OlgaPudova
- Soprano


About Olga
Olga Pudova is a coloratura soprano whose recent appearances have included a highly praised debut at the Royal Opera House, Covent Garden as Olympia in Les contes d’Hoffmann. Critics described her performance as “poker-faced and faultless...with seemingly limitless vocal aeronautics” and “some of the highest notes ever heard in the Royal Opera House” (iNews, Culture Whisper, The Guardian, Seen and Heard). Her rendition of “Les oiseaux dans la charmille” was noted for its “bell-like clarity and icy precision,” earning one of the evening’s most enthusiastic ovations.
Upcoming engagements include her return to Teatro Regio di Torino in Die Entführung aus dem Serail as Konstanze, conducted by Gianluca Capuano, and a house debut at the Volksoper Wien, where she will reprise her acclaimed portrayal of Olympia in Les contes d’Hoffmann. Recent seasons have seen her as Königin der Nacht in Die Zauberflöte at both the Dallas Opera, Semperoper Dresden and Opera National de Paris; her first Konstanze in Grand Théâtre de Geneve in a new staging of Entführung; Olympia at the Gran Teatre del Liceu; Zerbinetta in Ariadne auf Naxos at the Grand Théâtre de Luxembourg; Giunia in Lucio Silla with La Seine Musicale; and her role debut as Violetta in La traviata at the Bolshoi Theatre.
She has appeared in a wide range of repertoire at many of Europe’s leading houses. Highlights include Zerbinetta in a new production of Ariadne auf Naxos at the Théâtre des Champs-Élysées; Lucia in Lucia di Lammermoor at the Bayerische Staatsoper; and performances at the Opéra national de Paris, Wiener Staatsoper, Opernhaus Zürich, Teatro dell’Opera di Roma, Semperoper Dresden, Opéra-Comique, Opera Philadelphia, Teatro La Fenice, Komische Oper Berlin, Theater an der Wien, and the Festspielhaus Baden-Baden. She has also appeared at major festivals and regional houses including Les Chorégies d’Orange, Festival d’Aix-en-Provence, the Edinburgh International Festival and Budapest Spring Festival. She is a long-standing member of the Mariinsky Theatre ensemble, she continues to perform there regularly and on international tours.
Contact
For availability and general enquiries:

Paul Meyer zu Schwabedissen

Rowan Bidmead
For contracts, logistics and press:

