MartinHayes

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  • Fiddle

About Martin

Praised by the Irish Times as a musician with an “insatiable appetite for adventure”, Martin Hayes is regarded as one of the most significant talents to emerge in the world of Irish traditional music. He is the founder of the musical supergroup The Gloaming, The Common Ground Ensemble, and the Martin Hayes Quartet. He is the artistic director of Masters of Tradition, an annual festival in Cork, Ireland, and a co-curator for the Marble Sessions at the Kilkenny Arts Festival, Ireland.

The 2026/27 season marks Martin’s return to the Concertgebouw Amsterdam and his debut appearances at Rheingau Music Festival, Strasbourg’s Festival Musica, Luxembourg Philharmonie, Bozar Brussels, and Wigmore Hall. Building on the success of spring 2026, Martin will once again curate and lead a major celebration of Irish music with The Common Ground Ensemble. The project launches at the National Concert Hall in Dublin before touring the United States. At its heart is a landmark St. Patrick’s Day celebration at Carnegie Hall - now an annual tradition presented in partnership with Carnegie Hall, Askonas Holt, and New York’s Irish Arts Center. Joined by special guests, the programme weaves together traditional Irish music, song, dance, spoken word, and contemporary interpretations of Irish culture. The tour will travel to Kansas City, Georgia, North Carolina, Toronto, Dartmouth, and London.

Growing up in a musical family in rural county Clare, Ireland, in a remote mountainous locality with a rich music tradition, instilled in Martin a deep love, understanding and connection to traditional music.

Martin is based in Spain

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Contact

For availability and general enquiries:

Tours:

Sorcha Coller

Sorcha Coller

Associate Director

For contracts, logistics and press:

Chiara Fahy-Spada

Chiara Fahy-Spada

Associate Artist Manager

Representation

Worldwide General Management with Askonas Holt

Season Highlights

Sep 2026
Église Sainte-Aurélie, Strasbourg
Festival Musica Strasbourg Bouzouki, concertina: Brian Donnellan
Nov 2026
Kings Place, London
Cello: Kate Ellis
Dec 2026
The National Opera House, Wexford
Bouzouki & Concertina: Brian Donnellan Guitar: Conal o Kane Bodhran: Jimmy Higgins
Feb 2027
US Duo Tour
Weis Center for the Performing Arts, Lewisburg Prince Theatre, Philadelphia (with Bela Fleck) Guitar: Kyle Sanna
Mar 2027
US The Common Ground Ensemble Tour
Carnegie Hall, New York National Concert Hall, Dublin La Jolla, San Diego Other dates in Santa Barbara, Berkeley, Chicago, and Charleston Piano: Cormac McCarthy Cello: Kate Ellis Guitar: Kyle Sanna Bouzouki: Brian Donnellan
Apr 2027
Wigmore Hall, London
Violin: Daniel Pioro
Apr 2027
European Trio Tour
Saffron Hall, Essex Turner Sims, Southampton St George's, Bristol Salle de Musique de Chambre, Luxembourg BOZAR, Brussels Muziekgebouw, Amsterdam Piano: Cormac McCarthy Bouzouki: Brian Donnellan

Photos

Projects

Martin Hayes and the Common Ground Ensemble: An Irish Celebration

A true celebration of the arts, Irish heritage and the enduring power of cultural exchange.

Learn about this project
  • Projects

    Martin Hayes and the Common Ground Ensemble: An Irish Celebration

    A true celebration of the arts, Irish heritage and the enduring power of cultural exchange.

    Learn about this project

News

Press

  • An Irish Celebration Martin Hayes & The Common Ground Ensemble

    London, Dublin, and the USA
    Mar 2026
    • To watch Martin Hayes play the Irish fiddle is like watching a man possessed by his music. As his bow flickers across the strings the infectious energy of it spills into the air, through his limbs, and eventually out into the whistling, whooping crowd. His virtuoso repertoire of Irish traditional music spliced with jazz, avant-garde classical, and shimmers of rock filled the venue with an exuberance that made us feel like sycamore leaves spinning in the wind.

  • Australian Duo Tour With Kyle Sanna

    Chatswood Concourse Concert Hall (Sydney) & Melbourne Recital Centre
    Feb 2026
    • East Clare fiddler Martin Hayes and New York guitarist Kyle Sanna transform the neo-Gothic nave into something between a country kitchen session and a contemplative vigil. This is Hayes’ great structural gift: the juxtaposition of inward-looking airs with increasingly lively jigs and reels that build in layers of excitement, inherited and improvised variation piling upon variation until the foot-tapping becomes irresistible. By the time each set reaches its peak, the stately cathedral feels positively kinetic.

      • Limelight Music News and Culture
      • 20 February 2026
    • Like the trumpet-playing of Miles Davis or the voices of Billie Holiday and Jose Carreras, that same feeling is ever present in the great Irish violinist’s sound and phrasing.

      • Sydney Morning Herald
      • 25 February 2026
    • ★★★★★ For Hayes, melody is the beating heart of this music, and he can shepherd a melody through infinite variations without ever diluting its essence.

      • The Age
      • 24 February 2026
    • It’s immediately apparent that Hayes’ playing is so pure, gentle and controlled, all signs of a virtuoso musician. In Martin Hayes’ hands, the fiddle is not merely an instrument but very much a part of his body, the bow an extension of his arm, while his fingers flutter delicately at the other end of the violin’s neck.

    • From rural County Clare, Martin Hayes is a unique and legendary fiddler, a humble artist and an extraordinary performer, who has absorbed the best of all musical genres and traditions.

  • Martin Hayes & The Common Ground Ensemble

    Vicar Street, Dublin
    Oct 2023
    • Hayses’s admission that when a tune is lying around in his head for too long, there’s no knowing what he’s going to do with it, summed up the evening: unpredictable, richly textured, at times delirious and so, so full of heart.

  • Peggy's Dream - album review

    Mar 2023
    • An unquenchable affinity with the melody line has defined Martin Hayes’s musical odyssey, along with an insatiable appetite for adventure.

  • Martin Hayes Recital

    The Queens Hall, Edinburgh
    Mar 2020
    • He outlines its contours, while shaping and re-shaping its content, introducing an element of improvisation, and never losing sight of its form.

  • Martin Hayes & the Common Ground Ensemble

    National Concert Hall, Dublin
    Mar 2022
    • This was seven highly skilled and self-assured musicians, drawn from different backgrounds but playing utterly in their element.