MilesMykkanen
- Tenor


About Miles
The career of exuberant young Finnish-American tenor Miles Mykkanen was launched with a national win of the Metropolitan Opera Laffont Competition in 2019. He has since impressed with a series of important debuts on the world’s major stages, including Bayerische Staatsoper, Canadian Opera Company, Royal Opera House Covent Garden, and the Metropolitan Opera, where The Times declared him “the pick of the cast, whose flexible tenor lends lyricism and strength” in his star turn as Sam Clay in the house premiere run of The Amazing Adventures of Kavalier & Clay.
In the 26/27 season, Mykkanen returns to Dutch National Opera as Ejlert Løvborg in the world premiere of Vasco Mendonça’s take on the Ibsen classic Hedda Gabler. He sings his first performances as Belmonte in Die Entführung aus dem Serail at Ravinia Festival, with James Conlon on the podium, and brings his “poignant lyricism and vibrant tone” (San Francisco Classical Voice) to Tamino in Die Zauberflöte at London’s Royal Ballet & Opera at Covent Garden. Elsewhere, he appears in concert with Colorado Springs Philharmonic and San Francisco Symphony.
Mykkanen has quickly become the go-to tenor for roles requiring a deft balance of power, lyricism, and dramatic acuity, including Sam Clay in The Amazing Adventures of Kavalier & Clay at the Metropolitan Opera, a new Barrie Kosky production of Die Fledermaus and Philip Venables’ world premiere We Are The Lucky Ones, both at Dutch National Opera, a new Ted Huffman production of L’incoronazione di Poppea at Festival d’Aix-en-Provence, and the North American premiere of Kaija Saariaho’s Innocence at San Francisco Opera and the Met. Additional appearances include Die tote Stadt (Bayerische Staatsoper), Falstaff (Staatsoper Hamburg), Candide (Opéra de Lausanne, Ravinia, Tanglewood), Silent Night (Houston Grand Opera, Minnesota Opera), Die Zauberflöte (LA Opera), A Midsummer Night’s Dream (Opera Philadelphia), and Boris Godunov, Die Meistersinger von Nürnberg, Ariadne auf Naxos, and Wozzeck, all at the Met. His Albert Herring at Chicago Opera Theater was praised by Opera News for “an appealing honeyed sweetness which he employed with intelligence and humor.”
Mykkanen has performed under the baton of Franz Welser-Möst(Ariadne auf Naxos, Jenůfa, and Beethoven Symphony No. 9 with Cleveland Orchestra), Krzysztof Urbański (Carmina Burana with Atlanta Symphony Orchestra), Manfred Honeck (Bruckner’s Te Deum with Pittsburgh Symphony), Tito Muñoz (Beethoven Symphony No. 9 with Phoenix Symphony), Nathalie Stutzmann (Missa Solemnis with Atlanta Symphony Orchestra), and Leonard Slatkin (West Side Story with New York Philharmonic and Mohammed Fairouz’s Another Time with Detroit Symphony). His in-demand interpretations of Handel’s Messiah have taken him to the symphonies of Atlanta, Kansas City, Indianapolis, and New Jersey, as well as Chicago’s Music of the Baroque with Dame Jane Glover and the National Symphony Orchestra at the Kennedy Center.
Mykkanen’s compelling blend of charisma and honesty has engaged audiences in cabaret performances at Joe’s Pub, Neue Galerie’s Cabaret at Café Sabarsky, and the Metropolitan Museum of Art, where he curated Lavender Nights, a live installation of queer anthems. He honed his artistic flexibility in explorations of chamber music and art song with legendary musicians like Mitsuko Uchida, Malcolm Martineau, Roger Vignoles, and Steven Blier at the Marlboro Music Festival, New York Festival of Song, New World Symphony, Philadelphia Chamber Music Society, and Chamber Music Society of Lincoln Center. He is proud to have been featured in Juilliard’s annual Alice Tully Vocal Recital in his Carnegie Hall solo recital debut.
A proud Yooper from Michigan’s Upper Peninsula, Mykkanen leveraged his pandemic downtime to create community around the arts in his hometown of Ironwood. As founding Artistic Director of the Emberlight Festival, he has built a formidable board, raising more than $900,000 in a county where the annual median income is $29,000. Through its annual summer programming, Emberlight has now produced over 160 events – including chamber music, cabaret, theater, visual art, and folk art. Its film festival has received submissions from more than 80 countries, while performance infusions feature regional artists in everything from Ojibwe basket weaving to wool waulking. More than 70% of those events have been free to attend, ensuring that the arts are accessible to everyone in the rural region.
