SarahDufresne

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Soprano
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Contact

Alice Stacpoole

Alice Stacpoole

Assistant Artist Manager

Representation

General Management with Askonas Holt (Excl. Canada) Partner manager Canada: Dean Artists Management

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About Sarah

Canadian soprano Sarah Dufresne was a member of the Jette Parker Artists Programme at the Royal Opera House from 2022-2024 and was named as an Associate Artist of The Mozartists for the 2023-2024 season.

Named as one of Canada’s Top 30 Classical Musicians Under 30 in 2022, Sarah's recent performances at the Royal Opera House include Lucia (The Rape of Lucretia), Papagena (Die Zauberflöte), Hirt (Tannhäuser), Barbarina (Le nozze di Figaro), Voce dal Cielo (I and Tusnelda (Arminio). Other recent performances include Carmina Burana with the Montreal Symphony Orchestra and Rafael Payare, and Nora (Riders to the Sea) with the Montreal Opera. She has also performed with companies and orchestras across Canada, including Orchestre de l’Agora, Ottawa Choral Society and with Orchestre Métropolitain.

In 2022 Sarah was awarded the Second Prize (Aria division) at the Concours Musical International de Montréal and was praised for her “tremendous dramatic presence,” and “astonishing clarity and vocal dexterity” (Opera Canada).

Sarah is based in Canada

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Representation

General Management with Askonas Holt (Excl. Canada) Partner manager Canada: Dean Artists Management

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Season Highlights

Aug 2024
Lanaudiere Festival
Aida (High Priestess) Yannick Nézet-Séguin (conductor)
Nov 2024 - Nov 2024
Montreal Opera
Hamlet (Ophélie) Jacques Lacombe (conductor)
Dec 2024 - Dec 2024
Barbican, London
La rondine (Yvette) Antonio Pappano (conductor)

Video

Audio

  • Quatre Chansons de Jeunesse, "Pantomime", Debussy
    Recorded: 01 January 2025
  • Quatre Chansons de Jeunesse, "Clair de lune", Debussy
    Recorded: 01 January 2025
  • Quatre Chansons de Jeunesse, "Pierrot", Debussy
    Recorded: 01 January 2025
  • Quatre Chansons de Jeunesse, "Apparition", Debussy
    Recorded: 01 January 2025

Photos

Selected Repertoire

BernsteinCandide (Cunegonde)
BizetCarmen (Frasquita)
BrittenAlbert Herring (Miss Wordsworth)   •   A Midsummer's Dream (Tytania)   •   Rape of Lucretia (Lucia)
Donizetti L’elisir d'amore (Adina, Giannetta)
HandelAcis and Galatea (Galatea)   •   Alcina (Morgana)   •   Ariodante (Ginevra)   •   Arminio (Tusnelda)   •   Jephtha (Iphis)
Humperdinck Hansel and Gretel (Dew Fairy)
Janacek Cunning Little Vixen (Vixen)
Lizée No One's Safe (Rebecca Marshall)
MassenetWerther (Sophie)
MozartDie Zauberflote (Pamina), (Papagena)   •   Don Giovanni (Zerlina)   •   La Clemenza di Tito (Servilia)   •   Le Nozze di Figaro (Barbarina)
PucciniLa rondine (Yvette)
RavelL’enfant et les sortileges (The Nightingale)
Thomas Hamlet (Ophélie)
Vaughan Williams Riders to the Sea (Nora)
Verdi Don Carlo (Voce dal cielo)   •   Rigoletto (Gilda)
Wagner Tannhauser (Shepherd)
Weill Street Scene (Mrs. Fiorentino)

News

Press

  • La Rondine

    Barbican, London
    Dec 2024

    • Sarah Dufresne, Angela Schisano and Marvic Monreal standing out as a trio of gossipy good-time girls.

    • Ashley Riches’ Rambaldo was suitably unpleasant, while Sarah Dufresne, Angela Schisano and Marvic Monreal all impressed in smaller roles, and the chorus seemed to have more fun than a puritan might deem acceptable in a crisp and well-drilled Act 2.

    • Her lover Prunier, Paul Appleby, seemed swamped by the orchestral sound, but three party guests led by Sarah Dufresne fluttered better.

    • Elsewhere, Sarah Dufresne, Angela Schisano and Marvic Monreal impressed in their cameo roles.