AnthonyLeón

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  • Tenor

About Anthony

Anthony León is a tenor with a career that has garnered rapid international acclaim. His voice has been lauded by Stage and Cinema as possessing “beauty, freedom of tone, and outstanding breath control.” Anthony has received some of the most prestigious honors in the opera industry including the 2025 LA Opera Eva and Marc Stern Award; being a finalist for the Rising Star award at the 2024 International Opera Awards; a winner of the 2024 Richard Tucker Career Grant; a winner of the 2023 Metropolitan Opera Laffont Competition; and winner of the First Prize at Operalia, 2022––the most important opera competition in the world––where he also won the Don Plácido Domingo Ferrer Zarzuela Prize. Additionally, he has been awarded a Career Development Grant from the Sullivan Foundation. Other accolades include being featured in Opera News magazine and being named “Best up-and-comer” in the Inland Empire Magazine’s “Best of the Best 2019” list, among other significant awards.

He has performed on prestigious stages such as The Metropolitan Opera, Los Angeles Opera, The Hollywood Bowl, the Mozarteum in Salzburg, Santa Fe Opera, Carnegie Hall, Théâtre des Champs-Elysées, Victoria Hall, and others. During the 2022/2023 season, Anthony was contracted as a member of the Domingo-Colburn-Stein Young Artist Program at the Los Angeles Opera. Notable performances in 2024/2025 include Ferrando in Mozart’s Così fan tutte at LA Opera, Nadir in Les pêcheurs de perles at the Staatsoper Unter den Linden Berlin, creating the role of The Consumer in the world premiere of Ellen Reid’s opera The Shell Trial at Dutch National Opera in Amsterdam, Netherlands, and performing at The Santa Fe Symphony, Cologne Opera in Germany, the Aix-en-Provence Festival in France, the Ravinia Festival with the Chicago Symphony, and with the LA Philharmonic at the Hollywood Bowl under the direction of Gustavo Dudamel

Anthony is based in California, USA

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Contact

Mathieu Levan

Mathieu Levan

Assistant Artist Manager

Representation

Worldwide general management with Askonas Holt

Season Highlights

Sep 2024
Los Angeles Philharmonic - Hollywood Bowl - Beethoven 9
Mar 2025
LA Opera - Così fan tutte - Ferrando
Apr 2025
Berlin Staatsoper - Les pêcheurs de perles - Nadir

Photos

Selected Repertoire

ARGENTO

Postcard from Morocco (Mr Owen)

BIZET

Carmen (Le Remendado)   •   The Pearl Fishers (Nadir)

BRITTEN

The Rape of Lucretia (Male Chorus)   •   A Midsummer Night's Dream (Lysander)

DEBUSSY

Impressions of Pelléas (Pelléas)

DONIZETTI

Lucia di Lammermoor (Normanno)   •   Don Pasquale (Ernesto)   •   L’elisir d’amore (Nemorino)

GILBERT & SULIVAN

The Pirates of Penzance (Frederic)

HUMPERDINCK

Hänsel und Gretel (The Witch)

MONTEVERDI

Il ritorno d'Ulisse in patria (Giove)

MOZART

Don Giovanni (Don Ottavio)   •   Le nozze di Figaro (Don Curzio)   •   Il re pastore (Agenore)   •   Die Zauberflöte (Tamino)

POULENC

Dialogue des Carmélites (Le Chevalier de la Force)

PUCCINI

la Tosca (Spoletta)

RAVEL

L’enfant et les sortilèges (Teapot/Arithmetic/Tree Frog)

ROSSINI

Il barbiere di siviglia (Count Almaviva)

VERDI

Otello (Roderigo)   •   Falstaff (Fenton)

News

Press

  • Cosi fan tutte

    Los Angeles Opera
    Mar 2025
    • Anthony León as our Ferrando is almost in a class by himself. This is in all probability the most beautiful and graceful Mozart tenor voice I’ve ever heard live…He’s a flexible comedian onstage and with Mr. Austin’s help, entered into the slapstick spirit of the proceedings with relish. When the aforementioned flying drops started descending in front of him during his lead-up recitative exchange “Barbara! Perché fuggi?…” with Fiordiligi in Act II, I knew we wouldn’t be getting his, “Ah! Lo veggio.” I consoled myself with the fact that he did give us a fiery “Tradito, schernito,” which was fleet and muscular in all the right places. I say all this honestly as someone who’s never been a fan of Mozart’s writing for the tenor voice or most of the tenors who sing it. (Pace, Fritz Wunderlich.)

      • Parterre Box
    • Leon’s Ferrando was all romantic ardor and sincerity, his voice floating through “Un’aura amorosa” (An air of devotion) with an almost unbearable tenderness. León’s voice moved with an ease that seems almost weightless, yet there is a quiet strength beneath the surface. His breath control, a marvel, allowed long, arching phrases to unfold without strain. The natural lyricism of his instrument—clear, supple, and unforced—finds an ideal home in Mozart

      • Stage and Cinema
    • If one moment could be singled out, it would have to be León’s achingly tender rendition of Un’aura Amorosa—a vocal feat that, for all his smaller frame, fills the hall with an astonishing depth of feeling, leaving us, well, breathless.

      • Indulge Magazine
  • Don Giovanni

    Los Angeles Opera
    Sep 2023
    • Rising star Anthony León’s role debut as Don Ottavio was spectacular. In his rendition of “Il Mio Tesoro” (“My Treasure”), a veritable vocal obstacle course, he flawlessly executed every point with a remarkable level of sophistication and grace. His light lyric tenor instrument showed beauty, freedom of tone, and outstanding breath control. León, an LA Opera young artist, has recently won grand prizes in the two of the most prestigious global opera competitions, Operalia and the Metropolitan Opera Laffont competition. While León’s repertoire has so far been wide-ranging (from Baroque to Verdi), the right role choices could launch him into becoming one of the finest lyric tenors tenors of our time, leaving the heavier Verdi and Puccini roles for later in his career.