AndreasOttensamer

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Conductor & Clarinet
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Contact

For conductor enquiries

Edward Pascall

Edward Pascall

Associate Director

For clarinet enquiries

For availability and enquiries in Germany, Austria and Switzerland

Alexander Hollensteiner

Alexander Hollensteiner

Managing Director/Geschäftsführer (Berlin)

For contracts, logistics and press

Joy Pidsley

Joy Pidsley

Assistant Artist Manager

Representation

General management: Askonas Holt

Japan: Hirasa Ltd
China / Taiwan / Korea: New Aspect

About Andreas

Artistic Director: Bürgenstock Festival

Andreas Ottensamer has captured audiences and critics alike with his distinct musicianship and versatility as conductor, artistic director and clarinettist.

In the 2023-2024 season, Andreas will give conducting debuts with the NHK Symphony Orchestra in a program entirely dedicated to Johannes Brahms, Orchestre Metropolitain Montreal as their Artist in Residence of the season, Seoul Philharmonic, Kammerakademie Potsdam, Sofia Philharmonic, Basel Chamber Orchestra, Philharmonisches Orchester Erfurt, Münchner Kammerorchester, Janáček Philharmonic and the Liszt Chamber Orchestra. Ottensamer will return to conduct the Tokyo Symphony Orchestra, having made his Asian conducting debut there in 2023. He will also return to Istanbul State Symphony Orchestra in three programmes, the Aichi Chamber Orchestra and the Romanian Radio Chamber Orchestra.

Recent conducting highlights include Seoul’s KBS Symphony Orchestra and collaborations with orchestras such as the MDR Sinfonieorchester Leipzig, the Prague Philharmonia, the Orquestra Gulbenkian in Lisbon, the Istanbul State Symphony Orchestra, the Real Philharmonia Galicia and the Orchestre Symphonique de Mulhouse. In December 2022 Andreas joined Maestro Riccardo Muti to work on Verdi‘s Messa da Requiem as part of his Italian Opera Academy in Ravenna, Italy and in March 2023 he joined Maestro Muti for the production of Verdi’s Un Ballo in Maschera at the Tokyo Spring Festival. In 2021 Ottensamer was awarded the Neeme Järvi Prize of the Gstaad Festival Conducting Academy.

His artistic partnerships as a chamber musician include work with Yuja Wang, Seong-Jin Cho, Lisa Batiashvili, Patricia Kopatchinskaja, Phillippe Jaroussky, Gautier Capuçon and Sol Gabetta. He regularly performs at festivals such as the Salzburger Festspiele, the Gstaad Menuhin Festival, the Rheingau Musik Festival and the Festival de Pâques d’Aix en Provence.

Ottensamer is Artistic Director of the Bürgenstock Festival and has held the position of principle clarinettist with the Berlin Philharmonic Orchestra since 2011.

Andreas is based in Berlin

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Representation

General management: Askonas Holt

Japan: Hirasa Ltd
China / Taiwan / Korea: New Aspect

Season Highlights

Mar 2024
Tokyo
Johannes Brahms Academic Festival Overture Johannes Brahms Clarinet Sonata in F minor Op. 120 No. 1 (Daniel Ottensamer) Johannes Brahms Haydn Variations Op. 56b Johannes Brahms Hungarian Dances NHK Symphony Orchestra.
Mar 2024
Prinzregententheater, Munich
Wolfgang Amadeus Mozart Thamos King of Egypt, Overture Felix Mendelssohn Lieder Ohne Worte (selection) Johannes Brahms Hungarian Dance No. 7 Ludwig van Beethoven Symphony No. 1 in C Major Op. 21 Munchener Kammerorchester
Jun 2024 - Jul 2024
Tour
Kammerorchester Basel

News

Press

  • Mozartwoche Salzburg

    Mozarteum Salzburg
    Feb 2025
    • [Mozart‘s] cheerful Symphony in A Major (KV 201) was interpreted with a refreshingly delicate lightness. Ottensamer conducted without a baton, communicating dynamics, tempo, and expression with precise body language and constant eye contact...The musicians of the Mozarteum Orchestra clearly enjoyed his direction. Smiling and with visible delight in their playing, they transformed his eloquent gestures into graceful music. The audience in the fully-occupied Great Hall of the Mozarteum was enraptured by this relaxed and concentrated interaction. After just a few bars - and throughout the entire concert - you could feel the synergy between an orchestra in top form and a well-prepared conductor. The music-making seemed like a lively conversation between confidants. The audience, listening in fascination, followed this spellbound and applauded frenetically after each piece. Under the direction of Andreas Ottensamer, the gracefully precise and beautifully resonant Mozarteum Orchestra demonstrated world-class excellence. The thunderous applause culminated in a more than well-deserved standing ovation.