FabienGabel
- Conductor


About Fabien
Chief Conductor: Tonkünstler-Orchester Niederösterreich
The 2025/2026 season marks Fabien Gabel’s first as Chief Conductor of the Tonkünstler-Orchester, Niederösterreich. He has established an international career of the highest calibre, appearing with orchestras such as Orchestre de Paris, London Philharmonic, Chicago Symphony Orchestra, NDR Elbphilharmonie Orchester, The Cleveland Orchestra, Royal Stockholm Philharmonic Orchestra, Orchestre symphonique de Montréal, Seoul Philharmonic and Melbourne Symphony Orchestra. Praised for his dynamic style and sensitive approach to the score, he is best known for his eclectic choice of repertoire, ranging from core symphonic works to new music to championing lesser-known composers of the 19th and the 20th century.
During the 2025/2026 season Gabel will make his debut at the Metropolitan Opera in Carmen and with the Mahler Chamber Orchestra on a five-day tour of Spain with Yuja Wang. In Europe he returns to the Stavanger Symphony Orchestra, Orchestre National de France, Orchestre Philharmonique de Strasbourg, Orquesta Sinfonia de Galicia and the BBC and City of Birmingham symphony orchestras. In the US he returns to the Minnesota Orchestra, Detroit Symphony and Toronto Symphony orchestras and will make his South American debut with the São Paulo Symphony Orchestra (OSESP).
Contact
For availability and general enquiries:

Edward Pascall
Logistics, contracts, press and marketing:

Fiona Russell
Representation
Management for Europe and Asia with Askonas Holt
General manager:
USA and Australia/NZ: Opus 3 Artists, Tom Cunningham
Season Highlights
Video
- Playing
Asmik Grigorian performs the final scene from Salome by Strauss
Fabien Gabel and l’Orchestre Philharmonique de Radio France at the Philharmonie de Paris. Credit: Asmik Grigorian
Fabien Gabel Conducts Stravinsky: Le Chant du Rossignol
Orchestre National de France, Fabien Gabel Credit: France Musique
Fabien Gabel Conducts Mahler Symphony No.1
Fabien Gabel conducts l'Orchestre Philharmonique de Radio France in Mahler's 1st Sympphony "Titan" Credit: France Musique
Fabien Gabel Conducts Strauss: Alpine Symphony
Orchestre Symphonique de Québec, Fabien Gabel Credit: Orchestre symphonique de Québec
News
Press
Aspen Festival
Jul 2025From start to finish, the Aspen Festival Orchestra program was by far the best this season in the Klein Music Tent. Huge credit to Gabel for that. A one-time student here and now the music director of Lower Austria’s Tonkünstler Orchestra, he coaxed magnificent playing in works by Ravel and Richard Strauss. Whether it was finding ideal balances within the orchestra in the big, expressive moments, allowing all the layers of sound enough room to breathe or setting ideal paces to keep momentum in every piece on the program, the results were thrilling.
City of Birmingham Symphony Orchestra
Symphony HallIn the Mozart, Gabel struck a clear balance between playful, grandiose and elegant, swinging wildly through the assorted stylistic volte-faces that make up this strange but irresistible music. This was especially effective in the central Passepied, with tilting light and shade as its tonality shifted between major and minor.
- Bachtrack
- 26 September 2024
Orchestre Symphonique de Montreal
Maison SymphoniqueMay 2024His interpretations dig much deeper than just the surface gloss, and under his leadership the Montreal players responded with excitement and ardor, delivering thrilling performances that will stay long in the memory.
- Bachtrack
- 08 May 2024
Chicago Symphony Orchestra - Debut
Orchestra HallApr 2023Gabel’s leadership was fluent and efficient, the musical result as eloquent and nuanced as it was brilliant. The music’s piquant and charming subtleties were manifestly at the tip of his baton from start to finish. Stravinsky’s brash brasses, buzzing strings and bubbly winds were measured and proportioned and contoured with unerring conviction and purpose.
- Chicago on the Aisle
- 21 April 2023
The French conductor directed a boldly projected performance ... with committed playing across all sections that made the tale of the doomed title puppet spring vividly to life. Gabel’s incisive direction consistently brought out the drama and Stravinsky’s kaleidoscopic scoring and harmonic audacity. Everything registered with maximum impact: Petrushka’s desperate alienation and hopeless love for the Ballerina—good piano work from John Wilson on a problematic instrument—the malign brutishness of the Moor, the return to the fairgrounds and the final scene, chase and Petrushka’s death. Not only was coordination airtight throughout, but the responsive, firmly pointed orchestral playing sealed the performance. ...in this all-Russian program, Gabel was relaxed, confident and fully in command from the jump Thursday night in an impressive local debut.
- Chicago Classical Review
- 21 April 2023