AnnaProhaska

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Soprano
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Nicholas Moloney

Nicholas Moloney

Senior Artist Manager
Megan Steller

Megan Steller

Associate Artist Manager

Representation

Worldwide general management with Askonas Holt

About Anna

Winner: Opus Klassik Female Singer of the Year 2024

2024 Opus Klassik Female Singer of the Year, the Austrian-English soprano Anna Prohaska, made her debut aged 18 at Berlin’s Komische Oper as Flora in Britten’s The Turn of the Screw and soon after with the Staatsoper Unter den Linden Berlin, entering the ensemble at age 23. She has since gone on to have an extraordinary international career with some of the world’s greatest opera houses and orchestras.

Plans for the 24/25 season include Zabelle (George Benjamin's Picture a Day Like This) conducted by the composer for Opéra Comique; Mozart's Requiem in Romeo Castellucci's staged production for Gran Teatre del Liceu; Fiordiligi (Mozart's Così fan tutte) with the Montréal Symphony Orchestra; and a new opera, Lash, by Rebecca Saunders at the Deutsche Oper Berlin.

On the concert platform, Anna performs Handel's Messiah with the Orchestra Sinfonica di Milano Giuseppe Verdi; Haydn's Creation with the Helsinki Philharmonic Orchestra; Mozart's Exsultate Jubilate with the Deutsches Symphonie-Orchester Berlin; and Rufus Wainwright's Dream Requiem with the Orquestra Simfònica de Barcelona i Nacional de Catalunya.

She also appears as a 24/25 season Spotlight Artist for the Toronto Symphony Orchestra, and tours her projects Ophelia with Eric Schneider and Paradise Lost with Julius Drake across Europe.

Anna is based in Berlin

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Representation

Worldwide general management with Askonas Holt

Season Highlights

Dec 2024
Auditorium di Milano Fondazione Cariplo
Handel's Messiah Christoph Koncz (conductor) Orchestra Sinfonica di Milano
Dec 2024
Konserttisali, Musiikkitalo Helsinki
Haydn's Creation Thomas Hengelbrock (conductor) Helsinki Philharmonic Orchestra
Jan 2025
Berliner Philharmonie
Mozart's Exsultate Jubilate K. 165 Bernhard Forck (conductor) DSO
Ensemble Resonanz & Anna Prohaska performing at the Elbphilharmonie

Projects

Anna Prohaska & Ensemble Resonanz

Star soprano Anna Prohaska and conductor Nicolas Ellis combine forces with Ensemble Resonanz to present a programme of 'Love and Betrayal', with music by Berg and Mozart. Mozart's 'Haffner' Symphony No. 35 serves as the backbone of the programme, and the performance intertwines encrypted love messages from Berg's 'Lyric Suite' with the dizzying emotional states expressed in many of Mozart's most famous arias, including from Le Nozze di Figaro and Cosi Fan Tutte.

Learn about this project
  • Ensemble Resonanz & Anna Prohaska performing at the Elbphilharmonie

    Projects

    Anna Prohaska & Ensemble Resonanz

    Star soprano Anna Prohaska and conductor Nicolas Ellis combine forces with Ensemble Resonanz to present a programme of 'Love and Betrayal', with music by Berg and Mozart. Mozart's 'Haffner' Symphony No. 35 serves as the backbone of the programme, and the performance intertwines encrypted love messages from Berg's 'Lyric Suite' with the dizzying emotional states expressed in many of Mozart's most famous arias, including from Le Nozze di Figaro and Cosi Fan Tutte.

