
Chamber Orchestra of Europe
Introduction
The Chamber Orchestra of Europe (COE) was founded in 1981 by a group of young musicians who became acquainted as part of the European Community Youth Orchestra (now EUYO). There are now about 60 members of the COE, who pursue parallel careers as principals or section leaders of nationally-based orchestras, as eminent chamber musicians, and as tutors of music.
From the start, the COE’s identity was shaped by its partnerships with leading conductors and soloists. It was Claudio Abbado above all who served as an important mentor in the early years. He led the COE in staged works such as Rossini’s Il viaggio a Reims and Il barbiere di Siviglia and Mozart’s Le Nozze di Figaro and Don Giovanni and conducted numerous concerts featuring works by Schubert and Brahms in particular. Nikolaus Harnoncourt also had a major influence on the development of the COE through his performances and recordings of all of the Beethoven symphonies, as well as through opera productions at the Salzburg, Vienna, and Styriarte festivals.
Currently the Orchestra works closely with Sir András Schiff, Yannick Nézet-Séguin and Robin Ticciati who are both Honorary Members alongside Bernard Haitink and Nikolaus and Alice Harnoncourt.
The COE has strong links with many of the major festivals and concert halls in Europe including the Cologne Philharmonie, the Philharmonie Luxembourg, Paris Philharmonie, the Concertgebouw in Amsterdam and the Alte Oper in Frankfurt. In partnership with the Kronberg Academy, the COE becomes the first-ever Orchestra-in-residence at the Casals Forum in Kronberg from 2022. The Chamber Orchestra of Europe will also be Orchestra-in-residence at the Esterhazy Palace in Eisenstadt from 2022.
With more than 250 works in its discography, the COE’s CDs have won numerous international prizes, including two Grammys and three Gramophone Record of the Year Awards. Their most recent release is an archive recording of the Schubert Symphonies, performed at the Styriarte Festival in Graz in 1988 with Nikolaus Harnoncourt, released by ICA Classics.
Tours
- Dec 2025Europe & USA
Yannick Nézet-Séguin (conductor) Veronika Eberle (violin) Jean-Guihen Queyras (cello) Johannes Brahms, Tragic Overture Op. 81 Johannes Brahms, Double Concerto for Violin, Cello and Orchestra in A minor Op. 102 Johannes Brahms, Symphony No. 1 in C minor Op. 68 Spanish Hall, Prague Castle, Prague | Philharmonie de Paris, Paris | Carnegie Hall, New York | Marian Anderson Hall, Philadelphia | Hill Auditorium, Ann Arbor
- Jul 2025 - Jul 2025Baden Baden Festspielhaus: La Capitale d’Été Festival
Yannick Nézet-Séguin (conductor) Ying Fang, Soprano Emily d’Angelo, Mezzo-Soprano Michael Volle, Bariton Stanislas de Barbeyrac, Tenor Chamber Orchestra of Europe Rias Kammerchor Wolfgang Amadeus Mozart, Requiem ----- Ying Fang, Soprano Michael Volle, Bariton Stanislas de Barbeyrac, Tenor Yannick Nézet-Séguin, Klavier Mitglieder des Chamber Orchestra of Europe (Maria Wloszczowska, Piotr Szumiel, Richard Lester) Wolfgang Amadeus Mozart Ridente la calma KV 152 (4’) Als Luise die Briefe KV 520 (2‘) Un moto di Gioia (aus „Le nozze di Figaro“) (2’) Abendempfindung an Laura KV 523 (6’) Ying Fang (Sopran), Yannick Nézet-Séguin (Klavier) Robert Schumann Dichterliebe op. 48 (28’) Liedzyklus nach Gedichten aus Heinrich Heines „Buch der Lieder“ Stanislas de Barbeyrac (Tenor), Yannick Nézet-Séguin (Klavier) Wolfgang Amadeus Mozart Das Lied