RobinTicciati
- Conductor
About Robin
Music Director: Glyndebourne Festival Opera Honorary Member: Chamber Orchestra of Europe
Robin Ticciati OBE is Music Director of Glyndebourne Festival Opera and Honorary Member of the Chamber Orchestra of Europe. He was Music Director of the Deutsches Symphonie-Orchester Berlin from 2017 - 24 and Principal Conductor of the Scottish Chamber Orchestra from 2009 – 18.
He is a regular guest conductor with the Bavarian Radio Symphony Orchestra, Budapest Festival Orchestra and the London Philharmonic Orchestra. Other recent highlights have included appearances with the Wiener Philharmoniker, Berliner Philharmoniker, London Symphony Orchestra, Royal Concertgebouw Orchestra, Gewandhausorchester Leipzig, Dresden Staatskapelle, Czech Philharmonic and the Swedish Radio Symphony Orchestra. In the US, he has appeared with The Cleveland Orchestra, Los Angeles Philharmonic, Philadelphia Orchestra and the San Francisco Symphony Orchestra.
This season sees Robin make his debut with the Orchestre de Paris, as well as returning to the London Philharmonic Orchestra (for concerts in London and on tour to Japan), Budapest Festival Orchestra, Wiener Symphoniker, NDR Elbphilharmonie Orchestra and with the Chamber Orchestra of Europe at the Festival de Saint-Denis.
A renowned opera conductor, he has led productions at Teatro alla Scala Milan, Staatsoper Berlin and at the Metropolitain Opera, New York. Future plans include a new production of Parsifal at Glyndebourne Festival and his debut at the Wiener and Bayerische Staatsopers.
Contact
For availability and general enquiries:
Henry Lindsay
Donagh Collins
For contracts, logistics and press:
Kate Sweeney
Representation
Season Highlights
Photos
News
Robin Ticciati appointed Honorary Member of the Chamber Orchestra of Europe
Robin Ticciati to lead Glyndebourne’s first Parsifal as Festival announces 2025 season
Robin Ticciati debuts with the Orchestre de Paris
Askonas Holt Artists honoured at the 2025 ICMA Awards
Robin Ticciati bids farewell to Deutsches Symphonie-Orchester Berlin with Mahler’s Symphony No.2
Robin Ticciati tours Japan with the London Philharmonic Orchestra
Robin Ticciati debuts at Staatsoper Berlin
Robin Ticciati debuts with the Berliner Philharmoniker
Robin Ticciati conducts Beethoven’s Symphony No.9 with DSO Berlin
Robin Ticciati and Alina Ibragimova debut with San Francisco Symphony
Robin Ticciati debuts with Münchner Philharmoniker
Robin Ticciati tours Switzerland with the London Symphony Orchestra
Robin Ticciati returns to BRSO and Budapest Festival Orchestra
Robin Ticciati renews with Deutsches Symphonie-Orchester Berlin until 2027
Press
Poulenc Double Bill: La Voix Humaines and Les Mamelles
Glyndebourne Festival OperaAug 2022Ticciati and the London Philharmonic Orchestra relish every note.
- The Times
- 10 August 2022
Walton Viola Concerto & Brahms Symphony No. 4
Barbican CentreOct 2021Robin Ticciati’s daringly prolonged upbeat to the opening phrase of the first movement heralded a reading of heartfelt empathy. Lovingly phrased and warmly expressive, it perhaps benefited from Ticciati’s recent engagement with Wagner’s Tristan und Isolde: certainly the long legato lines and richness of texture put one in mind of Brahms’s arch-rival
La damnation de Faust
Glyndebourne Festival OperaTicciati, an exemplary Berliozian, conducts with great beauty and a keen sense of dramatic pace. The London Philharmonic play with refined sensuousness of detail, while the Glyndebourne Chorus, augmented for the occasion, sound terrific throughout
London Philharmonic Orchestra
Royal Festival Hallhe Bruckner symphony was a transcendent experience. Ticciati, perhaps the most spiritual as well as naturally gifted of the younger conductors, drew playing of endlessly fascinating precision, ensured a marvellous blend at a marvellously adjusted pace, and, though he couldn’t be faulted for the sense of architectural cogency imparted, was at the same time supremely able to let the music breathe: an organism. It is, I think, Bruckner’s most perfect symphony, and this performance had me feeling it is his greatest.
- The Times
- 06 February 2019
