JessicaNiles

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  • Soprano

About Jessica

Noted for her “prodigious energy and clarity”, American soprano Jessica Niles is quickly making a name for herself internationally in the creation of new opera productions. Lauded for her unconditional powerful playing as a vocal emotional force, Niles is an alum of The Juilliard School where she trained in Anne Bogart’s method of Physical Viewpoints, a technique that acts as a medium for thinking about and acting upon movement, gesture, and creative space.

Niles’ 2024-25 season includes the title role in Partenope at Oper Frankfurt, a return to La Monnaie/ De Munt as Impazienza in I Grotteschi, a new drama based on Monteverdi’s madrigals and three surviving operas, and Sandra in Bernard Foccroulle’sCassandra, which makes its debut at the Staatsoper Unter den Linden, Berlin.Opening the 2023-2024 season at La Monnaie / De Munt, Niles crafted and premiered the role of Sandra under the direction of Marie-Eve Signeyrole, delivering “a remarkable performance as Sandra, a touching and courageous figure to whom the soprano brings conviction, freshness, and profundity”(ConcertoNet).

A member of the Bayerische Staatsoper Opernstudio from 2021-2023, Niles performed roles ranging from contemporary to baroque including Iris in Claus Guth’s new production of Semele where she “provided much of the show’s levity, through musical delivery and physical comedy” (New York Times), Sandrina in the new production of L’infedeltàdelusa,being hailed as the “highlight of the evening” (OperaOnline, ConcertoNet), Schwester Jasmin in the new production of Georg Friedrich Haas’Thomas, Echo Ariadne auf Naxos, Clorinda La Cenerentola, and Una Voce dal Cielo Don Carlo.

In 2023-24, Niles returned to the Staatsoper reprising Echo Ariadne auf Naxosat the 2024 Hong Kong Arts Festival, making her role debuts of Marzelline in Calixto Bieito’s production of Fidelio and Der junger HirtTannhäuser, and reprising Clorinda La Cenerentola with an all-star cast including Isabel Leonard, Lawrence Brownlee, and colleague and friend Emily Sierra. Niles also performed the role of Musetta in a new production of La Bohéme by director Juana Inés Cano Restrepo.

Niles was featured in the Internationale Händel-Festspiele 2021 reprising the sorceress Armida Rinaldo, a role which brought her much acclaim. 2021 also marked the return of international performances of Aminta e Fillide with William Christie and Les Arts Florissants, bringing her semi-staged portrayal of Aminta to the 40th annual Festival Dans les Jardins de William Christie, The Queen’s Theatre at The Royal Palace of Versailles, the Musée des Impressionnismes, Festival Castell de Peralada, and multiple venues across New York City.

In recent concert repertoire, Niles has performed and recorded CDs with the Bayerische Rundfunk (Mendelssohn’s Elias) and the MünchenerKammerorchester (chamber pieces for soprano, timpani, percussion, and string orchestra by Gloria Coates). She has performed Bach’s Matthäus-Passionand Johannes-Passion with the Armenian National Philharmonic, and recently joined the Hallé Orchestra for their Messiah. 

Jessica is based in Munich

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Contact

For availability and general enquiries:

Charlotte Bateman

Charlotte Bateman

Assistant Artist Manager

Representation

Worldwide general management with Askonas Holt

Season Highlights

Nov 2024
Oper Frankfurt
Partenope (title role) George Petrou (conductor) Julia Burbach (director)
Dec 2024
The Bridgewater Hall, Manchester
Handel's Messiah John Butt (conductor) The Hallé (orchestra)
Apr 2025 - May 2025
La Monnaie / De Munt, Brussels
I Grotteschi (Impazienza) Leonardo García Alarcón (conductor) Rafael R. Villalobos (director) World premiere
Jun 2025 - Jul 2025
Staatsoper Berlin
Cassandra (Sandra) Anja Bihlmaier (conductor) Marie-Eve Signeyrole (director)

Photos

Selected Repertoire

Beethoven

Fidelio (Marzelline)

Bernard Foccroulle

Cassandra (Sandra)

Britten

The Burning Fiery Furnace (The Angel)

Donizetti

L’elisir d’amore (Adina & Giannetta)

Haas

Thomas (Schwester Jasmin)

Handel

Rinaldo (Armida)   •   Semele (Iris)

Handel

Partenope (Title role)

Haydn

L’infedeltà delusa (Sandrina)

Humperdinck

Hansel und Gretel (Taumännchen)

Mozart

Don Giovanni (Zerlina)   •   Le nozze di Figaro (Susanna)

Nicolai

Die lustigen Weiber von Windsor (Anne Reich)

Offenbach

Orpheus in the Underworld (Eurydice)

Puccini

La bohème (Musetta)

Purcell

Dido and Aeneas (Belinda)

Rameau

Hippolyte et Aricie (Une Matelote)

Rossini

La Cenerentola (Clorinda)

Strauss

Ariadne auf Naxos (Echo)

Verdi

Don Carlo (Una voce dal cielo)

News

Press

  • Partenope (Title Role)

    Frankfurt
    Nov 2024
    • Jessica Niles keeps the ball melancholically low as the title heroine, Partenope never loses sight of the state's interests. Niles' golden, rich soprano can erupt and cascade, but mostly she is the calm pole around which the suitors lurk. The dark timbre of her voice is all the more striking because she is the only soprano far and wide.

