GevorgHakobyan
Contact
For availability and general enquiries:
Mark Hildrew
For availability and general enquiries:
Paul Meyer zu Schwabedissen
For contracts, logistics and press:
Seb Mallet
Representation
About Gevorg
The next few seasons see Gevorg making his house debuts at Arena di Verona, L’Opéra national de Paris, Kansas City Opera, The Metropolitan Opera New York, Deutsche Oper Berlin and Opera Australia. He will return to the Teatro Real Madrid and de Nationale Opera Amsterdam.
Gevorg has appeared at Wiener Staatsoper, Teatro Real Madrid, Liceu Barcelona, de Nationale Opera Amsterdam, Palau de les Arts Valencia, Teatro Carlo Felice Genoa, Bolshoi Theatre Moscow, Mariinsky Theatre, Mikhailovsky Theatre, Nationale Opera Amsterdam, Stuttgart Opera, Terme di Caracalla Roma, Teatro Communale di Bologna, Palau des les Arts Reina Sofia, Teatro Massimo di Palermo, Armenian National Academic Theatre of Opera and Ballet, Hong Kong Cultural Centre, Opera de Lille, Opera di Genova and Teatro Regio di Torino as well as the White Nights Festival St. Petersburg and Savonlinna Festival.
Representation
Season Highlights
Video
Gevorg Hakobyan sings Amonasro
Gevorg Hakobyan sings Aida and Amonasro's duet "Cielo! mio padre!" from Aida at Teatro Regio di Torino in February 2023 alongside Erika Grimaldi. Credit: Gevorg Hakobyan
PlayingGevorg Hakobyan sings Prince Igor
Gevorg Hakobyan sings "Ni sna ni otdycha izmuchennoj duse" from Borodin's Prince Igor, from his "Arias of Love and Sorrow" recording with Konstantin Orbelian and the Kaunas City Symphony Orchestra. Credit: Gevorg Hakobyan
PlayingGevorg Hakobyan sings Un Ballo in Maschera
Gevorg Hakobyan singing “Alzati, là tuo figlio – Eri tu che macchiavi quell’anima” from Verdi’s Un ballo in maschera, from his 2023 recording “Arias of Love and Sorrow” with John Fisher, Constantine Orbelian and the Kaunsas City Symphony Orchestra. Credit: Gevorg Hakobyan
PlayingGevorg Hakobyan sings Scarpia
Gevorg Hakobyan performing “Te Deum” as Scarpia in Barrie Kosky's production of Tosca at Dutch National Opera in May 2022. Conducted by Lorenzo Viotti. Credit: Nationale Opera & Ballet
Playing
Selected Repertoire
| Bizet | Carmen (Escamillo) |
|---|---|
| Borodin | Prince Igor (title role) |
| Giordano | Andrea Chénier (Carlo Gérard) |
| Leoncavallo | Pagliacci (Tonio) |
| Mascagni | Cavalleria Rusticana (Alfio) |
| Porrino | I Shardana (Norace) |
| Puccini | La Faniculla del West (Jack Rance) • Gianna Schicchi (title role) • Madama Butterfly (Sharpless) • Il Tabarro (Michele) • Tosca (Scarpia) |
| R. Strauss | Salome (Jochanaan) |
| Rachmaninoff | Aleko (title role) • Francesca da Rimini (Lanciotto Malatesta) |
| Rimsky-Korsakov | The Legend of the Invisible City of Kitezh and the Maiden Fevroniya (Fyodor Poyarok) • The Tsar’s Bride (Grigory Gryaznoy) |
| Tchaikovsky | Cherevichki (Bes) • Eugene Onegin (title role) • Iolanta (Ibn-Hakia, Robert) • Mazeppa (title role) • The Queen of Spades (Count Tomsky) |
| Verdi | Aida (Amonasro) • Un ballo in maschera (Renato*) • I due Foscari (Francesco Foscari) • Macbeth (title role) • Nabucco (title role) • Otello (Iago) • Rigoletto (title role*) • Simon Boccanegra (title role, Paolo Albiani) • La Traviata (Giorgio Germont) |
Press
Tosca
Australian OperaJul 2024Gevorg Hakobyan as Scarpia dominated the stage with his presence. We could well believe Scarpia ruled Rome by fear, while Hakobyan conveyed a smooth charm complete with menace even in his casual questioning, as in Act two’s bedroom scene.
- Opera Wire
- 11 July 2024
Hakobyan’s sadistic chief of police is typical of the oafish class that strays dangerously close to the halls of power, often hijacking ideological movements for their own political gain and treating those around them as mere playthings. We’ve all seen them, elevated from the underbelly of society to positions of power in return for dubious services rendered.
- Limelight Arts
- 26 June 2024
