JamesPlatt
- Bass


About James
British bass James Platt was educated at Chetham’s School of Music and went on to study at the Royal Academy of Music and the Opera Course of the Guildhall School of Music and Drama. He was a member of the Jette Parker Young Artist Programme at the Royal Opera, Covent Garden from 2014–2016.
In the 2025/26 season, he makes his house and role debut at the Tiroler Festspiele Erl as Titurel in Parsifal. Recent engagements include Swallow in a new production of Peter Grimes for the Dutch National Opera, The Creation with La Nuova Musica under David Bates, and Messiah with the Tampere Philharmonic Orchestra conducted by Matthew Halls.
A regular guest at major international houses, James has appeared as Sarastro (Die Zauberflöte) and Il Re (Aida) at the Royal Opera House, Covent Garden; Bottom (A Midsummer Night’s Dream) in new productions at both Deutsche Oper Berlin and the Grange Festival; and Trulove (The Rake’s Progress) at the Maggio Musicale Fiorentino. Other operatic roles have included Crespel (Les contes d’Hoffmann), Basilio (Il barbiere di Siviglia), Il Commendatore (Don Giovanni), Sparafucile (Rigoletto), Ortel (Die Meistersinger von Nürnberg), and First Soldier (Salome), with appearances spanning houses such as Deutsche Oper Berlin, Welsh National Opera, Teatro alla Scala Milan, Dutch National Opera and Opéra de Lille.
Notable concert appearances include Elgar's The Dream of Gerontius with the London Philharmonic Orchestra/Edward Gardner at the BBC Proms, Zacharie (La Prophète) with the LSO/Sir Mark Elder at the Festival d’Aix-en-Provence, and Hunding (Die Walküre) with the Philharmonie Zuidnederland/Hartmut Haenchen.
Further highlights include Handel’s Messiah with the Hallé/Christian Curnyn, Verdi’s Requiem with the Orchestre National de Lyon/Leonard Slatkin, Dvořák’s Requiem with the BBC Symphony Orchestra/Jiří Bělohlávek, Rossini’s Petite Messe Solennelle at the BBC Proms with the BBC Singers/David Hill and Mahler’s Symphony No. 8 with the Royal Philharmonic Orchestra/Vasily Petrenko.
Representation
Season Highlights
Audio
- Le Prophete - Act III, No. 13a - Couplets de Zacharie | Giacomo Meyerbeer - Sir Mark Elder, London Symphony Orchestra, James Platt, Lyon Opera ChorusCredit: 2024 - LSO Live Recorded: 01 July 2024
Photos
Press
MOZART Die Zauberflöte
Glyndebourne FestivalMay 2024James Platt with his rich, dark bass is a class act as Sarastro
- Music OMH
- 19 May 2024
James Platt booms impressive low notes as Sarastro
- Financial Times
- 20 May 2024
James Platt’s Sarastro had weight and depth of tone, as well as gravity in delivery.
- Bach Track
- 20 May 2024
DELIBES Lakmé
Cadogan HallFeb 2024As Lakmé's father, Nilakantha, James Platt gave an intelligent and thoughtful performance, making the role a little more than just blood and thunder. It was a great pleasure listening to Platt shaping the vocal lines,
- Robert Hugill, Planet Hugill
- 26 February 2024
Matching Thomas’s strength and passion was Nilakantha, Lakmé’s formidable father, sung here by bass-baritone James Platt, his voice perfectly placed, and his diction the clearest of all singers on the night.
- Colin Clarke, Seen and Heard International
- 27 February 2024
James Platt as Nilakantha displayed an immensely strong and secure bass-baritone that spoke of the character’s serious nature in every way
- Sam Smith, musicOMH
- 27 February 2024
VERDI Requiem
Bridgewater Hall and York MinsterOct 2022James Platt’s bass was suitably bold, again with unerring emphasis on the meaning of the text.
- Bachtrack
- 30 October 2022
James Platt’s bass was portentous at the ‘Confutatis’ and added gravitas to the solo ensembles.
- Charles Hutch Press
- 01 November 2022
James Platt’s sonorous bass thundered out in ‘Mors stupebit et natura. ★★★★★
- Music OHM
- 29 October 2022
MAHLER Symphony No. 8 'Symphony of Thousand'
Royal Albert HallOct 2022James Platt were utterly secure as Pater Ecstaticus and Pater Profundus respectively. ★★★★
- The Guardian
- 24 October 2022
VERDI Aida
Royal Opera House, Covent GardenMay 2023To add to this formidable trio in the leading roles, we were also treated to some excellent support from British bass James Platt, who played the role of the King of Egypt in convincing style
- Express
- 09 May 2023
James Platt was a fine King of Egypt
- Seen and Heard International
- 05 May 2023
James Platt delivered an imposing turn as the King of Egypt
- Bachtrack
- 08 May 2023
ELGAR The Dream of Gerontius
London Philharmonic Orchestra/Edward Gardner at the BBC PromsSep 2022And what a barrel-chest of a bass voice James Platt deployed as the Angel of the Agony
- The Times
- 08 September 2022
Platt’s contribution as the priest and the Angel of the Agony were as sonorous and implacable as anyone could want.
- The Guardian
- 01 September 2022
James Platt’s Priest and Parsifalian Angel of the Agony had equal authority; what a difference it makes to have a true bass, and not just a bass-baritone, in these roles.
- The Arts Desk
- 01 September 2022
WEBER Der Freischütz
Dutch Natioanl OperaJun 2022James Platt's sonorous bass lent itself superbly to the role of Agathe's father, the wood-backed Kuno.
- Place de l'opera
- 06 June 2022
James Platt charms with a powerful bass as Kuno.
- Leidmotief
- 13 June 2022
James Platt as Kuno has a beautiful timbre, effortless and spacious like a thunderclap in the mountains.
- Platea Magazine
- 15 June 2022