Mykkanen is grateful for the support he has received from the Richard Tucker Foundation, Sullivan Foundation, Toulmin Foundation, YoungArts, and the Juilliard School, where he received a Novick Career Advancement Grant and the Joseph W. Polisi Award. He is a graduate of the Interlochen Arts Academy and earned his BM, MM, and Artist Diploma in Opera Studies from Juilliard under the tutelage of Cynthia Hoffmann.
Representation
Season Highlights
Video
- Playing
Miles Mykannen as Sam Clay in The Amazing Adventures of Kavalier & Clay
Credit: Metropolitan Opera
Britten War Requiem - Miles Mykkanen Tenor
Agnus Dei: One ever hangs where shelled roads part | Shiyeon Sung, conductor | Verbier Festival Chamber Orchestra Credit: Tongyeong International Music Festival
Miles Mykkanen Holy Fool’s Aria from BORIS GODUNOV
Credit: Met Opera
Miles Mykkanen Interview - Silent Night with Houston Grand Opera
Credit: Houston Grand Opera
Selected Repertoire
Aucoin
Crossing (John Wormley)
Bates
Kavalier and Clay (Sam Clay)
Beethoven
Fidelio (Jaquino)
Berg
Lulu ( Der Maler)
Berlioz
Béatrice et Bénédict (Bénédict) • Les Troyens (Iopas, Hylas)
Bernstein
Candide (Candide) • West Side Story (Tony)
Bizet
Les Pêcheurs de perles (Nadir)
Britten
Albert Herring (Albert) • The Rape of Lucretia (Male Chorus) • A Midsummer Night's Dream (Lysander, Flute) • The Turn of the Screw (Peter Quint)
Delibes
Lakmé (Gérald)
Delius
A Village Romeo and Juliet (Sali)
Donizetti
L'elisir d'amore (Nemorino)
Gluck
Alceste (Admète) • Iphigénie en Tauride (Pylade)
Gordon
27 (Pablo Piccasso, F. Scott Fitzgerald, et al.)
Handel
Acis and Galatea (Acis)
Heggie
Moby Dick (Greenhorn)
J Strauss
Die Fledermaus (Alfred)
Janáček
Jenůfa (Števa Buryja) • Kát’a Kabanová (Váňa Kudrjáš) • The Makropulos Case (Janek)
Kevin Puts
Silent Night (Nikolaus Sprink)
Lehar
The Merry Widow (Camille, Count de Rosillon)
Mazzoli
Proving Up (Miles)
Mendoça
Hedda Gabler (Eilert Lövborg)
Moniuszko
Halka (Jontek)
Monteverdi
L’Incoronazione di Poppea (Arnalta)
Mozart
Così fan tutte (Ferrando) • Die Entführung aus dem Serail (Belmonte) • La finta giardiniera (Contino Belfiore) • Don Giovanni (Don Ottavio) • Die Zauberflöte (Tamino)
Mussorgsky
Boris Godunov (Fool)
Poulenc
Dialogues des Carmélites (Chevalier de la Force)
Puccini
Gianni Schicchi (Rinuccio) • La Rondine (Prunier)
R Strauss
Ariadne auf Naxos (Brighella) • Capriccio (Flamand) • Der Rosenkavalier (Italian Tenor) • Salome (Narraboth)
Ravel
L'Enfant et les Sortilèges (Teapot) (Little Old Man) (Frog)
Saariaho
Innocence (Groom)
Smetana
The Bartered Bride (Jeník Vasek)
Spears
Fellow Travelers (Timothy Laughlin)
Stravinksy
The Nightingale and Short Fables (Fisherman) • The Rake's Progress (Tom Rakewell)
Tchaikovsky
Eugene Onegin (Lensky)
Thomas
Mignon (Wilhelm Meister)
Venables
We are the lucky ones (Five)
Verdi
Falstaff (Fenton)
Wagner
Der fliegende Holländer (Steuermann) • Die Meistersinger von Nürnberg (David)
News
Press
Die Entführung aus dem Serail
Ravinia FestivalJul 2026Indeed, the youthful Finnish-American artist sounded like the very model of a modern Mozart tenor. Belmonte demands sweetness and focus of timbre, elegance of line and phrasing, and perfect vocal placement. Mykkanen had it all. To cite just one example, the seldom-heard aria “Ich baue ganz” fairly glowed with beauty of tone, strength of technique and impeccable musicality.
