IestynDavies

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Countertenor
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Nicholas Moloney

Nicholas Moloney

Senior Artist Manager
Ivo Ivanov

Ivo Ivanov

Assistant Artist Manager

Representation

Worldwide general management with Askonas Holt

About Iestyn

An esteemed interpreter of Handel, this season Iestyn sings Didymus in Theodora at Teatro Real Madrid and with Music of the Baroque, Chicago; David in Saul at the Glyndebourne Festival; Handel's Il Trionfo del Tempo e del Disinganno and Dixit Dominus with the Los Angeles Philharmonic and Emmanuelle Haim, Messiah with les Violons du Roy and Bernard Labadie and Handel arias on tour with the Chamber Orchestra of Europe and Robin Ticciati.

He will tour Monteverdi's Poppea with Cappella Mediterranea and Leonardo Garcia Alracon in Europe, and J.C. Bach, Scheidt, Schein, Buxtehude and more with Fretwork in the U.S. and Canada.

In the 2023/24 season he sang Bertarido in Rodelinda on tour in the U.S.A. and Asia with Harry Bicket and The English Concert, made his role debut at the Paris Opera as Tolomeo in Giulio Cesare, sang Oberon in Britten's A Midsummer Night's Dream with Atlanta Opera and at Garsington Opera, and the Boy in George Benjamin's Written on Skin with the Finnish Radio Symphony Orchestra. In August he made his Australian debut singing singing J.S. Bach and Arvo Pärt in an extensive solo tour with the Australian Chamber Orchestra.

Iestyn has appeared for a season on Broadway in a revival of his West-End theatre project Farinelli and the King with Mark Rylance, which received an Olivier Award nomination.

A celebrated recitalist with repertoire ranging from Dowland to Clapton, he has twice been awarded the Gramophone Recital Award. In 2017 he won the Gramophone Baroque Vocal Award and was awarded an MBE by the Queen for his services to Music.

Iestyn is based in London

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Representation

Worldwide general management with Askonas Holt

Season Highlights

Mar 2024 - Mar 2024
Disney Hall, Los Angeles
Handel Il trionfo del Tempo d del Disinganno, Dixit Dominus Emmanuelle Haim (Conductor) Los Angeles Philharmonic
Nov 2024 - Nov 2024
Teatro Real Madrid
Handel Theodora (Didymus) Ivor Bolton (conductor)
Nov 2024 - Dec 2024
U.S.A. and Canada tour
J.C. Bach, Tunder, Scheidt, Schein, Buxtehude and more Fretwork

Selected Repertoire

AdèsThe Exterminating Angel (Francisco)   •   The Tempest (Trinculo)
BenjaminWritten on Skin (First Angel/Boy)
BrittenA Midsummer Night's Dream (Oberon)
GluckOrfeo ed Euridice (Orfeo)
HandelAgrippina (Ottone)   •   Ariodante (Polinesso)   •   Cesare (Cesare, Tolomeo)   •   Jephtha (Hamor)   •   L'incoronazione di Poppea (Ottone)   •   Partenope (Arsace)   •   Rinaldo (title role)   •   Rodelinda (Bertarido)   •   Saul (David)   •   Semele (Athamas)   •   Theodora (Didymus)
MonteverdiL'incoronazione di Poppea (Ottone)
MozartMitridate, re di Ponto (Farnace)
MuhlyMarnie (Terry Rutland)
VivaldiOrlando Furioso (Ruggiero)
A laboratory scene, with two performers and four projection screens

Projects

An Anatomy of Melancholy

Netia Jones directs a Barbican London production, blending John Dowland's poignant music with Robert Burton's 17th-century treatise The Anatomy of Melancholy. This intimate meditation on sorrow features Iestyn Davies's crystalline voice and lutenist Sergio Bucheli. The performance, inspired by Burton, Freud, and modern emotion experts, combines visuals with Dowland's music. Currently developing international tours for 2025/2026 and beyond.

Learn about this project
  • A laboratory scene, with two performers and four projection screens

    Projects

    An Anatomy of Melancholy

    Netia Jones directs a Barbican London production, blending John Dowland's poignant music with Robert Burton's 17th-century treatise The Anatomy of Melancholy. This intimate meditation on sorrow features Iestyn Davies's crystalline voice and lutenist Sergio Bucheli. The performance, inspired by Burton, Freud, and modern emotion experts, combines visuals with Dowland's music. Currently developing international tours for 2025/2026 and beyond.

    Learn about this project

News

Press

  • Handel Orlando (title role)

    Barbican Hall
    Jun 2024
    • The countertenor voice is an otherworldly one, and his singing had an eeriness suited to the far side of the Styx.

    • Davies’s Orlando exhibited utmost musical security and control, all the more impressive in that he sang most of it from memory. Razor-sharp coloratura in animated arias, and a seamless grasp of the shifting moods and visions which make up Handel’s remarkable sequence for his descent into madness at the end of Act Two, went hand in hand with his subtle but responsive gestures on stage to enact the part of the knight.