MalcolmMartineau

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Accompanist
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Contact

For availability and general enquiries:

Vincent Turp

Vincent Turp

Artist Manager
Ivo Ivanov

Ivo Ivanov

Assistant Artist Manager

Representation

Worldwide general management with Askonas Holt

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About Malcolm

Regarded as one of the greatest accompanists of his generation, Malcolm Martineau read Music at St Catharine's College, Cambridge before studying with Geoffrey Parsons at the Royal College of Music.

Malcolm is an Honorary Doctor and International Fellow of Accompaniment at the Royal Conservatoire of Scotland. He was Artistic Director of the 2011 Leeds Lieder Festival and he is the Artist Director of Oxenfoord International. His awards include the Walther Grüner International Lieder competition.

He works with singers such as Elina Garanča, Sonya Yoncheva, Florian Boesch, Günther Groissböck, Dame Sarah Connolly, as well as singers from the next generation such as Johanna Wallroth, Patricia Nolz and Konstantin Krimmel

He was made an OBE in the 2016 New Year’s Honours for his services to music and young singers.

Malcolm is based in London

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Representation

Worldwide general management with Askonas Holt

Follow Malcolm

Season Highlights

Oct 2023
Teatro Colón, Buenos Aires; Auditorio Nacional Adela Reta, Montevideo
Works by Puccini, Tosti & Verdi Sonya Yoncheva (soprano) Malcolm Martineau (piano)
Nov 2023
Opéra National de Bordeaux; Deutsche Staatsoper, Berlin
Works by Puccini, Tosti & Verdi Sonya Yoncheva (soprano) Malcolm Martineau (piano)
Dec 2023
Muziekgebouw, Amsterdam
Works by Fauré, Poulenc, Brahms, Wolf, Eisler & Britten Sir Simon Keenlyside (baritone) Malcolm Martineau (piano)

Video

Photos

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News

Press

  • Recital with Lise Davidsen

    Zellerbach Hall
    Feb 2025 - Feb 2025

    • Martineau and Davidsen established an exquisite balance between stillness and delicacy with dramatic intensity. They stitched the delicate and the grave with finesse. They displayed a fastidious control of light and dark, low and high.

    • It was at this point Martineau worked a special kind of magic. I could have sworn there were cellos onstage during his introductory phrases, and he drew a truly orchestral sound from the piano.

Discography