NilsWanderer
- Countertenor


About Nils
Winner of the 2022 Bundeswettbewerb Gesang and Second Prize Winner of the world’s most prestigious opera competition “Operalia” in 2022, Nils Wanderer has been hailed for his "beautiful, dark, well developed and amber colored voice which deploys a wide palette of colors throughout the action, with irony, tenderness, resentment, authority, magnanimity, all with a remarkable pronunciation and a magnetic theatrical presence." (Olyrix)
Recently, Nils has garnered widespread acclaim for his portrayal of Oberon in the new production of Britten’s A Midsummer Night’s Dream at Opéra de Lille, helmed by Laurent Pelly and Guillaume Tourniaire. Diapsaon lauded him as "a countertenor with perfectly unified registers and a supernatural ease of phrasing."
2024/25 season highlights include a performance as Oberon in Britten’s A Midsummer Night’s Dream at the Staatstheater Hannover, Tolomeo in Handel's Giulio Cesare at the Opéra National du Capitole, Sorceress/Spirit in Dido and Aeneas at Mecklenburgisches Staatstheater Schwerin as part of his artist residency with the theatre, Athamas in Handel's Semele at the Atlanta Opera, and Mary Sunshine in the musical Chicago at the Komische Oper Berlin.
Also, Nils performed his pop/electronic music program WANDERER at Lollapalooza Berlin, and will perform alongside the queer icon Conchita Wurst for a duo concert at the Mecklenburgisches Staatstheater Schwerin.
In 2023/24, Nils headlined the world premiere Don't you Nomi?dedicated to the visionary German countertenor Klaus Nomi and directed by Julia Lwowski at the Staatsoper Berlin, performed the roles of Edgar in Reimann’s Lear (Stephan Zilias/Joe Hill-Gibbins production) at Staatsoper Hannover, Mary Sunshine in Kander's Chicago at Komische Oper Berlin (Barry Kosky | Adam Benzwi), and Tolomeo in Handel’s Giulio Cesare at both Oper Frankfurt (Simone Di Felice/Nadja Loschky production) and Blackwater Valley Opera Festival Ireland.
With the complicity of Jordi Savall, Nils performed Handel’s Messiah at the Salzburg Festival and Bach’s St. Matthew Passion at the Paris Philharmonie, Chapelle Royale de Versailles, and Barcelona Auditori. As a soloist, he has collaborated with orchestras such as Akademie für Alte Musik Berlin, Le Concert des Nations, La Folia, Stuttgarter Kammerorchester, Karlsruher Barockorchester, La Sfera Armoniosa and has appeared at theatres and festivals including the Deutsche Oper Berlin, Teatro Massimo Palermo, De Nederlandse Reisopera, The Barbican London, Deutsche Oper am Rhein, Handel Festival Halle, and Festival de Música Antigua de Sevilla. As a Lieder singer, he has given recitals with esteemed pianists such as Daniel Heide and Marcelo Amaral.
Nils’ concert and oratorio repertoire spans over four centuries from Purcell, Vivaldi, the Bach family, Handel and Pergolesi through Berlioz, Wagner and Elgar to Bernstein and Cage. Several of his concerts have been recorded by the BBC, Bavarian Radio Station, SWR Radio, Arte, Mezzo and Medici.tv.
In January 2024, the world premiere recording of Johann Sigismund Kusser's forgotten Baroque opera Adonis will be released by Classic Produktion Osnabrück (cpo), where he sings the role of Apollo in Jörg Halubek's interpretation.
Contact
For availability and general enquiries:

