NathalieStutzmann

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Conductor
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Contact

Fiona Russell

Fiona Russell

Senior Assistant Manager

Representation

General Management with Askonas Holt

Japan: M. Hirasa Ltd (Moto Hirasa and Ken Matsubara)

About Nathalie

Music Director: Atlanta Symphony Orchestra

Nathalie Stutzmann is the Music Director of the Atlanta Symphony Orchestra.

Recent conducting highlights have included engagements with the Munich Philharmonic, New York Philharmonic, Orchestre de Paris and the London Symphony Orchestra. The current season includes several notable debuts including Czech Philharmonic, Boston Symphony, Tonhalle Orchestra Zurich and her conducting debut at the Musikverein with Wiener Symphoniker; and also features returns to the New York Philharmonic with two programmes as their Featured Artist, Munich Philharmonic, Orchestre de Paris and Philadelphia Orchestra.

A rich variety of strands form the core of her repertoire: Central European and Russian Romanticism is a strong focus — ranging from Beethoven, Schumann, Brahms and Dvořák through to the larger symphonic forces of Tchaikovsky, Wagner, Mahler, Bruckner and Strauss — as well as French 19th century repertoire and impressionism.

Having also established a strong reputation as an opera conductor, she will return to Bruxelles La Monnaie to conduct Carmen. Recent successes have included her Metropolitan Opera and Bayeuth Festival debuts.

Download programme biography   

Representation

General Management with Askonas Holt

Japan: M. Hirasa Ltd (Moto Hirasa and Ken Matsubara)

Season Highlights

Sep 2024
Atlanta Symphony Hall
Schumann Cello Concerto in A minor Op 129 Mahler Symphony No. 1 in D Atlanta Symphony Orchestra Edgard Moreau (cello)
Oct 2024
Rudolfinum Prague
Mozart Sinfonia Concertante for violin, viola and orchestra K364 Tchaikovsky Symphony no. 6 in B minor Czech Philharmonic
Oct 2024
Musikverein, Vienna
Prokofiev Sinfonie Concertante for cello and orchestra Op.125 Shostakovich Symphony no. 5 Wiener Symphoniker Edgar Moreau (cello)

News

Press

  • Boston Symphony Orchestra debut

    Symphony Hall Boston
    Feb 2025
    • Stravinsky's 1919 Suite from The Firebird provided a stunning mix of focused, quiet intensity and pummeling energy. It's songful moments beguiled: the various solos in “The Princesses’ Round Dance” were enchanting, the “Lullaby” was beautifully shaped, and the noble melodic lines of the “Finale” soared. At the same time, its vigorous spots—be they light-footed (“The Firebird and its Dance”) or slashing (“Infernal Dance”)—were both thrillingly full-bodied and precisely balanced.

    • To watch Stutzmann is to experience in Ravel’s Alborada del gracioso a canvas drawn before your own eyes in Mediterranean colors, flamenco outlines, jocular play, sensual signaling, all unveiled by way of an orchestra that seems to be able to do just about everything.