VeronikaEberle

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Contact

For availability and general enquiries:

Edward Pascall

Edward Pascall

Associate Director

For contracts, logistics and press:

Joy Pidsley

Joy Pidsley

Assistant Artist Manager

For availability and enquiries in Germany and Austria:

Alexander Hollensteiner

Alexander Hollensteiner

Managing Director/Geschäftsführer (Berlin)

Representation

Worldwide general management with Askonas Holt (excl. Italy, Spain, Switzerland & Japan) Partner managers: Italy: Toret Artist Management Spain: e-imusica Switzerland: M&P Artistic Management Japan: Artists Management M Hirasa

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About Veronika

Veronika Eberle’s exceptional talent and the poise and maturity of her musicianship have been recognised by many of the world’s finest orchestras, venues and festivals, as well as by some of the most eminent conductors.

Sir Simon Rattle’s introduction of Veronika aged just 16 to a packed Salzburg Festpielhaus at the 2006 Salzburg Easter Festival in a performance of the Beethoven Concerto with the Berliner Philharmoniker, brought her to international attention. Key orchestra collaborations since then include the London Symphony (Rattle), Concertgebouw (Holliger), New York Philharmonic (Gilbert), Montreal Symphony (Nagano), Munich Philharmonic and Gewandhaus Orchestras (Louis Langrée), Rundfunk Sinfonieorchester Berlin (Janowski), Hessischer Rundfunk Sinfonieorchester (P. Järvi), Bamberger Symphoniker (Robin Ticciati, Nott), Tonhalle Orchester Zurich (M.Sanderling), NHK Symphony (Kout, Stenz, Norrington) and Rotterdam Philharmonic (Rattle, James Gaffigan, Yannick Nézet-Seguin).

In the 2024-25 season, Veronika makes debuts with New York Philahrmonic Orchestra (Canellakis), Boston Symphony Orchestra (Stutzman), Royal Liverpool Philharmonic (Hindoyan), Gothenberg Symphony (Hannigan) and Philharmonie Zuidnederland (Ward). This season will also see Veronika return to Wigmore Hall as Artist in Residence and to Netherlands Philharmonic (Viotti), Oslo Philharmonic (Jacquot) and Budapest Festival Orchestra (Fischer).

Recent highlights include debuts with Orchestre National Capitole Toulouse (Stutzman), Karajan-Akademie (Jockel) and Detroit Symphony (Afkham) and returns to Symphonieorchester des Bayerischen Rundfunks (Rattle), Bournemouth Symphony (Fischer) and Atlanta Symphony (Stutzman). Recent chamber music projects include performances at the Gstaad Menuhin Festival with Sol Gabetta and Antoine Tamestit, Schubertiade with Steven Isserlis and Connie Shih and Heidelberger Fruhling Festival alongside Adrien La Marca and Quirine Viersen, amongst others.

Veronika Eberle plays the 1693 “Ries” Stradivarius, which is on generous loan from the Reinhold Würth Musikstiftung gGmbH.

Veronika is based in Munich

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Representation

Worldwide general management with Askonas Holt (excl. Italy, Spain, Switzerland & Japan) Partner managers: Italy: Toret Artist Management Spain: e-imusica Switzerland: M&P Artistic Management Japan: Artists Management M Hirasa

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Season Highlights

Sep 2024
Gothenburg, Konserthus
Berg: Violin Concerto Gothenburg Symphony Orchestra Barbara Hannigan (conductor)
Oct 2024
Amsterdam
Britten: Violin Concerto Netherlands Philharmonic Orchestra Lorenzo Viotti (conductor)
Oct 2024
Teatro Olimpico, Vicenza
Brahms: Violin Concerto Budapest Festival Orchestra Ivan Fischer (conductor)

Audio

  • Veronika Eberle, RTÉ National Symphony Orchestra & Nathalie Stutzmann: Brahms Violin Concerto in D Major, Movement 1
    Credit: RTÉ National Symphony Orchestra
  • Veronika Eberle, RTÉ National Symphony Orchestra & Nathalie Stutzmann: Brahms Violin Concerto in D Major, Movement 3
    Credit: RTÉ National Symphony Orchestra
  • Veronika Eberle, Helsinki Philharmonic & John Stogårds: Sibelius Violin Concerto, Movement 2
    Credit: Mecklenberg Vorpommern Festspiele
  • Veronika Eberle, LSO & Sir Simon Rattle: Beethoven Violin Concerto, Movement 1
    Credit: London Symphony Orchestra

Selected Repertoire

BartokConcerto No.1   •   Rhapsody No.1   •   Rhapsody No.2
BeethovenConcerto in D major, Op.61   •   Concerto in C major (fragment) WoO5   •   Triple Concerto, Op.56   •   Romance No.2 in F major, Op.50
BergViolin Concerto   •   Chamber Concerto
BrahmsConcerto in D major, Op.77   •   Double Concerto in A minor, Op.102
BrittenViolin Concerto, Op.15
DvorakConcerto in A minor, Op.53
ElgarViolin Concerto
HartmannConcerto Funebre
HaydnConcerto in C, Hob.VIIa:1   •   Concerto in G, Hob VIIa:4
HenzeViolin Concerto
HosokawaViolin Concerto (commissioned for Veronika Eberle)
KorngoldConcerto in D major, Op. 35
MendelssohnConcerto in E minor, Op.64
MozartConcerto No. 3 in G major, K.216   •   Concerto No.4 in D major, K.218   •   Concerto No. 5 in A major, K.219   •   Sinfonia Concertante in E flat major, K.364
ProkofievConcerto No.1 in D major, Op.19
RozsaViolin Concerto, Op.24
Schoeck Quasi Una Fantasia
SchumannConcerto in D minor, WoO 23
ShostakovichConcerto No.1
SibeliusConcerto in D minor, Op.47
StravinskyViolin Concerto
TchaikovskyConcerto in D major, Op.35

News

Press

  • Beethoven Violin Concerto

    Marvao International Music Festival
    Jul 2024
    • When Eberle entered with her opening solo, rich in colors yet simple in line, her intimately reflective attitude shone through. Eberle’s dialogue with the bassoons in thirds was intense and lapidary, her sense of quiet before the big striding triplets was deeply affecting and her triplets against the long lines of the strings were captivating. She navigated Fritz Kreisler’s cadenza with finesse, toning down the pyrotechnics in favor of warmth and sentiment, as if it had been written by Beethoven himself. She played the big arching passages exquisitely and the cadenza was spontaneous, after which she had a special sweetness left for her last upward phrases before Poppen and the orchestra ended with a tremendous shout, and the grandeur of the whole performance was complete.