YujaWang

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  • Piano

About Yuja

Yuja Wang needs no introduction.

As The New York Times observed, Yuja “has made a career out of dazzling displays of virtuosity”, perhaps most notably when she recently teamed up with Yannick Nézet-Séguin and The Philadelphia Orchestra to perform all four of Rachmaninoff’s piano concerti - followed by his Rhapsody on a Theme of Paganini - in a single concert. This was a feat never before attempted at Carnegie Hall, and one she pulled off with “both clarity and poetry… heft but not bombast, sentiment but not schmaltz” and then came back for more with encores.

The 2024/25 season sees Yuja embark on a tour of Asia with Sir Antonio Pappano and the London Symphony Orchestra, before joining forces with Víkingur Ólafsson for a duo recital tour of Europe’s most renowned concert halls, which continues in North America in 2025.

November brings a European play-direct tour with the Mahler Chamber Orchestra, where she is Artist in Residence this season, and the new year sees Yuja return to the US where she is also midway through a residency with the New York Philharmonic. In January she performs with the orchestra as both soloist and leader for three performances of Janáček and Stravinsky alongside the original jazz-band version of Gershwin’s Rhapsody in Blue.

An exclusive Deutsche Grammophon recording artist, Yuja was awarded a Grammy for Best Classical Instrumental Solo for the 2023 release The American Project, which also won an Opus Klassik award in the Concerto category.

Yuja is based in New York

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Contact

For availability and general enquiries

Phillippa Cole

Phillippa Cole

Senior Vice President Opus 3 Artists

For contracts, logistics and press

Ruby Robinson

Ruby Robinson

Assistant Project Manager & EA

Representation

General management with Askonas Holt and Opus 3 Artists

Partner Managers:
Japan: KAJIMOTO
Italy: Lorenzo Baldrighi Artists Management
Spain: Duetto

Season Highlights

Oct 2024 - Nov 2024
Europe
Four-handed Piano Concert Tour with Víkingur Ólafsson Berio: Wasserklavier Schubert: Fantasia in F minor for Four Hands Ligeti: “Bewegung” from Three Pieces for Two Pianos Brubeck: Fugue from Points on Jazz Nancarrow, arr. Thomas ADÈS: Study No. 6 John Adams: Hallelujah Junction Arvo Pärt: Hymn to a Great City Rachmaninoff: Symphonic Dances for Two Pianos Op. 45 Harpa Concert Hall | Musikverein Vienna | Philharmonie Luxembourg | Tonhalle Zürich | Isarphilharmonie | Elbphilharmonie | Philharmonie Berlin | Royal Festival Hall | Philharmonie de Paris
Nov 2024
Europe
Tour with Mahler Chamber Orchestra Ravel: Piano Concerto in G major Tsfasman: Jazz Suite for Piano and Orchestra Palau de la Música de València | Teatro Real | Teatro de la Maestranza | Gulbenkian Grand Auditorium | Blauwe Zaal | De Singel | Concertgebouw Amsterdam | Wiener Konzerthaus | Elbphilharmonie
Jan 2025
Marian Anderson Hall, Philadelphia
Tchaikovsky: Piano Concerto No.1 in B-flat minor, Op.23 Still: Symphony No. 2 in G minor "Song of a New Race" Yannick Nézet-Séguin (conductor) The Philadelphia Orchestra
Jan 2025
David Geffen Hall, New York
Janáček: Capriccio for Piano Left Hand and Winds Stravinsky: Concerto for Piano and Wind Instruments Gershwin: Rhapsody in Blue (original jazz band version) New York Philharmonic
Jan 2025
Philharmonie de Paris
Lorenz: Todo Terreno Grau: Concerto for Venezuelan Cuatro and Orchestra, "Odisea" Tchaikovsky: Piano Concerto No.1 in B-flat minor, Op.23 Ravel: Boléro, M.81 Gustavo Dudamel (conductor) Simón Bolívar Symphony Orchestra
Feb 2025 - Mar 2025
North America
Four-handed Piano Concert Tour with Víkingur Ólafsson Berio: Wasserklavier Schubert: Fantasia in F minor for Four Hands Ligeti: “Bewegung” from Three Pieces for Two Pianos Brubeck: Fugue from Points on Jazz Nancarrow, arr. Thomas ADÈS: Study No. 6 John Adams: Hallelujah Junction Arvo Pärt Hymn to a Great City Rachmaninoff: Symphonic Dances for Two Pianos Op. 45 Koerner Hall | Carnegie Hall | Symphony Hall Boston | Severance Hall | Walt Disney Concert Hall | Granada Theatre | Davies Symphony Hall
Feb 2025
Davies Symphony Hall, San Francisco
Stravinsky: Concerto for Piano and Wind Instruments Debussy: Images pour orchestre, L.122: 1. Gigues Stravinsky: Capriccio for Piano and Orchestra Debussy: Images pour orchestre, L.122: 3. Rondes de printemps Stravinsky: Movements for Piano and Orchestra Debussy: Images pour orchestre, L.122: 2. Ibéria Esa-Pekka Salonen (conductor) San Francisco Symphony
May 2025
Vienna
Raminta Šerkšnytė: Midsummer Song Tchaikovsky: Piano Concerto No.1 in B-flat minor, Op.23 Sibelius: Lemminkäinen Suite, Op.22: 1. Lemminkäinen and the Maidens of the Island Sibelius: Lemminkäinen Suite, Op.22: 2. The Swan of Tuonela Sibelius: Lemminkäinen Suite, Op. 22: 4. Lemminkäinen's Return Mirga Gražinytė-Tyla (conductor) Vienna Philharmonic Wiener Musikverein | Wiener Konzerthaus

News

Press

  • Recital

    Usher Hall, Edinburgh
    • Delicately shimmering Chopin (Four Ballades), crystal-clear counterpoint in some Shostakovich preludes and fugues, and a brilliantly persuasive interpretation of Samuel Barber’s knotty Piano Sonata, with its final fugue taken at a storming pace — all just a warm-up. She then gave her customary eight encores, ranging from a Chinese song to an astonishing arrangement of the demonic scherzo from Shostakovich’s String Quartet No 8. Who needs four players when you have a pianist who apparently has four hands?

  • "The Vienna Recital"

    Album Review
    May 2024
    • Wide-ranging repertoire, but united by the ever-compelling brilliance of this star among her generation of pianists, the remarkable Yuja Wang, captured in concert in 2022.

  • Recital

    Royal Festival Hall
    Jun 2024
    • Yuja Wang’s latest recital at the Festival Hall was a dazzling, at times beguiling affair, carefully structured and executed with her customary flamboyance, glamour and elegance.

  • Yuja Wang & Philadelphia Orchestra

    Carnegie Hall, New York
    Jan 2023
    • Virtuosity on this level, in material this ravishing, is elevating to witness — which is why, even after so many hours, I was left at the end feeling an exhilarated lightness. Like many others I saw, I drifted up the aisle and onto the street unable to stop smiling.