Maire ThereseCarmack
- Mezzo-Soprano


About Maire Therese
American mezzo-soprano Maire Therese Carmack, Third Prize winner at the Operalia World Opera Competition, is acclaimed for her “deep mezzo and vibrant metallic timbre” (Opera News). A graduate of the Metropolitan Opera’s Lindemann Young Artist Development Program, her 2026/27 season includes returns to Semperoper Dresden as La Baronessa di Champigny in Il cappello di paglia di Firenze, Pittsburgh Opera as Maddalena in Rigoletto, and the Metropolitan Opera as Rosette in Manon, alongside Mahler’s Das Lied von der Erde with the Athens State Orchestra.
Recent highlights include her acclaimed Houston Grand Opera debut in Breaking the Waves, alongside debuts with the Metropolitan Opera, San Francisco Opera, Deutsche Oper Berlin, Lyric Opera of Chicago and Santa Fe Opera. Her repertoire includes Carmen, Eboli (Don Carlo), Olga (Eugene Onegin), Fenena (Nabucco), Maddalena (Rigoletto) and Dorabella (Così fan tutte). A committed interpreter of contemporary opera, she has premiered works including The Sun Palace, M. Butterfly 蝴蝶君 and Bärin*. Concert highlights include Berlioz’s La damnation de Faust, Beethoven’s Ninth Symphony and Mahler’s Resurrection Symphony.
Maire Therese is the winner of the Björn Eklund Scholarship from The Opera Foundation, first prize winner of the Gerda Lissner Lieder and Song Competition, winner of Opera Index's Felix Popper Award, two-time grant recipient from The Olga Forrai Foundation for Dramatic Voices, and second prize winner of the Gerda Lissner International Vocal Competition. Maire Therese holds a Master of Music in Voice Performance and Literature (with honors) from the Eastman School of Music, as well as Bachelor of Arts degrees in both Philosophy and Visual and Performing Arts from the University of Colorado, Colorado Springs.
Contact

Nicholas Moloney

Katy Crompton

Ivo Ivanov
Representation
Worldwide general management with Askonas Holt
Season Highlights
Video
Selected Repertoire
Berlioz
Les Troyens (Didon) • La Damnation de Faust (Marguerite)
Bizet
Carmen (title role / Mercedes)
Borodin
Prince Igor (Konchakovna)
Britten
The Rape of Lucretia (title role)
Gluck
Orfeo ed Euridice (Orfeo)
Handel
Semele (Juno)
Massenet
Don Quichotte (Dulcinée) • Werther (Charlotte)
Purcell
Dido and Aeneas (Dido)
Rimsky-Korsakov
The Tsar's Bride (Lyubasha)
Tchaikovsky
Eugene Onegin (Olga) • The Queen of Spades (Polina)
Verdi
Don Carlos (Princess Eboli) • Rigoletto (Maddalena) • Falstaff (Meg Page) • La Forza del Destino (Preziosilla) • Nabucco (Fenena)
Wagner
Tannhäuser (Venus) • Tristan und Isolde (Brangäne)
News
Press
Mazzoli Breaking the Waves (Dodo McNeill)
Houston Grand Opera, USAApr 2025 - May 2025Her voice has a pleasingly rich texture and the easy legato of rolling hills – an ease that somehow persisted even as she spat venom in her fiery last scene.
- Ilana Walder-Biesanz, Parterre box
- 29 April 2025
As Bess’ friend Dodo, mezzo-soprano Maire Therese Carmack was a fount of rich, plush tones that exuded Dodo’ affection
- Steven Brown, Texas Classical Review
- 20 April 2025
Mezzo-soprano Maire Therese Carmack was lovely as the steadfast and empathetic Dodo, especially in her “golden heart” aria from the wedding reception.
- Sherry Cheng, EarRelevant
- 22 April 2025
Verdi Don Carlos (Princess Eboli)
Sanders Theatre, USAJan 2025The audience favorite was clearly mezzo-soprano Maire Therese Carmack in the impossible role of Princess Eboli... Impossible because the role's two big arias are so completely different that one singer can rarely pull them both off successfully. But Carmack sang the Veil Song, the deceptively light coloratura ballad, and the searing, self-castigating aria "O don fatale" (Oh, fatal gift!) with equal control, power and affect.
- Lloyd Schwartz, Musical America
- 30 January 2025