Joel Thomas

Mathieu Levan
Representation
Season Highlights
Photos
Selected Repertoire
Benjamin
Written on Skin (The Boy / Angel 1)
Britten
A Midsummer Night's Dream (Oberon)
Cavalli
La Calisto (Endimione)
Corbett
Keine Stille ausser der des Windes (Zwitter)
Dove
Flight (Refugee)
Gluck
Orfeo ed Euridice (Orfeo)
Handel
Giolio Cesare (Tolomeo) • Rinaldo (Rinaldo) • Tolomeo (Tolomeo) • Agrippina (Ottone) • Rodelinda (Bertaido)
J. Strauss
Die Fledermaus(Prinz Orlofsky)
Kander
Chicago (Mary Sunshine)
Kusser
Adonia (Apollo)
Monteverdi
L'Orfeo (Speranza / Pastore 3 / La Musica) • L'incoronazione di Poppea (Ottone / Arnalta)
Mozart
Mitridate (Farnace) • Ascanio in Alba (Ascanio) • Apollo et Hyacinthus (Apollo)
Nomi / Lemberg
Don't You Nomi? (Klaus Nomi)
Plate
Romeo und Julia (Todesengel)
Purcell
Dido and Aeneas (Sorceress / Spirit)
Reimann
King Lear (Edgar)
News
Press
Reimann - Lear (Edgar)
Staatsoper HannoverFeb 2024The way the countertenor Nils Wanderer, as Edgar, mastered the extremely difficult vocalizations with seamless register changes was of outstanding quality. Wie der Countertenor Nils Wanderer als Edgar die höchst schwierigen Vokalisen mit bruchlosen Registerwechseln meisterte, das hatte herausragendes Niveau.
- Gerhard Eckels, Der Opern Freund
- 11 February 2024
The way the countertenor Nils Wanderer, as Edgar, mastered the extremely difficult vocalizations with seamless register changes was of outstanding quality. Wie der Countertenor Nils Wanderer als Edgar die höchst schwierigen Vokalisen mit bruchlosen Registerwechseln meisterte, das hatte herausragendes Niveau. - consciously in the lyrical tenderness of the beggar Tom, modeled on an Orpheus. This poorly dressed fellow is the alter ego of the outcast Edward - both figures are enlivened with outstanding angelic articulation by Nils Wanderer. Dressed in cheap plastic bags, this singer of Tom is eye to eye with his King Lear. bewusst in der einem Orpheus nachempfundenen lyrischen Zärtlichkeit des Bettlers Tom. Dieser ärmlich gekleidete Geselle ist das Alter Ego des verstoßenen Edward – beide Figuren werde somit herausragend mit engelsgleicher Artikulation belebt durch Nils Wanderer. Gekleidet in billigen Plastiktüten macht der nicht minder zurechnungsfähige Tom seinem König Lear Konkurrenz.
- Patrick Erb, Concerti
- 11 February 2024
A Midsummer Night's Dream
Opera de LilleMay 2022Nils Wanderer, qui use avec justesse de sa voix éthérée pour peindre un roi des elfes à la rouerie aussi fantastique que froidement cruelle. [TRANSLATED} Nils Wanderer, who uses his ethereal voice to perfect effect to portray an elf king whose cunning is as fantastic as it is coldly cruel.
- Forum Opera
- 17 May 2024
Los dos papeles centrales juntan el Oberon de Nils Wanderer, contratenor de rico timbre y voz extensa conducida con sutileza, y su reina Titania. [TRANSLATED] The two central roles bring together Nils Wanderer's Oberon, a countertenor with a rich timbre and an extensive voice conducted with subtlety, and his queen Titania.
- Scherzo
- 15 May 2022
Dans les rôles des personnages féériques, Nils Wanderer impressionne. Le premier déploie une voix veloutée et envoûtante en Oberon. [TRANSLATED] In the roles of the magical characters, Nils Wanderer impresses. He deploys a velvety and captivating voice in Oberon.
- Opera ONline
- 09 May 2022
Jamais on n’avait écouté les monologues d’Oberon aussi suspendu aux lèvres du personnage dont Nils Wanderer livre une incarnation inoubliable. [TRANSLATED] Never before have we listened to Oberon's monologues so hanging on the character's lips, with Nils Wanderer delivering an unforgettable incarnation.
- Concert Classic
- 09 May 2022
Countertenor Nils Wanderer lends Oberon his beautiful voice, dark, velvety, well deployed, rich in subtle nuances. He deploys a wide palette of colors throughout the action, with irony, tenderness, resentment, authority, magnanimity, all with remarkable pronunciation and a magnetic theatrical presence.
- Olyrix
- 08 May 2022