MilesMykkanen
- Tenor


About Miles
The career of exuberant young Finnish-American tenor Miles Mykkanen was launched with a national win of the Metropolitan Opera Laffont Competition in 2019. He has since impressed with a series of important debuts on the world’s major stages, including the Metropolitan Opera, Bayerische Staatsoper, Canadian Opera Company, San Francisco Opera, Dutch National Opera and the Royal Ballet and Opera.
Mykkanen has quickly become the go-to tenor for roles requiring a deft balance of power, lyricism, and dramatic acuity, as showcased in Ted Huffman's productions of L’incoronazione di Poppea at Festival d’Aix-en-Provence and Philip Venables new work We Are The Lucky Ones for the Dutch National Opera and the North American premiere of Kaija Saariaho’s Innocence at San Francisco Opera.
Highlights in his 2025/26 season include the role of Clay in the world premiere of Mason Bates' new opera The Amazing Adventures of Kavalier & Clay under the baton of Yannick Nézet-Séguin at the Metropolitan Opera, The Bridegroom in Innocence, also at the Met, Tamino Die Zauberflöte in his debut for the Los Angeles Opera and Leukippos in concert performances of Dahpne in his debut for the Seattle Opera. On the concert platform he will sing Beethoven's Symphony no. 9 with the Cleveland Orchestra/Franz Welser-Möst, Carmina Burana at the Masstricht Festival with pianists Lucas and Arthur Jussen and Messiah with Music of the Baroque/Dame Jane Glover.
Mykkanen’s compelling blend of charisma and honesty has engaged audiences in cabaret performances at Joe’s Pub, Neue Galerie’s Cabaret at Café Sabarsky, and the Metropolitan Museum of Art, where he curated Lavender Nights, a live installation of queer anthems. He honed his artistic flexibility in explorations of chamber music and art song with legendary musicians like Mitsuko Uchida, Malcolm Martineau, Roger Vignoles, and Steven Blier at the Marlboro Music Festival, New York Festival of Song, New World Symphony, Philadelphia Chamber Music Society, and Chamber Music Society of Lincoln Center.
A proud Yooper from Michigan’s Upper Peninsula, Mykkanen leveraged his pandemic downtime to create community around the arts in his hometown of Ironwood. Emberlight has now produced 119 individual events – including a film festival with entries from 83 countries, live performances of chamber music, cabarets, and plays, a photography show and public art installations, and performance infusions featuring regional artists in everything from Ojibwe basket weaving to wool waulking. More than 70% of those events have been free to attend, ensuring that the arts are accessible to everyone in the rural region.
Representation
Photos
Selected Repertoire
Aucoin
Crossing (John Wormley)
Beethoven
Fidelio (Jaquino)
Berg
Wozzeck (Andres)
Berlioz
Béatrice et Bénédict (Bénédict) • Les Troyens (Iopas, Hylas)
Bernstein
Candide (Candide) • West Side Story (Tony)
Bizet
Les Pêcheurs de perles (Nadir)
Britten
Albert Herring (Albert) • Billy Budd (Novice) • A Midsummer Night's Dream (Lysander, Flute) • The Turn of the Screw (Peter Quint)
Delibes
Lakmé (Gérald)
Delius
A Village Romeo and Juliet (Sali)
Donizetti
L'elisir d'amore (Nemorino)
Gluck
Alceste (Admète) • Iphigénie en Tauride (Pylade)
Gordon
27 (Pablo Piccasso, F. Scott Fitzgerald, et al.)
Handel
Acis and Galatea (Acis)
Heggie
Moby Dick (Greenhorn)
J Strauss
Die Fledermaus (Alfred)
Janáček
Jenůfa (Števa Buryja) • Kát’a Kabanová (Váňa Kudrjáš) • The Makropulos Case (Janek)
Kevin Puts
Silent Night (Nikolaus Sprink)
Lehar
The Merry Widow (Camille, Count de Rosillon)
Mazzoli
Proving Up (Miles)
Moniuszko
Halka (Jontek)
Monteverdi
L’Incoronazione di Poppea (Arnalta)
Mozart
Così fan tutte (Ferrando) • Die Entführung aus dem Serail (Belmonte) • La finta giardiniera (Contino Belfiore) • Don Giovanni (Don Ottavio) • Die Zauberflöte (Tamino)
Mussorgsky
Boris Godunov (Fool)
Poulenc
Dialogues des Carmélites (Chevalier de la Force)
Puccini
Gianni Schicchi (Rinuccio) • La Rondine (Prunier)
R Strauss
Ariadne auf Naxos (Brighella) • Capriccio (Flamand) • Der Rosenkavalier (Italian Tenor) • Salome (Narraboth)
Ravel
L'Enfant et les Sortilèges (Teapot) (Little Old Man) (Frog)
Saariaho
Innocence (Groom)
Smetana
The Bartered Bride (Jeník Vasek)
Spears
Fellow Travelers (Timothy Laughlin)
Stravinksy
The Nightingale and Short Fables (Fisherman) • The Rake's Progress (Tom Rakewell)
Tchaikovsky
Eugene Onegin (Lensky)
Thomas
Mignon (Wilhelm Meister)
Wagner
Der fliegende Holländer (Steuermann) • Die Meistersinger von Nürnberg (David)
News
Press
Britten - Albert Herring
Chicago Opera TheaterJan 2023There were winning performances by Miles Mykkanen in the title role [...] With his splendid lyric tenor and endearingly awkward manner as the town's reluctant May King, Mykkanen had the full measure of Albert both vocally and dramatically
- Opera Magazine
- 01 April 2023
As Albert, tenor Miles Mykkanen displayed a lovely lyric voice with an appealing honeyed sweetness in the timbre, which he employed with intelligence and humor
- Opera News
Mussorgsky - Boris Godunov
Metropolitan Opera, New YorkSep 2021And this was a cast of sonorous, articulate singing talkers […] The mezzo-soprano Tichina Vaughn, as a piquant inn hostess, and the tenor Miles Mykkanen, as the plangent Holy Fool who haunts Boris, are both excellent.
- New York Times
- 29 September 2021
The character of the Holy Fool, hauntingly sung and acted here by Miles Mykkanen, clearly represents Boris’ conscience, and Wadsworth fascinatingly has him confronting the Tsar-to-be on an empty stage before a note of music is played. Boris recoils from the Fool immediately and takes refuge in the monastery. The Fool appears often – twirling madly when not singing – a constant reminder of Boris’ guilt
- Bachtrack
- 02 October 2021
Spinning like a top and scattering balletic anguish […] the fine American tenor Miles Mykkanen gave it his all and sang very beautifully
- Opera News
- 30 September 2021