IestynDavies
Contact
Sue Spence
Nicholas Moloney
Olivia Fitzsimons
Ivo Ivanov
Representation
Worldwide general management with Askonas Holt
About Iestyn
An esteemed interpreter of Handel, this season Iestyn sings Didymus in Theodora at Teatro Real Madrid and with Music of the Baroque, Chicago; David in Saul at the Glyndebourne Festival; Handel's Il Trionfo del Tempo e del Disinganno and Dixit Dominus with the Los Angeles Philharmonic and Emmanuelle Haim, Messiah with les Violons du Roy and Bernard Labadie and Handel arias on tour with the Chamber Orchestra of Europe and Robin Ticciati.
He will tour Monteverdi's Poppea with Cappella Mediterranea and Leonardo Garcia Alracon in Europe, and J.C. Bach, Scheidt, Schein, Buxtehude and more with Fretwork in the U.S. and Canada.
In the 2023/24 season he sang Bertarido in Rodelinda on tour in the U.S.A. and Asia with Harry Bicket and The English Concert, made his role debut at the Paris Opera as Tolomeo in Giulio Cesare, sang Oberon in Britten's A Midsummer Night's Dream with Atlanta Opera and at Garsington Opera, and the Boy in George Benjamin's Written on Skin with the Finnish Radio Symphony Orchestra. In August he made his Australian debut singing singing J.S. Bach and Arvo Pärt in an extensive solo tour with the Australian Chamber Orchestra.
Iestyn has appeared for a season on Broadway in a revival of his West-End theatre project Farinelli and the King with Mark Rylance, which received an Olivier Award nomination.
A celebrated recitalist with repertoire ranging from Dowland to Clapton, he has twice been awarded the Gramophone Recital Award. In 2017 he won the Gramophone Baroque Vocal Award and was awarded an MBE by the Queen for his services to Music.
Representation
Worldwide general management with Askonas Holt
Season Highlights
Video
Iestyn Davies performs Handel: Saul, HWV 53, Act I: "Oh Lord, Whose Mercies Numberless"
Credit: Warner Classics
PlayingIestyn Davies performs ‘Se fiera belva ha cinto’ from Handel’s Rodelinda
Credit: Nexie Aden
PlayingIestyn Davies performs 'Io t’abbraccio' from Handel's Rodelinda
Credit: Metropolitan Opera
PlayingIestyn Davies performs JC Bach’s Lamento “Ach, daß ich Wassers g’nug hätte” with Fretwork Viol Consort.
Credit: Fretwork Viol Consort
PlayingIestyn Davies performs ‘Erbarme Dich, mein Gott’ from JS Bach’s St Matthew Passion
Credit: Academy of Ancient Music
PlayingIestyn Davies performs an excerpt from Handel’s Messiah: Live from the Barbican
Credit: Academy of Ancient Music and the Barbican Centre
PlayingIestyn Davies performs 'Handel: Clori, Tirsi e Fileno HWV96' conducted by Harry Bicket
The English Concert conducted by Harry Bicket Credit: The English Concert
Playing
Selected Repertoire
Adès | The Exterminating Angel (Francisco) • The Tempest (Trinculo) |
---|---|
Benjamin | Written on Skin (First Angel/Boy) |
Britten | A Midsummer Night's Dream (Oberon) |
Gluck | Orfeo ed Euridice (Orfeo) |
Handel | Agrippina (Ottone) • Ariodante (Polinesso) • Cesare (Cesare, Tolomeo) • Jephtha (Hamor) • L'incoronazione di Poppea (Ottone) • Partenope (Arsace) • Rinaldo (title role) • Rodelinda (Bertarido) • Saul (David) • Semele (Athamas) • Theodora (Didymus) |
Monteverdi | L'incoronazione di Poppea (Ottone) |
Mozart | Mitridate, re di Ponto (Farnace) |
Muhly | Marnie (Terry Rutland) |
Vivaldi | Orlando Furioso (Ruggiero) |
Projects
An Anatomy of Melancholy
Netia Jones directs a Barbican London production, blending John Dowland's poignant music with Robert Burton's 17th-century treatise The Anatomy of Melancholy. This intimate meditation on sorrow features Iestyn Davies's crystalline voice and lutenist Sergio Bucheli. The performance, inspired by Burton, Freud, and modern emotion experts, combines visuals with Dowland's music. Currently developing international tours for 2025/2026 and beyond.
Learn about this projectProjects
An Anatomy of Melancholy
Netia Jones directs a Barbican London production, blending John Dowland's poignant music with Robert Burton's 17th-century treatise The Anatomy of Melancholy. This intimate meditation on sorrow features Iestyn Davies's crystalline voice and lutenist Sergio Bucheli. The performance, inspired by Burton, Freud, and modern emotion experts, combines visuals with Dowland's music. Currently developing international tours for 2025/2026 and beyond.
Learn about this project
News
Press
Handel Orlando (title role)
Barbican HallJun 2024The countertenor voice is an otherworldly one, and his singing had an eeriness suited to the far side of the Styx.
- Roy Westbrook, BachTrack
- 01 July 2024
Davies’s Orlando exhibited utmost musical security and control, all the more impressive in that he sang most of it from memory. Razor-sharp coloratura in animated arias, and a seamless grasp of the shifting moods and visions which make up Handel’s remarkable sequence for his descent into madness at the end of Act Two, went hand in hand with his subtle but responsive gestures on stage to enact the part of the knight.
- Curtis Rogers, Opera Today
- 04 July 2024