RobinTritschler
Representation
Worldwide general management with Askonas Holt
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About Robin
A previous BBC New Generation Artist and Royal Academy of Music graduate, Irish tenor Robin Tritschler is acclaimed for his "radiantly lyrical" voice, garnering praise from critics and audiences alike.
Highlights this season see Robin tour Monteverdi Vespers with Ensemble Pygmalion and Raphaël Pichon, Beethoven 9 with Pichon in Paris, embark on a Messiah concert tour with the Irish Chamber Orchestra, join the Scottish Chamber Orchestra and Václav Luks, and the Antwerp Symphony Orchestra with Daniel Reuss. Robin will also make his Australian debut singing recitals in Adelaide with Olli Mustonen and returns to the Wigmore Hall, London.
Last season Robin made his debut with the London Symphony Orchestra for Bruckner’s Te Deum conducted by Nathalie Stutzmann. He also joined Raphaël Pichon and the Munich Philharmonic for concerts of Mozart’s Mass in C minor and returned to the Salzburg Festival with Maxime Pascal. Previous highlights also include opening the Atlanta Symphony Orchestra’s season with performances of Beethoven’s Symphony No. 9 with Stutzmann, returning later as the Evangelist in performances of Bach’s St Matthew Passion. Robin also joined the Ulster Orchestra for Haydn’s The Creation (Daniele Rustioni), Bach’s Christmas Oratorio with the Oslo Domkor and later with the Dresdner Kreuzchor and for Glyndebourne Festival Opera Robin sang Don Ottavio (Don Giovanni) with Evan Rogister.
Representation
Worldwide general management with Askonas Holt
Follow Robin
Season Highlights
Video
Robin Tritschler New Generation Artists sings Cornelius
Robin sings "Die Hirten" (the shepherds) by Peter Cornelius. Pianist is James Baillieu Credit: BBC
Playing'My Beloved is Mine' - Schubert and Britten songs
“Taking Britten’s Canticle 1 as its focal point, this sequence of songs explores the different facets of devotion: love of people or places, love forbidden or denied, love consummated or unrequited, love real or imagined.” Credit: Ian Tindale and TallWall Media
PlayingRobin Tritschler & Graham Johnson - Ives: Ich grolle nicht, Oxford Lieder Festival 2020
“Gramophone Magazine wrote last year of Robin Tritschler’s performance of Beethoven’s An die ferne Geliebte (‘To the distant beloved’) that ‘he combines something of Fritz Wunderlich’s warmth with Christian Gerhaher’s altogether darker introspection, and is beautifully alert to the cycle’s constant shifts of emotion and mood’.” Credit: Oxford Lieder Festival
PlayingMendelssohn: Symphony No. 2 “Lobgesang”
Symphony No. 2 in B-Flat Major, Op. 52, MWV A18 “Lobgesang”: VI. Stricke des Todes hatten uns umfangen · Andrew Manze · Robin Tritschler · Anna Lucia Richter · NDR Radiophilharmonie · WDR Rundfunkchor Köln · NDR Chor Credit: Studio Hamburg/Norddeutscher Rundfunk
Playing
Selected Repertoire
Beethoven | Fidelio (Jaquino) |
---|---|
Donizetti | L’elisir d’amore (Nemorino) |
Janacek | The Makropoulos Case (Janeck) |
Mozart | Die Entführung aus dem Serail (Belmonte) • Zaïde (Sultan Solimann) • Mitridate (Marzio) • Don Giovanni (Don Ottavio) • Cosi fan tutte (Ferrando) |
Rossini | Il barbiere di Siviglia (Count Almaviva) |
Strauss | Salome (Narraboth) |
Verdi | Otello (Rodrigo) |
News
Press
Recording: Songs for Peter Pears
Signum ClassicsJun 2024[Tritschler’s voice] is lovelier in timbre, brighter on top as well as lighter in weight—he is that rare bird nowadays, a real artist who understands words, articulates them clearly, and knows how to shape phrases in a way that is both musical and inherently dramatic...In short, he is an excellent singer and one whose work it is a distinct pleasure to listen to. This is clearly the finest vocal recital disc of the year and one of the finest of this decade.
- The Art Music Lounge
- 10 June 2024
A hearty welcome to this exceptionally stimulating programme, devised – and essayed with penetrating insight – by Robin Tritschler. With his mellifluous tone, flawless technical prowess and impeccable diction, the Irish tenor covers himself in glory throughout. ...you have a release that is guaranteed to provide lasting rewards.
- Gramophone
- 15 June 2024
This is a powerful and rewarding release. ... I still listened with plenty of pleasure, buoyed by Tritschler’s intelligence, the music, and its multiple shades of feeling...
- The Times
- 25 June 2024