CharlotteCorderoy

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Conductor
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Holly Cartwright

Holly Cartwright

Assistant Artist Manager

Representation

Worldwide general management with Askonas Holt

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About Charlotte

Assistant Conductor: City of Birmingham Symphony Orchestra

The 2024/25 season sees Charlotte debut with English National Opera (conducting Turn of the Screw), Volksoper Wien (My Fair Lady) and South Australian Opera (Dove's Flight). She also assists Barbara Hannigan at the London Symphony Orchestra, covers Le nozze di Figaro at Glyndebourne Festival Opera, and continues as assistant conductor of the City of Birmingham Symphony Orchestra.

Last season's highlights included returns to the Royal Philharmonic Orchestra (having previously conducted them at the Three Choirs Festival) and to Opera Holland Park for Il barbiere di Siviglia. Charlotte also debuted with the Swedish Chamber Orchestra co-conducting Stravinsky’s The Rake's Progress with Hannigan in Örebro, Stockholm and Cologne.

Born in 1997, Charlotte graduated from Oxford University with First Class Honours in Music. She went on to study conducting at the Royal Academy of Music where she is currently Musical Director of their inaugural Junior Musical Theatre Department. She has assisted on a number of new commissions at the Aldeburgh Festival.

Charlotte is based in London

Representation

Worldwide general management with Askonas Holt

Follow Charlotte

Season Highlights

Oct 2024
Coliseum, London
Britten: The Turn of the Screw English National Opera
Dec 2024 - Feb 2025
Volksoper, Vienna
Lerner and Loewe: My Fair Lady Volksoper Vienna
May 2025
South Australian Opera House, Adelaide
Dove: Flight South Australian Opera

News

Press

  • The Pilgrim's Progress, Three Choirs Festival

    Gloucester, UK
    Jul 2023
    • What can I say about Corderoy? She is a former organ scholar, who apparently learnt the instrument in double quick time on an organ built by her father in her bedroom, then decided to be a conductor, and here she was aged 25, conducting one of our top orchestras in a difficult, complicated work, in a hostile acoustic, in a packed cathedral. Her control was immaculate, her grasp of the music’s elaborate ebb and flow apparently flawless. The Royal Philharmonic Orchestra played for her like angels.

    • The young and strikingly impressive Charlotte Corderoy – was in command of her material, holding the pace and keeping everything together. The RPO produced appropriately ethereal sounds.