HyeyoonPark
- Violin


About Hyeyoon
This 24/25 season sees Hyeyoon debut with the BBC Symphony Orchestra under the baton of Kristian Sallinen. She also makes her City of Birmingham Symphony debut conducted by Alexander Shelley with Price’s Violin Concerto No. 2, and debuts with Cape Town Philharmonic performing Shostakovich’s Violin Concerto No.1. She returns to the London Philharmonic Orchestra for two performances of Beethoven's Violin Concerto, a chamber version of which she also play-directs on tour with Sinfonia Cymru. With pianist Juho Pohjonen, she tours China performing a varied programme that includes Debussy’s Violin Sonata.
Hyeyoon also makes a return to the award-winning Multi-Story Orchestra at the Southbank Centre for a performance of Verified, composed by Young Creatives and Kate Whitely.
A passionate chamber musician, Park continues touring Europe with her long-standing Piano Quartet partners — Kian Soltani, Timothy Ridout, and Benjamin Grosvenor — with performances at Elizabeth Hall, Luxembourg Philharmonie, and Palau de la Música Barcelona. Park and Grosvenor participate in a series of chamber recitals in Norway at the Risør Chamber Music Festival.
Recent highlights of Park's career include performances with the Hallé Orchestra and Royal Northern Sinfonia in Beethoven’s Triple Concerto alongside Sheku Kanneh-Mason and Benjamin Grosvenor. Her concerto appearances also include engagements with Stuttgart Philharmonic, Orchester Mainz, Poznan Philharmonic, Hitzacker Festival, Cologne Philharmonie, Zuger Sinfonietta, Iasi Philharmonic at the Classix Festival, and performances of Vivaldi's Four Seasons with orchestras such as the Symphonieorchester des Bayerischen Rundfunks, hr-Sinfonieorchester Frankfurt, Orchestre Symphonique de Montreal, NDR Elbphilharmonie Orchester, and Mariinsky Orchestra St Petersburg, among many others.
Representation
General management with Askonas Holt
Partner managers:
Spain: Atalanta Artists
Season Highlights
Video
- Playing
Beethoven Violin Concerto (arr. C. Hinde for violin and string quintet)
Credit: Hyeyoon Park
Vivaldi ‘Four Seasons’ Classix Festival 2023
Credit: Hyeyoon Park
AGPL 2022 - Sergej Rachmaninov Ungarischer Tanz Op.6 No.2
Credit: mbm medienproduktion 2022
Karol Szymanowski: ‘Mythes' for violin and piano, op.30
Credit: Hyeyoon Park
Benjamin Grosvenor & Hyeyoon Park – The Lark Ascending (for Violin and Piano) – Vaughan Williams
Credit: Benjamin Grosvenor
Interview Camille Saint-Saens 3rd violin concert
Credit: MDR Klassik
Webern: Four Pieces for violin and piano, op.7
Credit: Hyeyoon Park
Photos
News
Press
Benjamin Grosvenor Quartet
Queen Elizabeth Hall, LondonOct 2024a five-star display of exhilarating musicianship
- The Times
- 21 October 2024
Lunchtime Recital
Wigmore Hall, LondonJun 2020César Franck’s Violin Sonata – the second half of the programme – was a simultaneous showcase of Park’s huge palette of tone colours.
- The Guardian
- 09 June 2020
Fountain of Arethusa
Jun 2020She played ‘Fountain of Arethusa’ with glimmering, silver-toned purity high on the E string; ‘Narcissus’ was smoothly seductive, and ‘Dryads and Pan’ danced nimbly in double-stopped roulades. In Franck’s Sonata, portamentos and little dynamic swells shaped the first movement; the second had energy and panache, the Recitativo–Fantasia unfolded with rhythmic freedom. The finale had grandeur, with a fine dash to the finish.
- The Strad
- 01 June 2020
César Franck’s Violin Sonata
Jan 2020César Franck’s Violin Sonata – the second half of the programme – was a simultaneous showcase of Park’s huge palette of tone…her unaccompanied passages in the recitative-fantasia movement had all the poise of solo Bach (albeit on a Parisian opium trip).
- The Guardian
- 06 January 2020
LMMC Recital
Dec 2019Combining integrity with elegance and focus with panache, Hyeyoon Park is an artist of outstanding style and virtuosity.
- The Montrealer
- 01 December 2019
Tchaikovsky's Violin Concerto
Jul 2018The South Korean virtuoso violinist Hyeyoon Park … intones Tchaikovsky’s Violin Concerto with an expressive passion, as if it had only just been written.
- Frankfurter Allgemeine Zeitung
- 01 July 2018