HyeyoonPark

Press

• Silenced

  WDR Sinfonieorchester & Gergely Madaras (Shostakovich & Bosmans)

  Oct 2025

  • The energy and drive that soloist Hyeyoon Park is able to summon in “Silenced” are captivating in every single phase. Everything sounds utterly convincing, always beautiful in tone and extraordinarily brilliant in terms of violinistic mastery. The young Korean artist delivers one of the most gripping interpretations of the work to have appeared in recent years.

    • Fono Forum
    • 06 March 2026

  • This album by Hyeyoon Park, her first with concertos and her first to present herself as a headliner, is a beautiful demonstration of a luminous artistic personality, committed to the service of the works she champions. Faced with these proponents of a tradition where raw intensity conveys a most impressive rage and expression, it is difficult to stand out, and this is precisely what Hyeyoon Park manages to do . The violinist imbues her interpretation with a light that shines through the rage, the heart-wrenching hope, the emotions, and where the dazzling technique is cathartic rather than demonstrative.

    • ResMusica
    • 21 January 2026

  • With her first concert album, the young virtuoso Hyeyoon Park demonstrates her extraordinary ability to make music with curiosity, heart and intelligence.

    • Süddeutsche Zeitung
    • 28 November 2025

  • Henriëtte Bosmans' concert piece is a stark work full of bold harmonies, relentless rhythms, and profound sorrow. Hyeyoon Park lends intense expression to the Jewish lament.

    • BR Klassik
    • 01 November 2025

  • With her new recording, violinist Hyeyoon Park demonstrates not only her technical brilliance, but above all her ability to combine musical extremes with inner logic and emotional depth. This is a CD that inspires on several leads.

    • Radio Klassik
    • 18 October 2025

• City of Birmingham Symphony Orchestra & Alexander Shelley (Price)

  Symphony Hall Birmingham

  Feb 2025

  • The lusciously melodic work [Price's Violin Concerto No.2] marked the CBSO debut of Korean violinist Hyeyoon Park, who played the piece as beautifully and as passionately as her stunning sleeveless scarlet gown. Park returned to bring out the rich harmonies in Price’s Adoration, a four-minute piece for solo violin and strings that would easily have served as an encore. Originally composed for the organ in church services, this devotional work sounded as languid and soothing as its name.

    • The Birmingham Press

• Benjamin Grosvenor Quartet

  Queen Elizabeth Hall

  Oct 2024

  • a five-star display of exhilarating musicianship

    • The Times
    • 21 October 2024

• Wigmore Hall Recital (Szymanowski and Franck)

  Wigmore Hall

  Jun 2020

  • **** César Franck’s Violin Sonata – the second half of the programme – was a simultaneous showcase of Park’s huge palette of tone colours and of Grosvenor’s ability to conjure clarity from the densest of textures.

    • The Guardian
    • 09 June 2020

  • She played ‘Fountain of Arethusa’ with glimmering, silver-toned purity high on the E string; ‘Narcissus’ was smoothly seductive, and ‘Dryads and Pan’ danced nimbly in double-stopped roulades. In Franck’s Sonata, portamentos and little dynamic swells shaped the first movement; the second had energy and panache, the Recitativo–Fantasia unfolded with rhythmic freedom. The finale had grandeur, with a fine dash to the finish.

    • The Strad
    • 01 June 2020

• LMMC Recital (Szymanowski, Ravel & Beethoven)

  Pollack Hall

  Dec 2019

  • Combining integrity with elegance and focus with panache, Hyeyoon Park is an artist of outstanding style and virtuosity.

    • The Montrealer
    • 01 December 2019