MariSamuelsen

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  • Violin

About Mari

In Mari Samuelsen’s musical universe, there are no barriers between the music of contemporary composers like Max Richter, Caroline Shaw, and Philip Glass, and that of Bach and Beethoven. With her breathtaking artistry, adventurous approach to programming, and emotionally charged style of playing, backed by immaculate technique and a drive to defy traditional expectations, she inspires a global audience.

Mari’s passion for genre blurring has seen her collaborate with a range of musicians including electronic music artists Jeff Mills, Dubfire, multimedia artist Philipp Geist and perform with Max Richter and Hollywood actress Tilda Swinton at the Bluedot Festival.

Mari's third studio album on Deutsche Grammophon LIFE, inspired by her experience of becoming a mother, includes music by Max Richter as well as Olivia Belli, Jóhann Jóhansson, and Nils Frahm, with a track by Hania Rani being selected by Louis Vuitton for their Olympic campaign. This follows her two previous albums LYS and MARI, both of which reached top 10 in the Classical Album Charts.

"When making music and putting together programs, I don't think about what's traditionally perceived to be "correct" or "expected", rather the opposite. My aim is to create innovative programmes for music lovers - regardless of genre."

Mari is based in Oslo

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Contact

For Sales & Enquiries:

Rachel Bertaut

Rachel Bertaut

Senior Artist Manager

For contracts, logistics and press:

Tia Ling

Tia Ling

Associate Artist Manager

Representation

General Management with Askonas Holt

Season Highlights

Sep 2026
Lyons-la-Forêt, France
26th September 2026 | Maxwell Quartet | Christian Pierre Afternoon concert: Richter: Illuminations / Clouds (Chris Tanton) Hildegard von Bingen: O vis eternitatis (arr. Tormod Tvete Vik for solo violin and strings) Westhoff: Violin Sonata No. 3 in D minor: III. Imitazione delle Campane (arr. Badzura) Glass: Echorus Maxwell Quartet: Haripol Lennon: Yesterday (arr for solo cello) Glass: String Quartet No. 3 (Mishima): Mishima / Closing Mererdi: White Flowers Take Their Bath Charlie Chaplin: Modern Times – Theme (arr. for solo cello) Richter: Infra 5 Evening concert: Niccola Matteis: A la Fantasia (solo violin) Selection of Bach and Glass duos Caroline Shaw: Plan & Elevation IV. The Orangery Caroline Shaw: Plan & Elevation V. The Beech Tree Glass: String Quartet No. 3 (Mishima) Johann Paul von Westhoff: Violin Sonata no. 3 in D minor: III. Imitazione delle campane Max Richter: Infra 5 Brahms: String Sextet No. 1 in B-flat Major, Op.18
Oct 2026
Scotland
22nd October 2026 | Usher Hall, Edinburgh 23rd October 2026 | Glasgow City Halls, Glasgow Max Richter: The Four Seasons Recomposed (play-direct) Scottish Chamber Orchestra
Nov 2026
Ireland
7th November 2026 | Knock Basilica Programme to include John Williams’ soundtracks 12th November 2026 | National Concert Hall Philip Glass: Violin Concerto no.1 RTÉ Concert Orchestra Patrik Ringborg (conductor)
Nov 2026
Oulu Hall, Finland
19th- 21st November 2026 | 'Beyond the Sky' Lauri Porra: Beyond the Sky (World Premiere) Oulu Sinfonia & Project Choir Dalia Stasevska (conductor) Aphrodite Patoulidou (soprano)
Jun 2027
Concertgebouw, Amsterdam
11th & 12th June 2027 Philip Glass: Violin Concerto no.1 Netherlands Philharmonic Orchestra Dalia Stasevska (conductor)

News

Press

  • Play-direct Max Richter's Recomposed: Vivaldi- The Four Seasons

    RTÉ Concert Orchestra, National Concert Hall (Dublin)
    Aug 2024
    • To say that this was a filmic evening is to state the blindingly obvious… The rapport between Samuelsen and the orchestra was superb… Samuelsen was stunning in the famous virtuoso cadenzas and the RTÉ Concert Orchestra played to match.

  • BBC Symphony Concert

    Queen Elizabeth Hall, London
    Feb 2023
    • Samuelsen made her entrance with an ethereal performance of Lonely Angel by Pēteris Vasks… Like The Lark Ascending meets Shostakovich, it nevertheless speaks with its own ecstatic voice, which Samuelsen fully embraced and projected through a seamless melodic line...In Samuelsen’s hands the solo part was in turns radiant and quixotic and moving experience.

  • Philip Glass Violin Concerto no. 1

    BBC Symphony Orchestra, Queen Elizabeth Hall
    May 2022
    • Pumping iron must be a piece of cake compared to playing Glass arpeggios. Yet there are moments for the violinist to soar, and Samuelsen’s sweet tone allowed the music to float in the sighing central movement

  • LYS album

    May 2022
    • The resultant soundscapes- for that is what many of them are- are breathtaking.

  • MARI album

    Jun 2019
    • Coruscating repeating patterns leaping off the soundboard as if fingers were treading on hot coals.

  • James Horner 'Pas de Deux'

    LA Philharmonic, Hollywood Bowl
    Aug 2016
    • Pas de Deux… was given a spell binding rendition by the Samuelsens and the LA Phil.