Grace Hewett
Representation
Worldwide general management with Askonas Holt
Season Highlights
Video
- Playing
Olga Pudova sings Olympia's Aria from The Tales of Hoffman
Credit: Royal Opera House Covent Garden
Olga Pudova sings an excerpt of "les oiseaux dans la charmille" from The Tales of Hoffmann
Credit: Royal Opera House
Olga Pudova sings Welcher Wechsel herrscht...Traurigkeit ward mir zum Lose
Credit: Mariinsky Theatre
Olga Pudova performs "Großmächtige Prinzessin" from Strauss' Ariadne auf Naxos
Credit: Mariinsky Theatre
Olga Pudova performs "Quia la voce ... Vien, diletto" from i Puritani
Credit: Mariinsky Theatre
Olga Pudova sings Lucia Silla "Dalla sponda tenebrosa"
Olga sings Giunia Credit: Warner Classics
Olga Pudova sings Lucio Silla "Ah se il crudel periglio"
Olga sings Giunia Credit: Warner Classics
Olga Pudova sings Lucia di Lammermoor "il dolce suono"
Olga sings the Mad Scene from Lucia di Lammermoor Credit: artist
Olga Pudova sings Snow Maiden
Olga Pudova sings the melting scene of Snow Maiden Credit: artist
Olga Pudova sings Rigoletto "Caro nome"
Credit: artist
Selected Repertoire
Bellini
La Sonnambula (Amina)
Bernstein
Candide (Cunegonde)
Bizet
Les pêcheurs de perles (Leïla)
Britten
A Midsummer Night’s Dream (Tytania)
Delibes
Lakmé (title role)
Donizetti
Lucia di Lammermoor (title role) • L’elisir d’amore (Adina) • La fille du regiment (Marie) • Don Pasquale (Norina)
Glinka
Ruslan and Lyudmila (title role)
Massenet
Cendrillion (La Fee)
Mozart
Die Zauberflöte (Königin der Nacht) • Entführung aus dem Serail (Konstanze) • Der Schauspieldirektor (Madame Herz) • Lucio Silla (Giunia) • La finta giardiniera (Sandrina)
Offenbach
Les Contes d’Hoffmann (Olympia)
Puccini
La Boheme (Musetta)
Rimsky-Korsakov
The Snow Maiden (title role) • The Golden Cockerel (Tsaritsa of Shemakha) • The Tale of Tsar Saltan (Tsarevna Swan-Bird)
Rossini
Il Barbiere di Siviglia (Rosina) • Il Viaggio a Reims (Contessa di Foleville)
Strauss
Ariadne auf Naxos (Zerbinetta) • Arabella (Fiakermilli)
Stravinsky
Rossignol (title role)
Verdi
Rigoletto (Gilda) • Un Ballo in Maschera (Oscar) • Falstaff (Nanetta) • La Traviata (Violetta)
News
Press
Offenbach - The Tales of Hoffmann
Royal Opera HouseNov 2024As the mechanical doll Olympia, Olga Pudova dazzles with pinpoint coloratura, throwing in what could be the highest notes ever heard in the Royal Opera House.
- Richard Fairman, The Financial Times
- 08 November 2024
But the real show-stopper is Russian soprano Olga Pudova, playing the mechanical doll. Her high coloratura is icy and faultless, while her movements are so convincing than it’s hard to believe she’s human at all – a stunning turn.
- Michael Church, iNews
- 08 November 2024
All three sopranos were thoroughly enjoyable. Olga Pudova earned the biggest ovation of the night for the boundless energy she put into Olympia’s “Les oiseaux dans la charmille”.
- David Karlin, BachTrack
- 08 November 2024
The first of Hoffmann's three flashback desires is to Russian coloratura soprano Olga Pudova's Olympia, her seemingly limitless vocal aeronautics as nimble as her droll and doll-like movements are comically awkward.
- Claudia Pritchard, Culture Whisper
- 10 November 2024
the Russian soprano Olga Pudova showed magnificent coloratura as Olympia
- Mark Ronan, The Article
- 09 November 2024
He has three dazzling ladies at different stages of Hoffmann’s obsessive and unfulfilled life: back at school with the mobile equations on the blackboard, Olga Pudova plays Olympia as a neat Lucy Worsley lookalike who turns out to be a mechanical doll, and brings the house down with her mechanically stratospheric coloratura aria.
- Nicholas Kenyon, MSN
- 08 November 2024
Olga Pudova delivers quite the turn as Olympia, marching about stiff in arm and leg (think “Doll on a Music Box” from Chitty Chitty Bang Bang), and wowing the audience with a bravura coloratura run of notes that all but stopped the show.
- Gary Naylor, Broadway World
- 08 November 2024
In one impressive house debut, Olga Pudova poker-faced her way through Olympia’s mechanical show-piece, her soprano bell-like throughout the coloratura stratosphere.
- Flora Wilson, The Guardian
- 08 November 2024
The Russian soprano Olga Pudova portrays the doll's jerky movements with great humour, while singing superbly, hitting all the impressively high notes Offenbach gave her. Suddenly, both the music and the story leap into action and the opera was transformed into a wondrous romp which gained sustained cheers and applause from the audience. ... but it was Pudova, making her Royal Opera debut, who deservedly achieved the greatest acclaim.
- William Hartston, The Express
- 20 November 2024
Strauss - Ariadne auf Naxos
Bayerische StaatsoperNov 2023 - Mar 2023Olga Pudova ist gerade eine der wenigen Sopranistinnen, die sich lustvoll in der Zerbinetta-Stratosphäre bewegen. [Translated] Olga Pudova is just one of the few sopranos who move with relish in the Zerbinetta stratosphere.
- Markus Thiel, Der Merkur
- 23 March 2023
Mozart - Die Zauberflöte
Opéra national de ParisOct 2022 - Oct 2022Olga Pudova en Reine de la Nuit accomplit sa partie avec maîtrise, dans les suraigus ainsi que dans son médium large et moelleux, avec même une forme de sobriété qui sert la dimension magique et suspendue de la mise en scène.” [Translated] Olga Pudova as Queen of the Night accomplishes her part with mastery, in the super high notes as well as in her wide and mellow medium. The sobriety of her voice complements the magical aspects and suspended dimension of the staging.
- Par Philippe Scagni, Olyrix
- 24 October 2022