- Chicago Classical Review
- 19 July 2026
Innocence
Metropolitan OperaApr 2026The tenor Miles Mykkanen, as the shooter’s sibling, was most memorable, with a jovial brightness that transformed into shattering fragility, disquieting and sweet, as he admits that he still loves his brother.
As the truth is revealed, the spaces transform, almost magically. The saddest revelations happen here, against blank walls: the Bridegroom (the piercing tenor Miles Mykkanen) admits, ‘I loved my brother,’ he sings, a cappella. ‘I love him still.
Mykkanen used his forceful tenor to fine effect as the bridegroom who has a horrific secret.
- Opera Magazine
Mykkanen is a tenor with baritone-like resonance, who displays real power with beautifully constructed sustained notes and intensity in each of his phrases. His control in the higher register is remarkable.
The cast is collectively sterling. Mykkanen’s cutting timbre was welcome as Tuomas, and he was especially strong in the opera’s final stroke, where Tuomas speaks both of his love for his brother and admits to covering up his own involvement in the shooting.
Mykkanen shifted from a firm tenor in the early going to more explosive in the opera’s second half. As he made his big revelation, you could feel the tenor’s voice building in its intensity.
The casting was strong all around. Mykkanen, the wide-eyed Clay in The Amazing Adventures of Kavalier & Clay, was convincing in the utterly different role of Tuomas, and he was vocally Stucker’s match as the young lover of operatic archetype.
- Parterre Box
- 09 April 2026
The shocking nature of the admissions by the Bridegroom was impressively played by Mykkanen, who was notable earlier in the season as Clay in Kavalier and Clay.
Saariaho - Innocence
Metropolitan OperaApr 2026The tenor Miles Mykkanen, as the shooter’s sibling, was most memorable, with a jovial brightness that transformed into shattering fragility, disquieting and sweet, as he admits that he still loves his brother.
Britten - Albert Herring
Chicago Opera TheaterJan 2023There were winning performances by Miles Mykkanen in the title role [...] With his splendid lyric tenor and endearingly awkward manner as the town's reluctant May King, Mykkanen had the full measure of Albert both vocally and dramatically
- Opera Magazine
- 01 April 2023
As Albert, tenor Miles Mykkanen displayed a lovely lyric voice with an appealing honeyed sweetness in the timbre, which he employed with intelligence and humor
- Opera News
Mussorgsky - Boris Godunov
Metropolitan Opera, New YorkSep 2021And this was a cast of sonorous, articulate singing talkers […] The mezzo-soprano Tichina Vaughn, as a piquant inn hostess, and the tenor Miles Mykkanen, as the plangent Holy Fool who haunts Boris, are both excellent.
- New York Times
- 29 September 2021
The character of the Holy Fool, hauntingly sung and acted here by Miles Mykkanen, clearly represents Boris’ conscience, and Wadsworth fascinatingly has him confronting the Tsar-to-be on an empty stage before a note of music is played. Boris recoils from the Fool immediately and takes refuge in the monastery. The Fool appears often – twirling madly when not singing – a constant reminder of Boris’ guilt
- Bachtrack
- 02 October 2021
Spinning like a top and scattering balletic anguish […] the fine American tenor Miles Mykkanen gave it his all and sang very beautifully
- Opera News
- 30 September 2021
Die Zauberflöte
LA OperaMay 2026 - Jun 2026Romantic hero Tamino, bouncy Finnish tenor Miles Mykkanen, was sung with poignant lyricism and a vibrant tone.
- San Francisco Classical Voice
- 02 June 2026
Mancasola and Mykkanen, as Pamina and Tamino, are likable, lyric lovers.
The choreography between live performers and animation is astonishing, and the cast rose magnificently to the challenge – Mykkanen brings warmth and heroism to Prince Tamino.
Mykkanen makes an impressive company debut as Prince Tamino, bringing both vocal power and sincerity to the role.
Mykkanen’s Tamino had the bright, ardent lyric tenor the part wants, and the rarer instinct to wait: he held back in the portrait aria, let the line gather, and reached the high note as if surprised to find it there.














