CharlotteCorderoy

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  • Conductor

About Charlotte

Assistant Conductor: City of Birmingham Symphony Orchestra

The 2024/25 season sees Charlotte debut with English National Opera (conducting Turn of the Screw) and South Australian Opera (Dove's Flight). The following season she'll make her debut with the Philharmonia Orchestra (at Bold Tendencies), Royal Liverpool Philharmonic, Opéra National de Lyon (Les contes d'Hoffmann) and Irish National Opera (The Cunning Little Vixen), alongside returning to Opera Holland Park (Così fan tutte).

Last season's highlights included returns to the Royal Philharmonic Orchestra (having previously conducted them at the Three Choirs Festival) and to Opera Holland Park for Il barbiere di Siviglia. Charlotte also debuted with the Swedish Chamber Orchestra co-conducting Stravinsky’s The Rake's Progress with Hannigan in Örebro, Stockholm and Cologne.

Born in 1997, Charlotte graduated from Oxford University with First Class Honours in Music. She went on to study conducting at the Royal Academy of Music where she is currently Musical Director of their inaugural Junior Musical Theatre Department. She has assisted on a number of new commissions at the Aldeburgh Festival.

Charlotte is based in London

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Contact

For availability and enquiries:

For contracts, logistics and press:

Holly Cartwright

Holly Cartwright

Assistant Artist Manager

Representation

Worldwide general management with Askonas Holt

Follow Charlotte

Season Highlights

Oct 2024
Coliseum, London
Britten: The Turn of the Screw English National Opera
Dec 2024 - Feb 2025
Volksoper, Vienna
Lerner and Loewe: My Fair Lady Volksoper Vienna
May 2025
South Australian Opera House, Adelaide
Dove: Flight South Australian Opera
Jun 2025 - Aug 2025
Glyndebourne, UK
Mozart: Marriage of Figaro Glyndebourne Festival Opera (assist/cover Riccardo Minasi)

News

Press

  • Il Barbiere di Siviglia

    Opera Holland Park, London
    Jun 2024
    • The visuals neatly match the vitality of Rossini’s music, which is purveyed to perfection by conductor Charlotte Corderoy, who shows an easy command of the score and of how to present it to its best advantage

    • From the beginning there’s Charlotte Corderoy’s almost exhaustingly vigorous conducting, pointing up every sprightly rhythm and subtlety in Rossini’s bubbly score.

    • Charlotte Corderoy led a performance that romped along. Dynamic, yet sensitive when necessary, Corderoy showed a knack for Rossini and credit to her for getting involved with the fun.

    • Charlotte Corderoy draws out a buoyant, pacey musical performance, with the City of London Sinfonia in fine form

  • The Pilgrim's Progress, Three Choirs Festival

    Gloucester, UK
    Jul 2023
    • What can I say about Corderoy? She is a former organ scholar, who apparently learnt the instrument in double quick time on an organ built by her father in her bedroom, then decided to be a conductor, and here she was aged 25, conducting one of our top orchestras in a difficult, complicated work, in a hostile acoustic, in a packed cathedral. Her control was immaculate, her grasp of the music’s elaborate ebb and flow apparently flawless. The Royal Philharmonic Orchestra played for her like angels.

    • The young and strikingly impressive Charlotte Corderoy – was in command of her material, holding the pace and keeping everything together. The RPO produced appropriately ethereal sounds.

  • Hansel und Gretel

    Holland Park
    Jun 2023
    • Details pop, articulation keeps the score fizzing, and Humperdinck’s sweeping transitions were handled especially impressively by Corderoy, who pressed on tempi to prevent things from getting too sleepily indulgent. The overture and ballet sequence were especially vivid instances of musical storytelling that supported the drama.