AlexeyDolgov
Contact
For availability and general enquiries:
Mark Hildrew
For availability and general enquiries:
Paul Meyer zu Schwabedissen
For contracts, logistics and press:
Seb Mallet
Representation
About Alexey
The 2024/25 season sees Alexey debut at Teatro Regio Torino as Chekalinsky in Pique Dame and Concertgebouw Amsterdam in the roles of Sapkin, Opily vezen and Vesely vezen in House of the Dead, conducted by Karina Canellakis. He will also make a role debut as Kudrjas in Katya Kabanova for Opéra Royal de Wallonie-Liège and return to Israeli Opera for Cassio in Otello.
Recent engagements include a new production of House of the Dead by Dmitri Tcherniakov at Ruhrtriennale Festival, his first Prince in Rusalka at Israeli Opera and Count Vaudemont in Iolanta with the Royal Philharmonic Orchestra and the Bournemouth Symphony Orchestra.
Alexey has worked with conductors such as Placido Domingo, Vasily Petrenko, Daniel Harding, Semyon Bychkov, Seiji Ozawa, Kirill Karabits, Gianandrea Noseda, Speranza Scappucci, Gustavo Dudamel, Alexander Shelley, Philippe Auguin, Patrick Summers, Alain Altinoglu, Dan Ettinger, Leo Hussain, Robin Ticciati, Renato Palumbo, Omer Meir Wellber, Leopold Hager and Dmitri Jurowski.
Representation
Season Highlights
Audio
- Alexey Dolgov sings the Prince in March 2024Recorded: 01 March 2024
Photos
Selected Repertoire
| Rimsky-Korsakov | May Night (Levko) • The Golden Cockerel (Prince Guidon) • The Tsars Bride (Lïkov) |
|---|---|
| Berg | Wozzeck (Andres*) |
| Bizet | Carmen (Don Jose*) |
| Borodin | Prince Igor (Vladimir Igorevitch) |
| Donizetti | Lucia di Lammermoor (Sir Edgardo di Ravenswood) |
| Dvořák | Rusalka (The Prince) |
| Janáček | From the House of the Dead (Shapkin) • Káťa Kabanová(Váňa Kudrjas) • Jenůfa (Steva) • The Makropulos Affair (Vítek*) |
| Mascagni | Cavalleria Rusticana (Turiddu) • Silvano (title role) |
| Massenet | Hérodiate (Jean*) |
| Mozart | Die Zauberflöte (Tamino) • La clemenza di Tito (Tito*) |
| Mussorgsky | Boris Godunov (the false Dmitry/Grigory*) |
| Puccini | Madama Butterfly (B.F. Pinkerton) • La Rondine (Ruggero Lastouc*) • Tosca (Cavaradossi) |
| Rachmaninoff | Aleko (Young Gipsy) • Francesca da Rimini (Damte) • The Miserly Knight (Albert) |
| Rubinstein | the Demon (Prince Sinodal) |
| Strauss | Ariadne auf Naxos (Tanzmeister, Bacchus) Salome (Narraboth*) |
| Stravinsky | Mavra (Vassili/Mavra) • Oedipus Rex (Oedipus, King of Thebes) |
| Tchaikovsky | Eugene Onegin (Lensky) • Iolanta (Vaudemont) • Pique Dame (Chekalinsky, Hermann*) |
| Verdi | I Due Foscari (Jacopo Foscari) • Otello (CAssio) • Rigoletto (Il Duca) • La Traviata (Alfredo) |
| Wagner | Der Fliegende Holländer (Erik) |
Press
Iolanta
Bournemouth Symphony OrchestraMay 2024It was Alexey Dolgov as Count Vaudémont whose heroic tenor found a natural habitat for Tchaikovsky’s soaring melodies, easily winning the hearts of Iolanta and the audience. His grand duet with Kulchynska at the work’s climax brought the evening’s finest singing.
- Opera Today
- 09 May 2024
The tenor Alexey Dolgov, as Iolanta’s lover, mustered plenty of ardour
- The Times
- 09 May 2024
