RosaFeola
Contact
For availability and general enquiries:
Fabiana Dalpiaz
For contracts, logistics and press
Kate Robson
Representation
General Management with Askonas Holt
Partner manager:
Italy: Melodramma (Giandomenico Bisi)
About Rosa
Rosa Feola came to international attention after winning multiple awards including Second Prize, The Audience Prize and the Zarzuela Prize at the Plácido Domingo World Opera Competition (2010). In 2020, Rosa was awarded the Premio Speciale of the Spoleto Festival dei Due Mondi.
Operatic roles include Corinna (Il Viaggio a Reims), Adina (L’elisir d’amore), Gilda (Rigoletto), Norina (Don Pasquale), Susanna (Le nozze di Figaro), Amina (La Sonnambula) to name just a few, performing at houses including Teatro alla Scala, The Metropolitan Opera New York, Teatro dell’Opera in Rome, Opernhaus Zürich, Bayerische Staatsoper, Ravenna Festival, Lyric Opera of Chicago, Teatro Regio Torino, Salzburg Festival and the Deutsche Oper Berlin.
The 24/25 season for Rosa begins with a return to the role of Gilda (Rigoletto) at Opera Bastille, Alice Ford (Falstaff) at Teatro alla Scala, La Traviata at Deutsche Oper Berlin and Tiroler Festspiele as well as Micaela (Carmen) at Bayerische Staatsoper. She will also return to the Metropolitan Opera, performing the role of Susanna (Le Nozze di Figaro) and will make her LA Opera debut as Gilda (Rigoletto). On the concert platform, Rosa will perform a collection of Donizetti pieces with Carlo Rizzi at Wigmore Hall, London, give a recital at the Norfolk Music Festival, and perform Beethoven’s Missa Solemnis at Teatro alla Scala.
Representation
General Management with Askonas Holt
Partner manager:
Italy: Melodramma (Giandomenico Bisi)
Season Highlights
Video
Rosa Feola: La Traviata: "Addio del Passato"
Credit: Teatro de San Carlo
PlayingRosa Feola: Turandot - 'Tu che di gel sei cinta'
Performed as part of 'La Grande Opera Italiana Patrimonio dell'Umanità' at Arena di Verona Credit: RAI
PlayingRosa Feola: Turandot: "Signore, ascolta!"
Rosa performs as Liu in Teatro di San Carlo's production of Turandot. Credit: Teatro di San Carlo
PlayingRosa Feola: Fedora: “Il Parigino è come il vino”
Rosa Feola sings Olga’s Act II aria in the final dress rehearsal. Production: David McVicar. Conductor: Marco Armiliato. 2022–23 season. Credit: Metropolitan Opera
PlayingRosa Feola: Rigoletto: “Tutte le feste al tempio”
Rosa Feola, as Gilda, sings an excerpt from Act II in the final dress rehearsal. Production: Bartlett Sher. Conductor: Speranza Scappucci. 2022–23 season. Videography by Neville Braithwaite. Credit: Metropolitan Opera
PlayingRosa Feola: "Se amor ti allena" – Fedora (Metropolitan Opera)
Rosa Feola performs "Se amor ti allena" in the role of Olga with the Metropolitan Opera (January 2023) Credit: Metropolitan Opera
PlayingRosa Feola: Rigoletto: “Caro nome"
Rosa Feola sings Gilda’s Act I aria in the New Year’s Eve gala premiere of Bartlett Sher’s new production. Conductor: Daniele Rustioni. 2021–22 season. Videography by Pete Scalzitti. Credit: Metropolitan Opera
Playing
Selected Repertoire
Bellini | I Capuleti e i Montecchi (Giulietta) • I Puritani (Elvira) • La Sonnambula (Amina) |
---|---|
Bizet | Les Pecheurs de Perles (Leila) • Carmen (Micaela) |
Brahms | Requiem |
Donizetti | Don Pasquale (Norina) • La campanello (Serafina) • L’elisir d’amore (Adina) • Linda di Chamounix • Maria Stuarda |
Gluck | Orfeo et Euridice (Euridice) |
Gounod | Romeo et Juliette (Juliette) |
Mercadante | I due Figaro (Inès) |
Monteverdi | Il Vespro della Beata Vergine |
Mozart | La Clemenza di Tito (Servilia) • Idomeneo (Ilia) • Le Nozze di Figaro (Susanna) • Don Giovanni (Donna Anna) • La Finta Giardiniera (Sandrina) |
Mozart | C Minor Mass • Requiem • Exultate Jubilate • Vespere solennes de Confessore |
Offenbach | Tales of Hoffman (Antonia) |
Puccini | Gianni Schicchi • La Bohème (Musetta) • Turandot (Liu) |
Rossini | Viaggio a Reims (Corinna) • Il Turco in Italia (Fiorilla) • La Scala di Seta |
Verdi | Rigoletto (Gilda) • Falstaff (Alice) • La traviata (Violetta) |
News
Press
Rigoletto (Verdi)
Opera BastilleDec 2024Ottimo debutto per la Feola, che conosce bene la parte e ha conquistato il pubblico con il suo lirismo e virtuosismo, superlativa soprattutto nel secondo atto, e ha mostrato anche la sua grazia come ballerina. [translated] An excellent debut for Feola, who knows the part well and won over the audience with her lyricism and virtuosity, especially superlative in the second act, and also showed her grace as a dancer.
- Musicultura
- 16 December 2024
Face à lui la divine Gilda de Rosa Feola est idéale avec une incarnation toute en fragilité et innocence. La soprano italienne nous ravit avec des nuances finement dosées. [translated] Rosa Feola's divine Gilda is ideal with an incarnation full of fragility and innocence. The Italian soprano delights us with finely measured nuances.
- Clasique News
- 17 December 2024