MarinaViotti
- Mezzo-Soprano


About Marina
Grammy Award-winning mezzo-soprano Marina Viotti, described by the New York Times as ‘the opera star with heavy-metal chops’, has established herself as a commanding presence on the international stage. Her operatic engagements include leading roles at the Bayerische Staatsoper, Teatro Real Madrid, Gran Teatre del Liceu Barcelona and Berlin Staatsoper, while a high-profile appearance opening the Paris 2024 Olympics – performing ‘Ah! Ça Ira’ with Gojira before delivering the Habanera from Carmen – brought her artistry to a global audience. Her remarkable versatility encompasses Baroque, bel canto and operetta as well as recital repertoire ranging from Ravel and Poulenc to Weill and Jacques Brel.
The 2026/27 season sees Marina return to the Bayerische Staatsoper to sing Juno Semele, Rosina Barbiere and Charlotte in a new production of Werther; to the Opéra national de Paris to sing Rosina; and to Opera Lausanne to sing Romeo in a new production of Bellini I Capuleti. She will also return to Teatro Real Madrid to sing Rosina in a new production of Il barbiere di Siviglia.
Highlights of the 25/26 season included her return to Opernhaus Zurich to sing Prince Orlofsky Die Fledermaus; to the Berlin Staatsoper as Rosina Il barbiere in Siviglia; and to the Salzburg Festival to sing Marchesa Melibea in Rossini Il viaggio a Reims directed by Barrie Kosky; and performances of Carmen, one of her signature roles, for Dallas Opera and the Greek National Opera.
Her creative and original approach to recital programming has made her a highly sought-after recitalist, with appearances at venues and festivals including the Gstaad New Year Music Festival, the Biarritz Piano Festival, Opera du Rhin and Théâtre des Champs-Élysées. This season she will bring her programme ‘About Last Night’, with repertoire ranging from jazz to cabaret and French chanson, to La Monnaie and KKL Luzern.
Marina Viotti initially studied flute, experimented with jazz, gospel and heavy metal, and completed a Master’s degree in philosophy and literature, before studying singing with Heidi Brunner in Vienna and Brigitte Balleys in Lausanne, and completing her bel canto training with Raúl Giménez.
In 2025 she was awarded ‘Chevalière de L’Ordre des Arts et des Lettres’ by the French Ministry of Culture.
Contact

Dominic Domingo

Nicholas Moloney

Jessica Buchanan-Barrow
Representation
Season Highlights
Video
- Playing
Marina Viotti sings 'Da notte, atra e funesta' from Ariodante
Credit: Théâtre des Champs-Élysées, Les Musiciens du Louvre with Marc Minkowski
Marina Viotti sings 'Après un rêve' by Gabriel Faure with Gabriel Bianco, guitar
Credit: Aparté/Little Tribeca
Marina Viotti sings 'Armatae Face' from Judith Triumphans
Credit: Le Concert de la Loge at Musée du Louvre, PRISMEDIA
Marina Viotti sings ‘Près des remparts de Séville’ from Carmen
Credit: Opernhaus Zürich
Photos
News
Press
Oedipus Rex (Jocasta)
Salzburg FestivalJul 2025Marina Viotti, as Jocasta, swished onto the scene like a golden apparition, dressed as a Greek goddess and sounding like one too. Her luxe, velvety mezzo tones cut through the austerity with a sensuous warmth
- Chanda VanderHart, Bachtrack
- 28 July 2025
Carmen
The Dallas OperaOct 2025Swiss mezzo-soprano Marina Viotti has the voice—radiant but with just the right touch of darkness—and the dramatic presence to create a Carmen who is at once powerful, seductive, and vulnerable.
- Wayne Lee Gay, Onstage NTX
- 19 October 2025
Rigoletto (Maddalena)
Teatro Real, MadridDec 2023Marina Viotti was a very convincing Maddalena, her bronzed, mellow mezzo perfectly supporting the quartet “Bella figlia dell’amore.”
- Laura Servidei, Operawire
- 06 December 2023
Swiss soprano Marina Viotti was an impressive Maddalena, with a sensually creamy voice.
- Ossama el Naggar, ConcertoNet
- 02 December 2023
Werther (Charlotte)
Théâtre des Champs-Élysées, ParisMar 2025Playing the woman who loves [Werther] but who obeys the call of duty to marry another man, Viotti was the perfect foil, with equal attention to text and mood, a pretty timbre at the top of her range and immense reserves of strength in her lower register.
- David Karlin, Bachtrack
- 23 March 2025
Zelmira (Emma)
Rossini Opera Festival, PesaroAug 2025Marina Viotti brought warmth and bronze-hued richness to the role of Emma, Zelmira’s confidante. Her aria “Ciel pietoso” was a highlight—sung with tender lyricism and impeccable breath control ... her luminous duet with Bartoli, accompanied only by harp and cor anglais, offered one of the evening’s few genuinely magical moments.
- Laura Servidei, Bachtrack
- 11 August 2025
Les Contes d'Hoffmann (Nicklausse/Muse)
Teatro alla ScalaMar 2024Viotti was an elegant, refined Nicklausse, her “Vois, sous l’archet frémissant” was much appreciated. She managed to convey both the Muse’s sarcastic attitude and her sincere interest in Hoffman’s well being.
- Laura Servidei, Bachtrack
- 26 March 2023