der Trennung KV 519 (5‘) Ich würd’ auf meinem Pfad (An die Hoffnung) KV 390 (2‘) Die betrogene Welt KV 474 (3‘) Die ihr des unermesslichen Weltalls Schöpfe ehrt. Kantate KV 619 (7‘) Michael Volle (Bariton), Yannick Nézet-Séguin (Klavier) Wolfgang Amadeus Mozart Das Lied der Trennung KV 519 (5‘) Ich würd’ auf meinem Pfad (An die Hoffnung) KV 390 (2‘) Die betrogene Welt KV 474 (3‘) Die ihr des unermesslichen Weltalls Schöpfe ehrt. Kantate KV 619 (7‘) Michael Volle (Bariton), Yannick Nézet-Séguin (Klavier) Robert Schumann Klavierquartett Es-Dur op. 47 (27') ------ Yannick Nézet-Séguin, Conductor Ying Fang, Soprano Emily d’Angelo, Mezzo-Soprano Michael Volle, Bariton Stanislas de Barbeyrac, Tenor Chamber Orchestra of Europe Rias Kammerchor Mozart, Mass in C minor
- Mar 2025 - Apr 2025Liege, L'Orchestre Philharmonique Royal de Liège | Berlin, Philharmonie | Toulouse, La Halle aux Grains | Eisenstadt, Esterházy Palace | Seoul, LG Arts Center | Seoul, Lotte Concert Hall | Saffron Walden, Saffron Hall | London, Barbican
Chamber Orchestra of Europe Sunwook Kim (piano/director) Tour Programme includes: Beethoven Piano Concerto No. 1, Beethoven Piano Concerto No. 2, Beethoven Piano Concerto No. 3, Beethoven Piano Concerto No. 4, Beethoven Piano Concerto No. 5, Elegiac inflections (Grime), Stride (Clyne)
- Jul 2024 - Jul 2024Europe
Yannick Nézet-Séguin (conductor) Joyce DiDonato (mezzo-soprano) Mahler: Rückert Lieder, Mahler Symphony No.4 Yannick Nézet-Séguin (conductor) Seong Jin Cho (piano) Beethoven: Piano Concerto 4, Mozart: Symphony No.35, Beethoven: Piano Concerto 5 Baden Baden Festspielhaus: La Capitale d’Été Festival
- Jul 2023 - Jul 2023Europe
Chamber Orchestra of Europe Yannick Nézet-Séguin (conductor) Lisa Batiashvili (violin) Brahms: Symphony No.3, Symphony No.4, Piano Quintet, Clarinet Quintet, Violin Concerto, Farrenc: Symphony No.1 Baden Baden Festspielhaus: La Capitale d’Été Festival
- Nov 2022 - Nov 2022South Korea
Kirill Karabits (conductor) Sunwook Kim (piano) Beethoven: Symphony No.7, Piano Concert No.3, Piano Concerto No.4, Mendelssohn Symphony No.4 'Italian' Seoul Arts Centre | Lotte Concert Hall | Daegu Concert House | Arts Center Incheon
- Jul 2021 - Jul 2021Europe
Chamber Orchestra of Europe Yannick Nézet-Séguin (conductor) Siobhan Stagg (soprano) Ekaterina Gubanova (alto) Werner Güra (tenor) Florian Boesch (bass) Accentus Choir Complete Beethoven Symphony Cycle Baden Baden Festspielhaus: La Capitale d’Été Festival
Photos
News
Press
Concert
Philharmonie de ParisDec 2025Nézet-Séguin est dans un grand soir. En confiance face à un orchestre qu’il connaît mieux que personne dans ce répertoire qu’ils viennent d’enregistrer ensemble, en confiance dans cette Philharmonie de Paris qui lui est toute acquise et dont il adore l’acoustique, le maestro va livrer une vraie leçon sur l’art de la direction. On pourrait consacrer plusieurs paragraphes à chaque pupitre, au violon étincelant de Lorenza Borrani, à la flûte divine de Clara Andrada, au hautbois si chaleureux de Philippe Tondre, au cor alpestre héroïque de Benoît de Barsony… sans oublier les timbales proprement extraordinaires de John Chimes : ce soir, ce monument (nommé au BBC Symphony par Pierre Boulez en 1975) fait de son instrument une palette de couleurs sonores infinies, avec une diversité de textures, un soin apporté à l’articulation de chaque note, une conscience des phrases et de l’architecture musicale qui laissent pantois."







