NunoCoelho

/
  • Conductor
Nuno Coelho
Nuno Coelho

About Nuno

Chief Conductor & Artistic Director: Orquesta Sinfónica del Principado de Asturias Associate Conductor: Orquestra Sinfónica do Porto Casa da Música (2024)

Nuno has been Chief Conductor of Spain’s Orquesta Sinfónica del Principado de Asturias since October 2022. In addition to concerts in Oviedo, the 2024/25 season sees him return to Antwerp Symphony, Tampere Philharmonic, Gulbenkian Orchestra and Orquesta Sinfónica de RTVE, and debut with Stavanger Symphony, Staatsphilharmonie Nürnberg and Minnesota Orchestra.

Highlights of the last two seasons have included concerts with the Royal Concertgebouw Orchestra, Netherlands Radio Philharmonic, Frankfurt's hr-Sinfonieorchester, Orquestra Sinfônica de São Paulo, Orquesta Nacional de España, BBC Scottish Symphony, Orchestre Philharmonique du Luxembourg and Orchestre Philharmonique Royal de Liège.

Nuno’s opera credits include a semi-staging of Così fan tutte and José Saramago’s reimagining of Mozart’s Don Giovanni, both at the Gulbenkian. He has also conducted productions of La traviata, Cavalleria rusticana, Rusalka and Manon, and will return to Ópera de Oviedo for Manon Lescaut in 2026.

Nuno won First Prize at the 2017 Cadaqués International Conducting Competition and has gone on to conduct all the top orchestras in Spain and Portugal. He was a Los Angeles Philharmonic Dudamel Fellow between 2018-19 and stepped in for Bernard Haitink that same season to debut with the Symphonieorchester des Bayerischen Rundfunks.

Nuno is based in Vienna

Download programme biography   

Contact

For availability and enquiries:

For contracts, logistics and press:

Holly Cartwright

Holly Cartwright

Assistant Artist Manager

Representation

General management with Askonas Holt

Partner Managers:
Ibermusica (Spain)

Follow Nuno

Season Highlights

Oct 2024
Auditorio Principe Felipe, Oviedo
Brahms: Double Concerto Mahler: Symphony No. 5 Roman Simovic (violin) Pablo Ferrandez (cello) Orquesta Sinfónica del Principado de Asturias
Nov 2024
Tampere-talo, Tampere
Haydn: Symphony No. 82 Ravel: Piano Concerto for the Left Hand Dvořák: Symphony No. 6 Cédric Tiberghien (piano) Tampere Philharmonic Orchestra
Nov 2024
Centro Cultural de Belém, Lisbon
Andreia Pinto-Correia: Xántarra Shostakovich: Symphony No.13 Orquestra Sinfónica Portuguesa
Jan 2025
Konserthus, Stavanger
Music by Nielsen, Nicolai, Verdi and J. Strauss Adrian Angelico (mezzo-soprano) Stavanger Symphony Orchestra
Jan 2025
Auditorio Principe Felipe, Oviedo
Grieg: Piano Concerto Shostakovich: Symphony No. 10 Sir Stephen Hough (piano) Orquesta Sinfónica del Principado de Asturias
Jan 2025
Orchestral Hall, Minneapolis
Yun: Kraken Liszt: Piano Concerto No. 1 Dvořák: Symphony No. 6 George Li (piano) Minnesota Orchestra
Mar 2025
Meistersingerhalle, Nürnberg
Haydn: Symphony No. 80 Lalo: Cello Concerto Ravel: Ma mère l‘Oye R. Strauss: Till Eulenspiegel Emanuel Graf (cello) Staatsphilharmonie Nürnberg
May 2025
Queen Elisabeth Hall, Antwerp
Boulanger: D’un Matin de Printemps Ravel: Piano Concerto in G major Mahler: Symphony No. 1 Javier Perianes (piano) Antwerp Symphony Orchestra
May 2025
Gulbenkian, Lisbon
Beethoven: Piano Concerto No. 3 Kodály: Dances of Galanta Bartók: The Miraculous Mandarin Suite Javier Perianes (piano) Gulbenkian Orchestra
Jun 2025
Auditorio Principe Felipe, Oviedo
Messiaen: Les Offrandes Oubliées Coll: Sinfonia (world premiere) Berlioz: Symphonie fantastique Orquesta Sinfónica del Principado de Asturias

News

Press

  • Mozart, Adès and Strauss with Tampere Philharmonic

    Tampere-talo, Finland
    Sep 2022
    • Vähän yli kolmekymppinen Coelho teki inspiroivan debyytin Tampereella. Tämän konsertin perusteella hän voi edetä urallaan vaikka minkälaisiin korkeuksiin. Hänessä on temperamenttja ja tarkkuutta, ja elekieli viestii puhdasta musiikkia ilman minkäänlaista teatraalisuutta. Coelho, in his early thirties, made an inspiring debut in Tampere. On the basis of this concert, he can go to any number of heights in his career. He has temperament and precision, and his gestures convey pure music without any theatricality. ★★★★★

  • Beethoven with Orquesta Sinfónica de Galicia

    Galicia, Spain
    Oct 2020
    • Sin caer en la tentación de acentuar sus aristas, Coelho demostró la calidad de su batuta y de su inspiración dando vida a una interpretación noble y serena que supo trasladar al público la esencia de tan sublime partitura. Without falling into the temptation of accentuating its edges, Coelho demonstrated the quality of his baton and his inspiration, giving life to a noble and serene interpretation that knew how to convey to the audience the essence of such a sublime score.

    • La versión de la Orquesta Sinfónica de Galicia al mando de Nuno Coelho fue impecable, cuidadosa, consciente del lenguaje y de su significado. El joven (Oporto, 1989), premiado —en el Concurso de Cadaqués, por ejemplo— y suficientemente preparado maestro portugués firmó luego una magnífica versión de la Pastoral beethoveniana en la que mostró, junto a una orquesta muy concentrada, no sólo competencia técnica sino una idea muy clara de la partitura en la que, a mi entender, destacó el modo de tratar el segundo movimiento, con una delectación casi al límite, demorado pero clarísimo, definiendo muy bien cada plano sonoro —fue una excelente idea la de colocar primeros y segundos violines enfrentados—, cuidando enormemente cada mínimo detalle dinámico con naturalidad y sin aspavientos. The version of the Orquesta Sinfónica de Galicia conducted by Nuno Coelho was impeccable, careful, aware of the language and its meaning. The young (Oporto, 1989), award-winning - e.g. at the Cadaqués Competition - and sufficiently prepared Portuguese maestro then conducted a magnificent version of the Beethovenian Pastoral in which he showed, together with a very concentrated orchestra, not only technical competence but also a very clear idea of the score. In my opinion, the way he treated the second movement stood out, with a delectation almost to the limit, delayed but very clear, defining each sound plane very well - it was an excellent idea to place first and second violins facing each other -, taking great care of every minimum dynamic detail with naturalness and without fuss.

  • Beethoven with Symphonieorchester des Bayerischen Rundfunks

    Munich
    Feb 2019
    • Coelho distinguished himself in the way he charted the music’s course from a wonderfully still choral opening to the exuberance of the full forces in the final bars.