    Learn about this project

Sample Programmes

  • Paradise Lost

    Performed in collaboration with Julius Drake TITLE: Morning in Paradise - Eve Awakens - Eve breathes life into God’s creation MAURICE RAVEL: Trois beaux oiseaux du Paradis OLIVIER MESSIAEN: Bonjour toi, colombe verte GABRIEL FAURÉ: La chanson d'Ève, Op. 95 CLAUDE DEBUSSY: Apparition DANIEL-LESUR: Ce qu'Adam dit à Ève TITLE: Pastoral Idyll - Playing with Fire - Eve and Evil - The Fall of Man IGOR STRAVINSKY: Pastorale HUGO WOLF: 'Die Spröde' from Goethe-Lieder, No. 26 HUGO WOLF: 'Die Bekehrte' from Goethe-Lieder, No. 27 JOHANNES BRAHMS: 'Salamander' from 5 Lieder, Op.107, No. 2 ARIBERT REIMANN: 'Gib Mir Den Apfel' from Kinderlieder, No. 6 BENJAMIN BRITTEN: The Poison Tree HANS PFITZNER: Röschen biß den Apfel an, Op. 33 MAURICE RAVEL: 'Air du Feu' from L'enfant et les sortilèges Interval TITLE: Banishment - Exodus – Memories SERGEI RACHMANINOV: 'A-oo', Op.38, No. 6 CHARLES IVES: Evening HENRY PURCELL: Sleep, Adam, and take thy rest, Z195 FRANZ SCHUBERT: Auflösung, D.807 FRANZ SCHUBERT: Abendstern, D.806 ROBERT SCHUMANN: Jetzt sank des Abends goldner Schein ROBERT SCHUMANN: Liederkreis, Op. 24 (Heine): 6. Warte, warte wilder Schiffmann TITLE: Earthly Life HANS EISLER: Jeden Morgen, mein Brot zu verdienen HANS EISLER: Die Stadt hat mich belehrt GUSTAV MAHLER: Des Knaben Wunderhorn, No. 5 Das irdische Leben GEORGE CRUMB: Wind Elegy LEONARD BERNSTEIN: Silhouette (Galilee)

  • Serpent & Fire

    Performed in collaboration with Il Giardino Armonico HENRY PURCELL: Dido and Aeneas Z. 626 'Overture' HENRY PURCELL: Ah! Belinda from Dido and Aeneas Z. 626 CHRISTOPH GRAUPNER: "Holdestes Lispeln der spielenden Fluthen" from "Dido, Königin von Karthago" in G Major ANTONIO SARTORIO: "Non voglio amar" from Giulio Cesare in Egitto MATTHEW LOCKE: Curtain Tune (from The Tempest) DANIELE DE CASTROVILLARI: "A Dio regni, a Dio scettri" from La Cleopatra ANTONIO SARTORIO: "Quando voglio" from Giulio Cesare in Egitto HENRY PURCELL: ‘Chaconne’ from The Fairy Queen CHRISTOPH GRAUPNER: "Der Himmel ist von Donner... Infido Cupido" from Dido, Königin von Karthago CHRISTOPH GRAUPNER: "Agitato da tempeste" from Dido, Königin von Karthago Interval SAMMARTINI: Recorder concerto in F major JOHANN ADOLF HASSE: "Già si desta la tempesta" from Didone abbandonata GEORGE FRIDERIC HANDEL: "Se pietà di me non senti" from Giulio Cesare in Egitto DARIO CASTELLO: Sonata decimaquinta a quattro (Venezia, 1629) FRANCESCO CAVALLI: "Re de' Getuli Altero...Il mio marito" from Didone JOHANN ADOLF HASSE: "Morte col fiero aspetto" from Marc'Antonio e Cleopatra LUIGI ROSSI: Passacaille del Seig. R Louigi HENRY PURCELL: "Oft She visits this lone mountain" from Dido and Aeneas HENRY PURCELL: Dido's Lament (from Dido and Aeneas)

News

Press

  • Paradise Lost

    Concertgebouw, Amsterdam
    Dec 2024
    • She came on like a little devil, her hair in a chaotic mess. In the Kleine Zaal of the Concertgebouw we witnessed a hallucinatory trip through time, language, story... Prohaska needs no decor, no acted drama. She uses her own original personality plus a chameleonic voice that scrapes, groans and ecstatically reaches out to the listener. In doing so, she seeks intimacy, even the biggest outbursts she keeps small. With every word she shows how beautiful vowels and consonants can be.