JasminWhite

/
  • Contralto

About Jasmin

American contralto Jasmin White “has it all” (VRT News). Their deep, flexible, warm and agile voice exudes charisma that captures an audience from their first note. White possesses a remarkable versatility, adapting both vocal technique and stage presence to seamlessly navigate diverse genres; they can shift from the light and charming demands of Rossini, requiring "a smile, kindness, cordiality, quietly and with the greatest of ease," to the profound depths of Wagner’s drama. In this realm of Wagnerian mystery and power, their mature voice becomes "beautiful and full of pathos, perfectly in their element”. (Knopskaya, Deknopper from Cultuurpakt)

They will begin the 25/26 season by performing Duruflé Requiem at the Concertgebouw in Amsterdam. Following this, White will take on the role of Juno in Handel's Semele with Dutch National Opera. They are also set to return to Salzburg as Erda in Wagner's Das Rheingold at the Osterfestspiele Salzburg. Their portrayal of Erda in Das Rheingold will also see them perform with the Berlin Philharmonic later in the season as a debut with the orchestra.

The 24/25 season marked Jasmin White’s third season as a member of the premier Opernstudio at Volksoper Wien. Over the season, White performed Die Zauberflöte (Dritte Dame), Jolanthe und der Nussknacker (Martha), La Rondine (Suzy), and Die lustigen Weiber von Windsor (Frau Reich) with the Vienna Volksoper. They returned to Copenhagen with the Danish National Symphony Orchestra for Dido and Aneas and performed Alcina (Bradamante) and Jeptha (Hamor) on tour with Il Pomo d’Oro. White also performed Mahler 2 at the Osterfestspiele Salzburg with the Helsinki Philharmonic Orchestra, conducted by Esa Pekka Salonen, and returned to their home country, performing Mahler 3 with the Kansas City Symphony and with the Oregon Symphony, as well as a recital in Bergen with pianist Michał Biel. White finished the season with their BBC Proms debut with the Danish Radio Symphony Orchestra singing as a soloist in Beethoven’s 9th Symphony.

Jasmin is based in Vienna, Austria

Download programme biography   

Contact

Alice Stacpoole

Alice Stacpoole

Assistant Artist Manager

Representation

Worldwide general management with Askonas Holt

Season Highlights

Sep 2024 - Mar 2025
Volksoper Wien
Die Zauberflöte (Dritte Dame) / Jolanthe und der Nussknacker (Martha) / Die lustigen Weiber von Windsor (Frau Reich) / La Rondine (Suzy)
Nov 2024
Danish National Symphony Orchestra, Copenhagen
Dido and Aeneas
Dec 2024
Teatro Real, Madrid/ Theater an der Wien, Vienna/ Théâtre des Champs-Elysées- Paris
Alcina (Bradamante)
Apr 2025
Großes Festspielhaus, Salzburg
Mahler: Symphony no. 2 with Esa-Pekka Salonen
Jun 2025
Kansas City Symphony, Kansas
Mahler: Symphony no. 3 with Matthias Pintscher

News

Press

  • Queen Sonja Competition 2023

    Oslo, Norway
    Aug 2023
    • ... The result was almost a given. For the kind of stage presence, excess and charm that first prize winner Jasmin White brought to the market square in Bjørvika on Saturday evening, one will have to look for a long time. You could see it as soon as they entered the podium - cheerful and full of energy with clothes, hairstyle and jewelry that led the mind in the direction of Aïda . Their voice ... was deep, soft and powerful in their expressive and dramatic performances ... And when the award ceremony was completed with another round of Semele, a slight grimace showed the humor that always seemed to be lurking and caused the audience to burst into laughter. We can hope that the first prize will bring them to Norway before too long.

      • Klassisk Musikk
      • 01 August 2023
  • Queen Sonja Competition 2023

    Oslo, Norway
    Aug 2023
    • We have been looking for a winner who has the complete package.’ And no other singer managed that feat with the same commitment as White did. The Oregon-native was fierce and poised in both pieces, their powerful voice cutting clearly into the hall with clarity of sound and diction. They might have been standing in front of an orchestra, but as an audience member, you could feel the scenes they were inhabiting. The other singers in the competition all managed their own immersive moments, but no one quite managed to sustain you in their dramatic world quite like White did.

      • OperaWire
      • 01 August 2023