AlexanderTsymbalyuk

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Bass
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Promotional photograph of Alexander Tsymbalyuk, copyright Henriette Mielke
Promotional photograph of Alexander Tsymbalyuk, copyright Henriette Mielke

Contact

For availability and general enquiries:

Mark Hildrew

Mark Hildrew

Executive Director

For availability and general enquiries:

For availability and general enquiries:

Seb Mallet

Seb Mallet

Associate Artist Manager

Representation

Worldwide general management with Askonas Holt

About Alexander

This season he will return to Staatsoper Hamburg for a revival of Boris Godunov and for a Gala Concert to mark the 30th anniversary of the Internationales Opernstudio Hamburg. He will also return to Teatro San Carlo di Napoli for Don Carlo, New National Theatre Tokyo for Macbeth and Opéra national de Paris for revivals of Rigoletto and Don Carlo. On the concert platform he will sing Verdi’s Requiem in Aix-en-Provence and Dijon with Jérémie Rhorer and the Cercle de l’Harmonie at the Gran Théâtre du Luxembourg and Bruckner’s Te Deum with the London Symphony Orchestra at the Barbican Centre.

Looking ahead Alexander will give his house debut at Oper Frankfurt and return to the Metropolitan Opera New York, Opéra national de Paris, as well as Staatsoper Hamburg.

Previous highlights include Lady Macbeth von Mtzensk,Lucia di Lammermoor, Turandot, Eugene Onegin and Le nozze di Figaroat the Bayerische Staatsoper; Ferrando, Il Trovatoreat the Royal Opera House Covent Garden and Eugene Onegin and the title role in Boris Godunovat the Opéra national de Paris, Rigoletto at the Lyric Opera of Chicago and returns to The Metropolitan Opera as Timur (Turandot), Bayerische Staatsoper as Fasolt (Das Rheingold), Staatsoper Hamburg as Gremin (Eugene Onegin). Further appearances included Rubenstein’s Demon at the Liceu Barcelona; and in concert: Don Giovanni in Japan, Samson et Dalila at the Théâtre des Champs Elysées, and Boris Godunov at the Concertgebouw.

Alexander is based in Vienna, Austria

Download programme biography   

Representation

Worldwide general management with Askonas Holt

Season Highlights

Sep 2023 - Oct 2023
Staatsoper Hamburg
Boris Godunov (title role) Kent Nagano (conductor) Frank Castorf (stage director) New Production
Dec 2023 - Dec 2023
Teatro San Carlo di Napoli
Turandot (Timur) Dan Ettinger (conductor) Vasily Barkhatov (stage director)
Mar 2024 - Mar 2024
Teatro San Carlo di Napoli
Norma (Oroveso) Lorenzo Passerini (conductor) Justin Way (stage director) Role Debut

Selected Repertoire

BelliniI puritani (Sir Giorgio Valton)   •   Norma (Oroveso)
DonizettiLucia di Lammermoor (Raimondo Bibedint)   •   Maria Stuarda (Talbot)
DvorakRusalka (Vodnik*)
MozartDon Giovanni (Commendatore)   •   Le nozze di Figaro (Bartolo)   •   Die Zauberflöte (Sarastro*)
MussorgskyBoris Godunov (Title Role, Pimen*)
PucciniLa boheme (Colline)   •   Tosca (Angelotti)   •   Turandot (Timur)
ShostakovichLady Macbeth of Mtsensk (Chief of Police, Old Convict)
TchaikovskyEugene Onegin (Prince Gremin)   •   Iolanta (King Rene)   •   Pique Dame (Surin)
VerdiAida (Il Re)   •   Attila (Leone)   •   Don Carlo (Filippo II, Inquisitore)   •   Macbeth (Banquo)   •   Otello (Lodovico)   •   Rigoletto (Sparafucile)   •   Simon Boccanegra (Jacopo Fiesco)   •   Il Trovatore (Ferrando)
WagnerDie Meistersinger von Nürnberg (Nachtwächter)   •   Parsifal (Titurel)   •   Das Rheingold (Fafner, Fasolt)   •   Siegfried (Fafner)   •   Tannhäuser (Biterolf)

News

Press

  • Die Meistersinger von Nürnberg

    Teatro Real Madrid
    Apr 2024
    • Fabuloso el Sereno de Alexander Tsymbalyuk, casi —como se suele decir— el más wagneriano del reparto, aunque le dejaran sin su instrumento musical Alexander Tsymbalyuk's Fabulous Night Watchman, almost - as they say - the most Wagnerian of the cast, even though they left him without his musical instrument

    • Alexander Tsymbalyuk was a sonorous Night Watchman.

    • También fue un lujo recurrir a un bajo de la entidad de Alexander Tsymbalyuk para la parte del Sereno. It was also a luxury to use a bass from Alexander Tsymbalyuk's entity for the Sereno part.

    • Un comentario al margen merece la labor del bajo ucraniano Alexander Tsymbalyuk quien interpretó con impresionantes medios las bellísimas melodías que le impuso la partitura a la breve parte del sereno y por lo que bien merecería un ascenso directo a maestro cantor. The work of the Ukrainian bass Alexander Tsymbalyuk deserves a comment, who interpreted with impressive means the beautiful melodies that the score imposed on the brief part of the watchman and for which he would well deserve a direct promotion to master singer.

    • También fue un lujo recurrir a un bajo de la entidad de Alexander Tsymbalyuk para la parte del Sereno. It was also a luxury to use a bass from Alexander Tsymbalyuk 's entity for the watchman part.

    • En lo que toca a la parte vocal, estuvo muy bien y muy entregado el coro, así como los papeles secundarios y los maestros, con especial destaque para el Sereno de Alexander Tzymbalyuk Regarding the vocal part, the choir was very good and very dedicated, as well as the supporting roles and the teachers, with special emphasis on Alexander Tzymbalyuk's Sereno