OlgaPudova

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  • Soprano

About Olga

Recent and upcoming engagements include her house debut at The Royal Opera House Covent Garden as Olympia The Tales of Hoffmann, Königin der Nacht Die Zauberflöte at Opera national de Paris and Bayerische Staatsoper, Konstanze Die Entführung aus dem Serail at Grand Theatre de la Ville de Luxembourg, Zerbinetta Ariadne auf Naxos at Bayerische Staatsoper and at the Mariinsky Theatre; Die Entführung ausdem Serail, Die Zauberflöte and Ariadne auf Naxos.

Previously highlights include Königin der Nacht (Die Zauberflöte) at the Dallas Opera and Semperoper Dresden, her role debut as Konstanze in and new production of Die Entführung aus dem Serail at the Grand Théâtre de Genève, More recently, roles included Olympia (Les contes d’Hoffman) at the Gran Teatre de Liceu, Zerbinetta (Ariadne auf Naxos) at the Grand Theatre de la Ville de Luxembourg and Giunia (Lucio Silla) with La Seine Musicale and her role debut as Violetta in La traviata at the Bolshoi Theatre Moscow.


Career highlights include new production of Ariadne auf Naxos at The Théâtre des Champs-Élysées; Lucia di Lammermoor and Olympia at Bayerische Staatsoper, Munich; and various other roles at Opéra national de Paris; Wiener Staatsoper; Gran Teatre del Liceu, Barcelona; Opernhaus Zürich; Festspielhaus Baden-Baden; Théâtre des Champs-Elysées, Paris; Semperoper, Dresden; Teatro dell’Opera di Roma; Opéra-Comique, Paris; Opera Philadelphia; Teatro Regio di Torino; Teatro la Fenice, Venice; Opera di Firenze; Komische Oper Berlin; Theater an der Wien, Vienna; Les Chorégies d’Orange, Latvian National Opera, Riga; Angers Nantes Opéra; Opera de Nice; Opera de Bordeaux; Opernhaus Mannheim; Festival d’Aix-en-Provence; Vlaamse Opera in Ghent and Antwerp; Edinburgh International Festival and Budapest Spring Festivals, as well as of course the Mariinsky Theatre, St Petersburg, where she sings in the ensemble.

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Contact

For availability and general enquiries:

Paul Meyer zu Schwabedissen

Paul Meyer zu Schwabedissen

Senior Artist Manager

For contracts, logistics and press:

Grace Hewett

Grace Hewett

Assistant Artist Manager

Representation

Worldwide general management with Askonas Holt

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Selected Repertoire

Bellini

La Sonnambula (Amina)

Bernstein

Candide (Cunegonde)

Bizet

Les pêcheurs de perles (Leïla)

Britten

A Midsummer Night’s Dream (Tytania)

Donizetti

Lucia di Lammermoor (title role)   •   L’elisir d’amore (Adina)   •   La fille du regiment (Marie)   •   Don Pasquale (Norina)

Massenet

Cendrillion (La Fee)

Mozart

Die Zauberflöte (Königin der Nacht)   •   Entführung aus dem Serail (Konstanze)   •   Der Schauspieldirektor (Madame Herz)   •   Lucio Silla (Giunia)   •   La finta giardiniera (Sandrina)

Offenbach

Les Contes d’Hoffmann (Olympia)

Puccini

La Boheme (Musetta)

Rimsky-Korsakov

The Snow Maiden (title role)   •   The Golden Cockerel (Tsaritsa of Shemakha)   •   The Tale of Tsar Saltan (Tsarevna Swan-Bird)

Rossini

Il Barbiere di Siviglia (Rosina)   •   Il Viaggio a Reims (Contessa di Foleville)

Strauss

Ariadne auf Naxos (Zerbinetta)   •   Arabella (Fiakermilli)

Stravinsky

Rossignol (title role)

Verdi

Rigoletto (Gilda)   •   Un Ballo in Maschera (Oscar)   •   Falstaff (Nanetta)   •   La Traviata (Violetta)

News

Press

  • Offenbach - The Tales of Hoffmann

    Royal Opera House
    Nov 2024

    • As the mechanical doll Olympia, Olga Pudova dazzles with pinpoint coloratura, throwing in what could be the highest notes ever heard in the Royal Opera House.

    • But the real show-stopper is Russian soprano Olga Pudova, playing the mechanical doll. Her high coloratura is icy and faultless, while her movements are so convincing than it’s hard to believe she’s human at all – a stunning turn.

    • All three sopranos were thoroughly enjoyable. Olga Pudova earned the biggest ovation of the night for the boundless energy she put into Olympia’s “Les oiseaux dans la charmille”.

    • The first of Hoffmann's three flashback desires is to Russian coloratura soprano Olga Pudova's Olympia, her seemingly limitless vocal aeronautics as nimble as her droll and doll-like movements are comically awkward.

    • the Russian soprano Olga Pudova showed magnificent coloratura as Olympia

    • He has three dazzling ladies at different stages of Hoffmann’s obsessive and unfulfilled life: back at school with the mobile equations on the blackboard, Olga Pudova plays Olympia as a neat Lucy Worsley lookalike who turns out to be a mechanical doll, and brings the house down with her mechanically stratospheric coloratura aria.

    • Olga Pudova delivers quite the turn as Olympia, marching about stiff in arm and leg (think “Doll on a Music Box” from Chitty Chitty Bang Bang), and wowing the audience with a bravura coloratura run of notes that all but stopped the show.

    • In one impressive house debut, Olga Pudova poker-faced her way through Olympia’s mechanical show-piece, her soprano bell-like throughout the coloratura stratosphere.

    • The Russian soprano Olga Pudova portrays the doll's jerky movements with great humour, while singing superbly, hitting all the impressively high notes Offenbach gave her. Suddenly, both the music and the story leap into action and the opera was transformed into a wondrous romp which gained sustained cheers and applause from the audience. ... but it was Pudova, making her Royal Opera debut, who deservedly achieved the greatest acclaim.

  • Strauss - Ariadne auf Naxos

    Bayerische Staatsoper
    Nov 2023 - Mar 2023

    • Olga Pudova ist gerade eine der wenigen Sopranistinnen, die sich lustvoll in der Zerbinetta-Stratosphäre bewegen. [Translated] Olga Pudova is just one of the few sopranos who move with relish in the Zerbinetta stratosphere.

  • Mozart - Die Zauberflöte

    Opéra national de Paris
    Oct 2022 - Oct 2022

    • Olga Pudova en Reine de la Nuit accomplit sa partie avec maîtrise, dans les suraigus ainsi que dans son médium large et moelleux, avec même une forme de sobriété qui sert la dimension magique et suspendue de la mise en scène.” [Translated] Olga Pudova as Queen of the Night accomplishes her part with mastery, in the super high notes as well as in her wide and mellow medium. The sobriety of her voice complements the magical aspects and suspended dimension of the staging.

Discography