SashaScolnik-Brower
- Conductor


About Sasha
Bernard Haitink Conducting Fellow: Bavarian Radio Symphony Orchestra
Sasha Scolnik-Brower is the Bernard Haitink Conducting Fellow with the Bavarian Radio Symphony Orchestra, where he assists Sir Simon Rattle and conducts the orchestra in various projects and concerts.
Apart from his work with the BRSO, Sasha has recently made debuts with the National Symphony Orchestra of Ireland, Staatsoper Hamburg (Die Fledermaus), Netherlands Radio Philharmonic Orchestra, Orchestre de Paris, National Symphony Orchestra (USA), and Residentie Orkest in collaboration with the Dutch National Opera Academy (Il ritorno d’Ulisse). Other notable performances include Rossini’s La scala di seta at the Bredeweg Festival in Amsterdam, a collaboration with Jennifer Koh and students from The Juilliard School at the Kennedy Center in Washington D.C, and Pierrot Lunaire at the Ukrainian Institute of America in New York City. In the 2025-2026 season, Sasha will debut with the London Symphony Orchestra, Belgian National Orchestra, and Luxembourg Philharmonic.
Sasha is a graduate of the Juilliard School and of the Dutch National Masters of Orchestral Conducting. He was a conducting fellow at the Aspen Music Festival for two years for which he was awarded the Robert Spano Conducting Prize. He previously studied English and Music at Harvard University.
Representation
General management with Askonas Holt
Season Highlights
Photos
News
Press
Sasha Scolnik-Brower conducts Belgian National Opera
Théâtre des Champs-ÉlyséesMay 2026At the head of a Belgian National Orchestra in good shape, Sasha Scolnik-Brower adopts an energetic and precise direction with alert tempi that a baroque conductor would not deny. Always concerned about his performers, the young American conductor also excels in orchestral works, as evidenced by the subtle overture to The Barber and the spectacular storm scene.
- Forum Opera
- 14 May 2026
Under the direction of young yet strikingly mature conductor Sasha Scolnik-Brower, the evening immediately gained momentum, elegance, and tension. From the very first measures, you could feel it: here stood an orchestra in top form. Scolnik-Brower led the BNO with effortless authority and a keen sense of style. He constantly energized the orchestra, but did so without heavyhandedness or showiness. In both Mozart overtures – Le nozze di Figaro and Così fan tutte – he kept the music nimble, taut, and transparent, precisely as it should sound. No plodding symphonic weight, but rather tension, elegance, and theatrical pulse. The strings played with sharp articulation, the woodwinds colored with finesse, while the conductor continuously maintained breath and fluidity in the music. In Rossini, his stylistic sensibility came through even more forcefully. Immediately in the sparkling overture to The Barber of Seville Scolnik-Brower demonstrated his mastery of this repertoire: rhythmically alert, brimming with energy, yet always controlled and refined. In the colorful Thunderstorm as well, he built the tension meticulously.
- Klassiek Centraal
- 16 May 2026
ARD Prizewinners Concert
MunichSep 2025The young conductor does this with the utmost discretion, even if that's hardly the right word for his musical instinct, his stylistic confidence, and his precise craftsmanship
- Süddeutsche Zeitung
- 21 September 2025
BRSO Academy Anniversary Concert
MunichSep 2025Here, under the direction of the young Sasha Scolnik-Brower, Bernard Haitink Conducting Fellow at the BRSO since 2024/25, who recently conducted the orchestra with great success at the ARD Music Competition, the task was also to master a multitude of solo tasks with charm and a sense for chamber music texture, rhythmic conciseness and the tonal balance between strings, woodwind and brass, which was achieved without exception
- Süddeutsche Zeitung
- 22 September 2025