    • First of all, there is Jessica Niles in the title role. In the foreword to the in-house opera magazine, artistic director Bernd Loebe describes the young singer as the "Brenda of the future". He is taking his cue from Brenda Rae, who launched an international career from the ensemble and can currently be seen again as Lulu in the main house. The parallel is intended to express that Jessica Niles also has a fresh, clear soprano voice with astonishing technique and, in particular, flawless coloratura fluency. But if one is to draw comparisons, then one must acknowledge that the young singer's tone is rounder, her timbre is warmer, and her middle to low range has more power and volume than is the case with Brenda Rae. There is no need to describe her as "someone of the future", because her voice, her creative ability and her stage presence show that she is the "Jessica Niles of the present", an artistic personality who, with engagements at the State Operas in Munich and Berlin, the Salzburg Festival and a busy concert schedule with renowned conductors, can no longer be described as an "insider tip". But since contracts in the opera business are signed well in advance, the Frankfurt Opera can be congratulated on having engaged this fabulous singer in time before the steep career that has already begun makes her fee unaffordable.

    • The American soprano Niles portrays the title character with nobility and vocal strength.

    • Jessica Niles as Partenope, who sings incredibly casually but with majestic lyricism, faces the warrior with ready grace...

    • Jessica Niles has the ideal voice [for the title character]; she performs coloratura arias in all their splendour and sings cadenzas magnificently.

  • Foccroulle's Cassandra (Sandra)

    La Monnaie / De Munt
    Sep 2023 - Sep 2023
    • Jessica Niles délivre une remarquable prestation en Sandra, figure touchante et courageuse à laquelle la soprano apporte conviction, fraîcheur et profondeur. Jessica Niles delivers a remarkable performance as Sandra, a touching and courageous figure to whom the soprano brings conviction, freshness and depth.

    • Jessica Niles est une Sandra convaincante dans son engagement et ses questionnements existentiels. La soprano américaine passe facilement du registre léger au dramatique, aux prises avec des lignes vocales exigeantes. En tant que comédienne de stand-up, elle est pleine de brio et engage le public alternant discours scientifique, humour et démonstrations pratiques. Jessica Niles is a convincing Sandra in her commitment and her existential questions. The American soprano moves easily from light to dramatic register, struggling with demanding vocal lines. As a stand-up comedian, she is full of brilliance and engages the audience by alternating scientific discourse, humour and practical demonstrations.

    • Jessica Niles’ energy and vocal punch bring the galvanising power that might just get this narrative moving.

    • Sandra, American soprano Jessica Niles, bubbled, shone, sang as if she was on a mission and delivered a hugely convincing performance.

  • Semele (Iris)

    Bayerische Staatsoper
    Jul 2023 - Jul 2023
    • Jessica Niles gives herself to Iris as a slapstick comedy master. Dramaturgically, her role is superfluous, but without her, the evening would only be half as fun.

    • A shining star, both vocally and in terms of acting. A clear, luminous soprano. And she's got the comedic chops…In 'Iris, impatient of thy stay' Jessica Niles and Juno aka Emily D'Angelo deliver one of the two loveliest and in this case wonderfully extended duets of the evening at the beginning of Act Two.

    • the sprightly soprano Jessica Niles as Iris…provided much of the show’s levity, through musical delivery and physical comedy.

  • Haydn’s L’infedeltà delusa (Sandrina)

    Bayerische Staatsoper
    Sep 2022 - Sep 2022
    • Their vocal power reserves are remarkable. Especially in the moments of full physical commitment. Passion flows from all vocal and acting pores. Soprano Jessica Niles sings Sandrina like an energetic volcano. Clear, transparent, spirited, yet accurate and controlled, for example, in challenging octave jumps…Personally, I am particularly subject to the vocal emotional force and the unconditional powerful play of Jessica Niles. Full commitment! In me you won a fan Ms. Niles.

      • Klassik begeistert
    • The central trio of women…are of very good quality: hats off to Jessica Niles in particular, whose rather dramatic air in the second act is perhaps the highlight of this evening.

      • ConcertoNet
    • The colorfulness and emotional expression of Jessica Niles’ soprano become the highlights of the evening in Sandrina's arias.

      • OperaOnline
    • Above all, Jessica Niles is to be named Sandrina as a marriage victim, a grandiose young voice with enormous potential.

      • KlassikInfo