GergelyMadaras

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Conductor
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For availability and general enquiries:

Henry Lindsay

Henry Lindsay

Associate Director

For contracts, logistics and press:

Jemima Pickersgill

Jemima Pickersgill

Assistant Artist Manager

Representation

Worldwide general management with Askonas Holt Local management with Amati Tokyo (Japan)

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About Gergely

Music Director: Orchestre Philharmonique Royal de Liège

Gergely is Music Director of the Orchestre Philharmonique Royal de Liège. This season includes returns to the WDR Sinfonieorchester, NHK Symphony Orchestra, Oslo Philharmonic, Hamburger Symphoniker, Orchestre de Chambre de Paris, Bournemouth Symphony Orchestra and the Norwegian Radio Orchestra; he makes debuts with the Gürzenich Orchestra Cologne, Netherlands Radio Philharmonic and George Enescu Philharmonic.

Recent symphonic highlights include performances with the Budapest Festival Orchestra, London Philharmonic Orchestra, BBC Symphony Orchestra, BBC National Orchestra of Wales, BBC Philharmonic, Hallé Orchestra, City of Birmingham Symphony Orchestra, Bournemouth Orchestra, Orchestre Philharmonique de Radio France, Orchestre Philharmonique de Monte-Carlo, Orchestre National du Capitole de Toulouse, Orchestra Sinfonica Nazionale della RAI, Sao Paulo State Symphony and with Il Pomo d’Oro and Joyce DiDonato at the Concertgebouw Hall, as part of the ‘EDEN’ tour.

Gergely was the inaugural Sir Charles Mackerras Fellow at the English National Opera, which culminated in his operatic debut at the London Coliseum with a new production of Die Zauberflöte with stage director Simon McBurney. Since then, he has conducted critically-acclaimed productions at the Dutch National Opera, Grand Théâtre de Genève and La Monnaie. Last season he returned to the Hungarian State for La bohème.

Gergely is based in London, Budapest

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Representation

Worldwide general management with Askonas Holt Local management with Amati Tokyo (Japan)

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Season Highlights

Jan 2025
Oslo Konserthus, Oslo
Johann Strauss II Die Fledermaus Overture Franz Lehar Gold and Silver Waltz Brahms Hungarian Dance No. 4 Johann Strauss II Im Krapfenwaldl Johann Strauss II Annen Polka Op. 117 Franz Liszt Hungarian Rhapsody No. 2 in C sharp minor Brahms Hungarian Dance No. 1 in G minor --- Johann Strauss II Emperor Waltz, Op. 437 Brahms Hungarian Dance No. 5 Johann Strauss II Pizzicato Polka, Op. 234 Johann Strauss II Thunder & Lightening Polka Op. 324 Johann Strauss II An der schönen blauen Donau ‚Blue Danube‘ Op. 314 Johann Strauss II Radetzky March Op. 228 Oslo Philharmonic Lajos Sárközy (violin) Jeno Lisztes (cimbalom)
Jan 2025
Laeszhalle Hamburg, Hamburg
Faure: Suite from Pelléas et Mélisande, Op. 80 Ohad Ben-Ari: Paterson Messiaen: Poèems pour Mi Smetana: Vltava (from Má vlast) Hamburger Symphoniker Magdalena Kozena (mezzo-soprano)
Feb 2025
Philharmonie de Paris, Paris
Haydn: Symphonie No. 19 Mendelssohn: Piano Concerto No. 1 Schubert: Symphony No. 4 Orchestre de chambre de Paris Benjamin Grosvenor (piano)

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Press

  • Wagner & Mahler

    Orchestre Philharmonique de Liège
    Sep 2023
    • …sous la baguette inventive et complice de Gergely Madaras, la parade fut parfaite. Un concert d’ouverture de saison est toujours un événement pour un orchestre puisqu’il offre aux musiciens l’occasion de retrouver leur public, mais celui de la saison 2023-2024 restera particulièrement dans les mémoires pour son excellence et sa dimension jubilatoire... et au chef hongrois de rappeler comme il est un conteur extraordinaire, capable de montrer dans chaque thème la perspective d’aventures nouvelles… Dans le premier mouvement, Madaras emmène le public dans une belle construction du récit, tandis que le deuxième lui permet, en étroite symbiose avec ses musiciens, d’affirmer son sens de la danse et sa maîtrise de la polyphonie. …under the inventive and complicit baton of Gergely Madaras, the parade was perfect. A season-opening concert is always an event for an orchestra, as it gives the musicians a chance to reunite with their audience, but the one for the 2023-2024 season will be particularly remembered for its excellence and its jubilant dimension... and for the Hungarian conductor to recall what an extraordinary storyteller he is, capable of showing in each theme the prospect of new adventures... In the first movement, Madaras takes the audience through a beautifully constructed narrative, while the second allows him, in close symbiosis with his musicians, to assert his sense of dance and his mastery of polyphony.