoš Janáček
The Cunning Little Vixen • Katya Kabanova • Jenufa • The Makropolis Case • The House of the Dead
Ludwig van Beethoven
Fidelio
Modest Mussorgsky
Boris Godunov
Pyotr Ilyich Tchaikovsky
Eugene Onegin • Queen of Spades
Richard Strauss
Salome • Elektra • Ariadne auf Naxos • Die Frau Ohne Schatten • Der Rosenkavalier
Richard Wagner
Rienzi • Der Fliegende Holländer • Tannhäuser • Lohengrin • Das Rheingold • Die Walküre • Siegfried • Götterdämmerung • Tristan und Isolde • Meistersinger • Parsifal
Sergey Prokofiev
The Gambler
Terence Blanchard
Fire Shut Up in My Bones
Wolfgang Amadeus Mozart
Don Giovanni • Die Zauberflöte • Die Entführung aus dem Serail • Le Nozze di Figaro • Cosi Fan Tutte • La Clemenza di Tito • Idomeneo
News
Press
At WNO’s electric ‘Elektra,’ the night is short and full of terrors
Washington National OperaSep 2022 - Oct 2022It’s for this reason that the other big star of the show was the Washington National Opera Orchestra under conductor Evan Rogister, who led a performance that managed to sound appropriately untethered and deceptively exacting. I tend to groan about the volume in this hall, but even at this reduced orchestration of “Elektra” (85 musicians as opposed to the 113 called for by Strauss), the sound was vibrant and rich. Rogister’s steering of the music’s violent weather had me loosening my tie, and his finely attuned management of its mess of motivic gestures and granular details was superb.
- The Washington Post
- 30 October 2022
"Ragnarök" by Richard Wagner
Gothenburg OperaNov 2021 - Dec 2021The Gothenburg Opera had put together a cast without flaws, with an impressive number of singers drawn from their own ensemble. The orchestra also played at a consistently high level and rightly received enthusiastic applause between acts. Evan Rogister's sense of structure and tempo is excellent, driving the music without over-rushing it and skilfully varying dynamics. Orchestral solo pieces such as Siegfried's funeral march were able to carry people away, but the singers were also supported sensitively. The orchestra brought out the colours and subtleties of the score very effectively, avoiding the trap of too dense texture that poses a risk in Wagnerian performances.
- Auffuhrungen
- 05 December 2021
The final instalment of Stephen Langridge’s Ring Cycle new production
Gothenburg OperaDec 2021 - Dec 2021Pacing a company of entirely Swedish singers, save for Brenna, most of whom would not consider themselves Wagnerians, Evan Rogister demonstrated tautness, intimacy, ear for pre-Wagnerian orchestral color and focus on text that has given his first Ring cycle genuine musical distinction. Rogister’s Götterdämmerung adds a new ferocity, an occasional hard edge and a blossoming freedom to the more mercurial style he brought to the earlier operas. Rogister, Langridge and the Gothenburgers have given us a Ring with musical and dramatic impact that is absolutely of its time, and entirely of its place. That is no small accomplishment.
- Opera News
- 12 May 2021
"Siegfried" livestreamed
Gothenburg OperaMar 2021 - Mar 2021★★★★★ Musically, it is gold of the highest carat. Under conductor Evan Rogister the orchestra excels in richness of sound from fear to ecstasy through the orchestra's weave of leitmotifs that reveal connections, reactions and thoughts. The music's flowing natural romance with the forest's rustling and birds chirping is contrasted scenically by a landfill with consumed gadgets. The ensemble is brilliant. It shines with vocally good sound and crackles of expressive phrases. The performance can withstand both close-ups and pandemic distances.
- Svenska Dagbladet
- 28 March 2021
★★★★★ Once more, conductor Evan Rogister inspires the orchestra to play at its very best, his ability to understand the musico-narrative arc of each act creating a compelling experience. The whole production is a triumph in a time of adversity: Superb!
- Opera Now
- 30 March 2021
★★★★★ As in "Die Walküre", Rogister’s conducting of the orchestra was in balance with the singers and brought out some lovely colours, in particular in the beginnings of Acts I and II where the orchestra encapsulated the atmosphere of darkness and evil.
- Seen and Heard International
- 27 March 2021
★★★★ Conductor Evan Rogister guided a slightly reduced and carefully-spaced orchestra to colorful effect, together with a solid vocal cast whose fresh and vital performances surely satisfied hungry audiences far and wide.
- Bachtrak
- 31 March 2021
"Die Walküre" - it's a triumph!
Gothenburg OperaOct 2019 - Dec 2019Evan Rogister and the Gothenburg Opera Orchestra triumph! The playing wonderfully encompasses intimate detail work, verve and splendorous sound, while still finely balancing the voices.
- Aftonbladet
- 01 December 2019
Deserved cheers for Evan Rogister whose conducting of Gothenburg Opera's Ring gets even better with "Die Walküre". Bold enough to play with the music's inbuilt drama and even bolder in constantly reacting to its words. Chamber music with shades of Schubert, Debussy etc.
- Opera News
- 02 December 2019
The real magician is therefore not Wotan but rather Evan Rogister and the Gothenburg Opera Orchestra. In their responsive reading, the downfall comes creeping like a monster in the fog - centimeter by centimeter, degree by degree. At the same time; it’s their dedicated seriousness which makes rainbows of blinding hope flourish in Wagner’s incomparable music.
- Svenska Dagbladet
- 02 December 2019
Evan Rogister accentuates finely-tuned shades as he leads Gothenburg Opera's orchestra through Die Walküre's complex and extensive score. He does it phenomenally well and makes the orchestra play with an unusual luster.
- Goteborgs-Posten
- 03 December 2019